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View Full Version : First attempt - Graphic Novel - I welcome brutal feedback - The Die Electric Wars



Grim_L
July 5th, 2016, 11:15 PM
It's rough, so it may be difficult to evaluate it. I am likely going to have to draw it, so I didn't want to polish the script too much unnecessarily, especially because the story is so long. This is about half the story and it's about 60 pages. The first chapter is Hidden History.

http://royalroadl.com/fiction/7070

It's a sci fi story set a couple years in the future. It also deals with real world history and what is considered "conspiracy theory."

Also... I am using a strange format here that doesn't work well with writing sites. It's 3 streams or stories that run concurrently - I call them montages. They are all running in the same time frame. There's no alternate timelines or universes or anything. When I format the art it will be much easier to follow I feel.






The Die Electric Wars: Book 1
Urgent Call to Action: To the person reading this document, the future and past of mankind is in your hands at this very moment. This is the most important document you will ever read in your life, I can assure you of that with zero reservation. I urge you to guard this document with your life and to commit every image and word to memory to the best of your ability. Key elements of this information cannot be replaced and were lost from the masses for thousands of years. You truly may be the last hope of preventing this information from being lost in time again. Countless people have died to bring to YOU and the rest of the world this information you have in your hands at this very moment. Please do not take this responsibility lightly.

It is also imperative you make accurate copies of this document to the best of your ability and spread it to all of those who can be trusted.

Signed, with the utmost sincerity and conviction – Leader of the resistance,

[Name blacked-out] March 10, 2018

PS – warning – this is a graphic novel script rather than a conventional prose story.

Categories: Action , Adventure , Comedy , Drama , Historical , Mature , Psychological , Romance , Sci-Fi , Tragedy , Original



[Notice to reader - Please be aware that this document is in a crude state. This is just the script of a graphic novel/comic book. The art pages have been lost and many pages of the script have been lost as well or have yet to be recovered due to their classification with the US government. Pages will be transmitted to you and other readers if they are tracked down - signed (blacked out) - leader of the resistance ]


- The truth is not for all men, but only those who seek it. - Ayn Rand

- Hunter S. Thompson based his style on William Faulkner's notion that "fiction is often the best fact." - Wikipedia

- "Fiction is the truth inside the lie" - STEPHEN KING

- "Observation is the key - the truth is in the details, watch closely or you will miss something" - unknown

SCENE 0.



PROLOGUE



(PANEL) 1. COMIC BOOK SPLASH PAGE COVERING the full computer screen



INT. AN UNDISCLOSED LOCATION



Immense, UNLIT BLACK ROOM with our view zoomed in onto a CINEMA SCREEN seemingly the size of a large city office building, with just the screen and screen curtains showing inside the panel borders.



A black and white animated newsreel type film begins playing IN SILENCE- it's scratched up a bit - it's seen some action.




NEWSREEL TITLES:


(translated from German)




"DIE FLUT DER KRIEG IST IMMER FÜR RÜCKWÄRTSFAHRT" - "THE TIDE OF WAR IS TO REVERSE FOREVER"



(PANEL) 2.

Many odd looking WINGLESS CRAFT are lined up row after row behind Nazi storm troopers in impressive for the era high tech flight suits looking like strange alien soldiers.



(PANEL 3.

The NAZI AIRMEN and support crews fall-out from their formation and run to their AIRCRAFT.



(PANEL) 4.

LOOKING DOWN from above we see all the CRAFT BEGIN RISING in their formation of rows, while at the same time changing into a new formation.



(PANEL) 5.

The new formation is an immense swastika!



(PANEL) 6.

The swastika formation rapidly begins accelerating. A stopwatch in a hand overlaying the primary image.


NEWS REEL TITLES:

"DIE WELT STEHT NOCH IM GESICHT ARYAN ENERGIE" - "THE WORLD STANDS STILL IN THE FACE OF ARYAN POWER!"


(PANEL) 7.

The formation of craft travels across the Atlantic and no time passes on the stop watch.



(PANEL) 8.

Animated radar waves spread out over the air.




NEWS REEL TITLES

"RADAR IST MACHTLOS GEGEN ARYAN MACHT" - "RADAR IS POWERLESS AGAINST ARYAN MIGHT"


(PANEL) 9.

As the FORMATION gets closer to New York city they begin BREAKING FORMATION and spreading out over the island metropolis.



(PANEL) 10.

The craft begin FIRING BEAMS at the skyscrapers all around.. the buildings begin being pulled down in a sickening slow motion free fall and turned to dust filling the screen.



(PANEL) 11.

Buildings, and large groups of people frozen in time like store manikins being turned into a drab gray dust all around.




NEWS REEL TITLES:

"ALLE DIE VOR ARYAN BEREITSCHAFTS ZEBROCKEL ZU STAUB" - "ALL WHO STAND BEFORE ARYAN POWER WILL CRUMBLE TO DUST!"


(PANEL) 12.

An animated swastika with arrows pointing and spreading around the world and then the moon and solar system and beyond with the sun itself turning into a black sun with a swastika symbol.




NEWS REEL TITLES:

HEUTE EARTH , MORGEN DAS UNIVERSUM" - "TODAY EARTH, TOMORROW THE UNIVERSE!"



MONTAGE 1

SCENE 1

SCREEN 2 (PANEL) 1.



(This scene is entirely black and white to show the era)

(Date - soon after Germany was invaded by allied forces and Japan was struck with nuclear bombs (October 1945)

A severe looking middle-aged man with a thin scar across his eye is standing in front of a large cinema screen with the words "today the Earth, tomorrow the universe." He is speaking to a group of world leaders seated at an immense long table in the shape of an open boomerang-shaped triangle in front of him and pointing away from him. The man speaking behind a lectern is flanked by 5 sets of couples standing at attention to his left. They look like actors auditioning for the part of the parents on Leave It To Beaver.



A small metallic flattened half spherical object the size of large beach ball sits to his right - sitting on a small stand in front of the lectern - an image of it appears on the screen behind him where the Nazi propaganda clip played.




MAN WITH THE SCAR

Gentlemen, this is the dawn of a new era...



MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 1.



INT. - OLD AUTO REPAIR GARAGE - NEW YORK GHETTO



Some kind of auto repair garage converted to a living space and workshop-laboratory - filled to the brim with old tools of every variety, large power tools for working metal. A floor mounted metal lathe and band saw and metal shaping power hammers. We see cars that have been dismantled and odd scrap yard sculptures of unknown purpose built from an assortment of random machines.



Background noise -




TV BROADCASTER

They're calling it "Heatpocolypse". It's the 5th straight day of record breaking heat here in the city and the 5th straight hottest year on record worldwide. The death toll in Manhattan and around the world is climbing at a terrifying rate. Climatologists are preparing for a world wide summit at the behest of the world's leaders. US President Clinton has proposed drastic measures to reduce energy consumption around the world...



MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 1-4



A series of bird's eye views over an area of Manhattan's night cityscape.

We see power going out all around the city.. all digital devices shutdown within a certain radius,



(Panel) 5-8

We see laptops, tablets, digital phones dying. Cars shutdown in the streets crashing into each other, inoperable by their human passengers without their electronic brains to control them. City lights blinking out everywhere we can see.



(Panel) 9.

STREET VIEW - NEW YORK CITY CLUB

Our view is zoomed in on a 70s era transistor radio as an emergency broadcast is issued.




Emergency broadcast

We have some disturbing breaking news, we are getting reports that there has been some kind of device detonated in West side area and we have lost cell phone contact with all residents within a mile radius around 12th Avenue and West 54th street. We are getting reports this is not a conventional power outage. Federal agencies have yet to respond to the claims of this being an act of terrorism.



MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 2.




MAN WITH THE SCAR

This technology makes the bombs we dropped on Hiroshima and Nagasaki look like firecrackers in comparison, if you can possibly imagine that.





MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 2.





A work table against the wall with a PC. Connected to a PC are multiple monitors with diagrams of odd machines displayed. Machines that look like spiraling organic metal seashells.

Background noise -




COMMERCIAL

Tomorrow's Morning hosts Suzy and Carl welcome head of the Department of Psychiatry to discuss the wave of shootings by sufferers of autism and his claims that this may be just the tip of the iceberg...





MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 10.



We see who is holding the old school transistor radio.



He's in front of BCBG, an institution of the New York rock scene. And there's no one more revered than tabloid journalist-cult hero River Lotus-Eater. The conscience of this neo-hipster generation.






EMERGENCY BROADCAST

The behind the scenes eye witness news team has determined the area affected by the device and it sweeps out in a radial arc with the epicenter here. (indicates)





MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 3.




MAN WITH THE SCAR

We will not be able to easily contain this technology. There have been too many fleeing German bureaucrats using this knowledge as bargaining chips for their own survival. Too many nations vying for Germany's cutting edge military secrets.(said while pointedly looking at the leader with the hammer and sickle on the table in front of him)



(PANEL) 4.

THE MAN WITH THE SCAR is looking directly at the Russian leader.



MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 3.



There are shelves in a line on the workbenches with second hand books and magazines on every possible subject imaginable.

Background noise -




CNZ NEWS NETWORK

Today on our panel we have comedian Bob Mayher, Dancing with the Celebs winner Katie Ripah and Lesbian activist Mobie O'Connel to debate the legitimacy of the new Anti-patriot act which targets conspiracy theorists due to the documented link between conspiracy theories gun violence, terrorism and hate speech.





MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 11.




HIPSTER #1

Hey river, how is it all your ancient gadgets are still working and everyone else's are dead?




RIVER LOTUS-EATER

I don't know I guess I just got Lucky for once!




HIPSTER #1

It looks like your fetish finally paid off!




RIVER LOTUS-EATER

I told you all that digital stuff was a fad!




EMERGENCY BROADCAST

Local law enforcement urges anyone in the area to stay away from the scene due to possible terrorist activity. Police are en route to the scene.



(PANEL) 12.

Meet River Lotus-Eater, he looks like a throwback to a 60s era musician or Gonzo journalist. A throw back to a lost generation.




RIVER LOTUS-EATER

You know what this is? It's an EMP... How can there be an EMP but we aren't all fried? Those only happen when a nuke goes off..."




HIPSTER #2

What? EMP? Is that some new audio codec?




RIVER LOTUS-EATER

No haha... give me a boost!



MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 5.



Images start to appear behind the speaker with corresponding titles.

A hurricane - "Weather Control"




MAN WITH THE SCAR

Controlling this technology makes controlling proliferation of the thermonuclear bomb look like child's play as unbelievable as that seems after what the world witnessed months ago in Hiroshima and Nagasaki.





MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 4.



There's comic book art on the walls, movie posters and books - custom comic book character sculptures lined up on the back wall of the workshop bench. Seemingly endless books on WWI and WWII. Books on military aircraft and manufacturing, automotive.

Background noise -




TV NEWS REPORTER

Stay tuned for the 6 AM news where we will have our guest national climatologist Larry Underwood here to discuss the recent historical Manhattan heat wave - is this a sign of irreversible ecological damage?





MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 13.



River reaches up for a fire escape ladder and starts climbing.

(PANEL) 14.



Everyone is hot and lighting their tenement's with candles and lanterns and flashlights..




Tenant

(SCREAM) Looter!




River

Scuse me folks Not a looter.. Promise."



(PANEL) 15.

There are people living in these places as River climbs higher and higher - a girl in her underwear watching TV pulls a newspaper over herself.



Someone yells to get their gun..



MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 6.



Image behind the speaker - mindless masses - "mind control"




MAN WITH THE SCAR

We have crafted an outline of the key areas we must find a way to control



We must control all walks of life.



All forms of media.



MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 5.



The camera pans and rotates to the right and we start seeing more of the shop. A bed. A shower built into the shop. A clothing rack made out of scrap plumbing pipes. A clothes washing machine made out of an old treadmill motor.



Background noise -




COMMERCIAL

In a world where terrorism lurks behind every shadow, only John Zambo can hold off the jihad - coming this Christmas.





MONTAGE 3

SCENE 3.

(PANEL) 17.



River finally gets to the top of the building and looks to see which part of the city has their power out and which doesn't.



(PANEL) 18.

Once on top of the building River listens to his radio and adjusts some buttons..



(PANEL) 19.

He's listening to police radio transmissions. Only the police outside of the blacked-out zone still have working vehicles and radios.



(PANEL) 20.

River is calculating in his mind where the epicenter must be. He goes back down the fire escape saying goodbye to the new friends he made on the way up... they still aren't too happy to see him.



MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 7.



Image behind the speaker - Tornado - "weather control"




MAN WITH THE SCAR

We must find a way to suppress any scientific advancement which may lead to the development of these technologies for the foreseeable future.



This will require the greatest coordination and cooperation of nations in recorded history, to be pulled off effectively





MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 6.



The images on the walls, many of them appearing to be hand made - of nature - tornadoes and hurricanes. Bird's eye views of rivers and their shapes diagrammed and geometrically analyzed.



Background noise -




CNZ NEWS DEBATE HOST

Bill, what is your view on the new anti- conspiracy theory bill that has been recently enacted? Do you think it's unconstitutional?




BOB MAYHER

No! I! Do! Not! You know why? Because why in God's name do we need Joe Internet trying to decode world events?



The constitution wasn't written for this era. We have hundreds of thousands of University professors who are analyzing every iota of news created. Like Jim nobody's Youtube channel is going to figure something out these guys haven't? Only trouble can be created by putting that kind of critical thinking in the hands of unqualified people. And then with the internet it just spreads like wildfire...





MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 21.



He jumps on his little 60s bike and gives it a kick start and takes off as fast as it will go.

Male and female fans call to River as he takes off.



There are people and cars littering the street wondering what has happened.



MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 8.



Image behind the speaker - gold - "zero value"




MAN WITH THE SCAR

But you will soon see why it is in all of our best interests to keep this knowledge in safe hands until we can fully understand it's ramifications on society.



It may take a century or more before the world is ready to take this next step, and in the process we will have to guide humanity the entire way



MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 7.



A man starts rolling a device on a stand out of the large back shop door into an open air clearing wedged between large brick walls on both sides of the lot.




MORNING NEWS CO-HOST:

Later on the morning donut we will have psychologist Nadine Joss as our guest talking to us about the epidemic of autistic shooters in a plague of recent school shooting tragedies. Are guns the problem, are special needs kids the problem or both?


MONTAGE 3

SCENE 4.

SCREEN 3 (PANEL) 1.



An illuminated man and woman with godlike physiques embrace with darkness surrounding them. In the darkness shards of blue and green light are transmitted down on them as if through stained glass from above.



An orchestra crashes as if it's not light but the world crashing upon them.



We pull back in the panel's view to see the stage the couple are embraced on.





MONTAGE 1

SCENE 4.

SCREEN 1 (PANEL) 9.




MAN WITH THE SCAR

And in the process we will have to master and explore these technologies and prepare for whatever eventualities they will present in the future



We are facing a complete global financial collapse if this technology is released. It would require a complete overhaul of the lifestyles we have all become accustomed to in all walks of life, even the elite.





MONTAGE 2
SCENE 2.

SCREEN 2 (PANEL) 8.



We see the hands of someone working on an odd bronze colored metallic dome like seashell shaped device - half the size of a large flattened beach ball that's been cut in half, a motor is switched on WHIIRRRRRR.




MAN WITH THE MACHINE

I tried to warn them.... but they wouldn't or couldn't believe me... the only option I have left is to show them how real this is... even if I have to sacrifice myself in the process. There is too much at stake. [A display is showing readouts on the device as it spins up]



20,000 RPM. It's ready.



MONTAGE 3

SCENE 4.

SCREEN 3 (PANEL) 2.



A woman even more stunning than the one on stage sits in the audience appearing to be watching, but is instead focused on the hand of her date creeping closer and closer to her own.

Orchestra music



MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 10




MAN WITH THE SCAR

The implications of this technology are so great our top minds can't envision what will unfold if released to the world. It would be total chaos and we would no longer have the means to control society.



The wealthy would lose all their financial assets as a result of all the current lucrative assets and sources of revenue no longer having any value.



MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 9.



We see an immense fingerprint under a microscope with the tiniest shard of gold dust on the fingerprint. In the background we see a tiny vial that says "gold dust" on the container.



Background noise -




MORNING NEWS CO-HOST:

Okay, campers, rise and shine... and don't forget your shorts, because it's going to be a hot one out there today.... okay it's only 10 PM - too early to rise and shine, but stay tuned for the morning news when we will speak to historian Stu Stedman who proposes that the founding fathers, if alive today, would want socialism



MONTAGE 3

SCENE 4.

SCREEN 3 (PANEL) 3.



We see the stunning woman's companion's eyes peeking down Just as his hand is about to make contact.

Orchestra music



MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 11.




MAN WITH THE SCAR

Because of the incredible simplicity of this technology, it's power and destructive capabilities are so great your average young science student could go to a local hardware store or junkyard or his own garage and fashion a device capable of destroying his entire city.



The social pressure of mega cities and the looming population boom will create threats from individuals we won't be able to monitor or control.





MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 10.



We see the man with the machine on it's stand, the motor switched on(whiiiirrr) - a long yellow extension cord running to the inside of the lit shop behind and the night sky above with clouds passing in front of the moon.



Background noise -




MORNING NEWS CO-HOST:

...are conspiracy theorists a danger to society?



MONTAGE 3

SCENE 4.

SCREEN 3(PANEL) 4.



Just as the companion's hand is about to make contact a small electronic wristband on agent Gunkowski's arm lights up and vibrates.





MONTAGE 1

SCENE 1.

SCREEN 1(PANEL) 12.




MAN WITH THE SCAR

Your mentally unstable disgruntled citizen will be a ticking time bomb. there would be no way to protect anyone... and that would include national leaders like the fine gentlemen here.



We are at a crossroads of mankind, leaders of the world, maybe even the crossroads of life on earth. The true fate of humanity hangs in the balance. If we can't find a way to join together as one world united, we may all be doomed. The day an individual in the general population obtains this knowledge in a world that is chaotic and at odds with itself is the day the world is assured total annihilation.



MONTAGE 2

SCENE 2.

SCREEN 1(PANEL) 11.



Tweezers putting one gold fleck near the edge of the quickly rotating device.



(PANEL) 12.

The gold particle ingested into the device.



(PANEL) 13.

We see the metallic domed device begin rising into the night sky.



MONTAGE 3

SCENE 4.

SCREEN 3 (PANEL) 5.




AGENT GUNKOWSKI

(Too her companion - concerned but at the same time noticeably relieved)

I've got to go! I'm only alerted this way in an extreme emergency.









MONTAGE 1

SCENE 1.

SCREEN 1 (PANEL) 13.



We see the man with the scar in another even darker room speaking to shadowy figures.




MAN WITH THE SCAR

Everything went according to plan. they all seemed to understand what was at stake, what they had to lose-gain financially.



What of the other issue, the prophecies, the adversary?




SHADOWED FIGURE

Plans are in motion. We have time. And we will use it to our advantage.





MONTAGE 2

SCENE 2.

SCREEN 2 (PANEL) 15.



It stops rising well above the rooftops and hovers there... the white light around it growing in intensity. it begins making a crackling noise. People in the neighborhood begin coming out to see what is making all the light and noise.




NEIGHBOR

What is that? Somebody call the police!



(PANEL) 16.

Suddenly an immense flash covers the entire sky and lights up all of Manhattan.




NEIGHBOR

It's aliens! Look it's a flying saucer!



(PANEL) 17.

When the flash dies down we see all the power is out in the whole area, but the device is still hovering, glowing brightly in the night sky.




TRANSIENT STREET RESIDENT

Hey buddy, did you see a reeeeeeal bright light



MONTAGE 3

SCENE 4.

SCREEN 3 (PANEL) 6.



Agent Gunkowski squeezes through her row on the way out of the theater with the frustrated companion in view behind her. All eyes in the theater are on the statuesque blond in the skin tight white dress bolting for the exit, oblivious to the events unfolding just miles away from this air conditioned refuge.


To Be Continued

Grim_L
July 6th, 2016, 12:09 AM
[Notice to reader - Please be aware that this document is in a crude state. This is just the script of a graphic novel/comic book. The art pages have been lost and many pages of the script have been lost as well or have yet to be recovered due to their classification with the US government. Pages will be transmitted to you and other readers if they are tracked down - signed (blacked out) - leader of the resistance ]







MONTAGE 1



CHAPTER 2.

SCENE 1.

SCREEN 1 (PANEL) 1-5



We see a DOMED METALLIC DEVICE and a speck of gold placed near an OPENING into the machine. After the gold is ingested electrical charge is visibly growing around the device as it rises, we see a screen at an unknown location light up and a computer sends out a signal to alert many different people at once that something important has just happened. AN IMMENSE AMOUNT OF DOMINOES HAVE JUST BEEN SET IN MOTION. We see many new panels for each person and group notified.. all the computers around the world that respond at the same time. All the people notified and set in motion.



MONTAGE 2



Chapter 2.



SCENE 1.



SCREEN 2 (PANEL) 1.

Exterior of the MAN WITH THE MACHINES SHOP. We see SWAT TEAM lights illuminating the area.




SWAT TEAM


(THROUGH URBAN ASSAULT VEHICLE SPEAKER)


VACATE THE PREMISES SLOWLY WITH YOUR ARMS SPREAD AND HANDS EMPTY!




TAGGERT, OPEN THE DOOR! COVER HIM!









MONTAGE 3

CHAPTER 2.

SCENE 1.

SCREEN 3 (PANEL) 1.

We see what RIVER SEES from his motorcycle, weaving through DEAD CARS littering the streets with people wandering around with flashlights.



(PANEL) 2.

River hits the PERFECT SPOT in his route to wherever he is going where he can get an even closer shot of the GLOWING OBJECT in the sky and really gets some perfect PICS of it in all it's glory.



It looks a bit like a glowing metallic jellyfish surrounded by a dense ELECTRICALLY CHARGED MIST.



MONTAGE 1

SCENE 2.

SCREEN 1 (PANEL) 6-10.

Several of the things set into motion are what appear to be SMALL INSECTS. But as we examine these little "creatures" up close.. We see they aren't insects as we know them. There is something oddly mechanical about them. It's so minute a difference that most would not notice.



These insects all over the city begin converging on one point and are conveying info to their masters in the process.



SCENE 3.

(PANEL) 11.

News studio

NEWS CO-HOST

Our science and tech expert Sanjaia Bupta reports that the effect people witnessed may have been something called an electromagnetic pulse - or EMP - which are conventionally a by product of nuclear devices detonating.







MONTAGE 2



SCENE 1.



SCREEN 2 (PANEL) 2.



We see the MAN WHO WAS WITH THE MACHINE sitting peacefully behind the large garage door as it rolls up.





MONTAGE 3

SCENE 1.

SCREEN 3 (PANEL) 3.

We are with River again as he is directly under the glowing machine now. Everyone else is running away from the location of the glowing machine in the sky, but River is right under it taking more pictures.



(PANEL) 4.

He sees THE MAN WHO WAS WITH THE MACHINE in an open shop courtyard area moving away from him into the shop and then out to the front area towards the street front.



(PANEL) 5.

River takes photos of the inside of the shop and all the weird contraptions and tools and all the other oddities.



MONTAGE 1

SCENE 4.

SCREEN 1 (PANEL) 12.

Flying insect robots report all the info they find from the scene. Confirming what was initially detected.



Scene 5.

(PANEL) 13-19.

We see the immense amount of ACTIVITY GENERATED by this act and it's implications - the shit just hit the fan for some government organization.







MONTAGE 2



SCENE 1.



SCREEN 2 (PANEL) 3.

EXT. Garage front street view



The garage is surrounded by the SWAT team and police cars.




SWAT TEAM


STAND AND MOVE TO THE STREET WITH YOUR HANDS EMPTY AND AWAY FROM YOUR BODY!



MONTAGE 3

SCENE 1.

SCREEN 3 (PANEL) 6-7.

River sees insects swarming the scene of the shop in a strange way and takes pics of them, too.



MONTAGE 1



SCENE 6.



SCREEN 2 (PANEL) 20-24.

INT. Home night

We see a kindly looking older man in his bed suddenly awoken.. We see images and data being transferred to him that he perceives in his mind.



MONTAGE 2



SCENE 2.



SCREEN 2 (PANEL) 4.



INT. SUSPECT GARAGE

We fast forwarded in time a bit to the FBI examining the suspects garage.



We see AGENT GUNKOWSKI (the stunning young woman from the theater) examining the WORKBENCH talking to her partner while taking voice notes on her iFrames*. We see THE MAN WITH THE MACHINE in the background being led to an armored car like vehicle and being put in the back.




FBI AGENT GUNKOWSKI

The suspect has many books and excessive paraphernalia for building complex machinery and possible terrorist literature as well....



*iFrames are a PC and PC screen system built into what appear to be normal eyeglasses. They have many state-of-the-art functions and features such as voice dictation, a head's up display, super powered high speed internet capabilities and artificial intelligence functionality as well as many other features. These devices are in a trial stage and being tested by the elite in key fields.



MONTAGE 3

SCENE 1.

SCREEN 3 (PANEL) 8-9.

River sees swat vans and armored cars barreling down both the cross streets he can see from his back alley location. They are obviously about to converge in the front of the shop River is observing.



(PANEL) 10.

River suddenly sees SWAT vehicles turning into the alley and barreling towards him, he runs between 2 fences towards the street in front of the shop.



MONTAGE 1

SCENE 7.

SCREEN 1 (PANEL) 25.

We see the same kindly looking old man later being interviewed.




REPORTER


Mr. Forestall, as one of the premiere science experts in the world, what do you make of these events?




FRANKLIN FORESTALL


It's troubling. We are seeing more and more advanced technology being employed by the general population in frightening ways, not just by militaries. It's so important we as a society are educated and have access to information and technology. But where do we draw the line when these things become dangerous to the masses as well? We don't want to see chaos but we don't want a police state either. Something like this just highlights that to an even greater degree.





MONTAGE 2



SCENE 2.



SCREEN 2 (PANEL) 5.

Police are milling around in the front, measuring and taping the scene off. Agent Gunkowski's partner is in the foreground examining THE MACHINE




AGENT GUNKOWSKI'S PARTNER

I'm getting trace radioactive signals.. not enough to be a danger but we need to get a reading of the whole area for any more radiation or hidden WMD materials - we need to seal this area and evacuate these people



(PANEL) 6.

We see one agent lifting THE MACHINE and putting it on it's original stand.




FBI AGENT

(Reading from a tablet computer)

Grim Lightfield 24 years of age, stock boy 1 year, truck driver 6 months, construction off and on, Janitor part time for a year, waiter 3 months. Attempted community college very briefly. It's unlikely someone like this could build a device of this complexity himself. We need to find out who else was coming visiting this shop or who he might have been working with remotely.




FBI AGENT

What is this thing? I've never seen anything like it, it's not any kind of conventional drone, that's for sure. Witness reports said it was hovering in the air for a long period of time but it's got no conventional flying mechanisms. It's way way too heavy to be some kind of lighter than air device or battery operated.



MONTAGE 3

SCENE 1.

SCREEN 3 (PANEL) 11.

River in foreground listening to witnesses -




WITNESS

It made no noise.. But you could hear it like that electrical charge noise in the movies..



(PANEL) 12.


WITNESS

The light was the brightest thing I have ever seen.. It was brighter than the brightest day for a time.





MONTAGE 1




http://i.imgur.com/DK4MThs.png







MONTAGE 2



SCENE 2.



SCREEN 2 (PANEL) 7.

We see Agent Gunkowski using her iFrames to auto recognize the text of the books and upload to an FBI server to search the terrorist databases.




ROARK

I'm heading back with the suspect to prepare for interrogation.




AGENT GUNKOWSKI

I'm running these books through the database to see if anything pops up on the terrorist/conspiracy theorist reading list. I'll finish up here and brief the media when we let them in. I'll be there for interrogation as soon as I can.



(PANEL) 8.


ROARK

You better make it fast, Gunner. The commanders at HS [Homeland Security] are all over this thing and they want everything done yesterday. They said if any info we obtain leaks from our crew, we can kiss our careers goodbye.





MONTAGE 3

SCENE 1.

SCREEN 3 (PANEL) 13-14.

River moves closer to the crime scene blending in with the residents on the street who witnessed the incident talking to each other and watching the police, SWAT and FBI taking control of the scene.





MONTAGE 1

SCENE 8.

SCREEN 1 (PANEL) 26.

INT. NEWS STATION

The CNZ news chief gets a call.




AGENT JONES


(On the phone line)


Morton, we need to censor any information that might paint the suspect in a positive light. Are we clear?




CNZ CHIEF


Crystal, sir. Is he company?



(PANEL) 27.


AGENT JONES


Negative.




CNZ CHIEF


I will re-contact for further orders when time permits.





MONTAGE 2



SCENE 3.



SCREEN 2 (PANEL) 8.

We are in front of the crime scene again and Agent Gunkowski is speaking to the media.




AGENT GUNKOWSKI

We are still trying to determine what exactly happened but we do not believe at this point there was any kind of bomb that was detonated. And there seems to be no major materials or weapons danger at this point but we are still collecting evidence. We urge people to stay away from the scene for safety reasons and let the authorities do their job.



The suspect has no criminal record of any kind, that's all we can say at this time.



(PANEL) 9.

Police are clearing the scene of bystanders and the media while the media tries to pump neighbors for information.




REPORTER


What did you see ma'am?




ELDERLY NEIGHBOR


I saw a alien flyin' up there in the sky. it was just like in th' movies.




I thought for sure we were all goners when the sky lights up an' everything goes dark as can be.




YOUNG NEIGHBOR TO REPORTER 2:

It's aliens man.. I seen em! this is it my brother. This's a warnin' from god!







MONTAGE 3

SCENE 1.

SCREEN 3 (PANEL) 15.

River continues to argue with the FBI agents as they move him and others back from the scene. River pretends to move away but just to find a better spot to see what's going on.





MONTAGE 1

SCENE 9.

SCREEN 1 (PANEL) 28.

We see a TV screen


PRESIDENT CLINTON

I urge the American people to stay strong at this time. We have every available resource working to ensure another incident like this doesn't happen in your city...





MONTAGE 2



SCENE 4.



SCREEN 2 (PANEL) 10.

We see Agent Gunkowski leaving the scene and River approaching.




RIVER


Gunkowski, long time no see. That doesn't appear to be FBI spec apparel, Gunner. (referring to her skin tight evening dress covered by an over-sized FBI windbreaker) Were you out on a date tonight? This must have been pretty important to drag you away from such a lucky guy. You look better than ever!




AGENT GUNKOWSKI


(To River)


I really wish I could say the same about you River... but I'd be lying.




(To FBI agent)


Sgt, we need to lock this area down all the way to 10th street. We need to clear all these people out immediately (pointedly motioning to River)


(PANEL) 11.




RIVER


I'm hurt. doesn't the past mean anything? Have you forgotten about our date way back in the day? I made you famous and now you won't even give me the time of day.




Besides, you don't own this road Gunkowski... this is still America, barely... and journalists have rights.




AGENT GUNKOWSKI


It wasn't a date, it was business.. and you were a journalist way back then, Lotus-eater.. not so much these days.



(PANEL) 12.


RIVER


The "alternative media" is still journalism Agent Gunkowski...




AGENT GUNKOWSKI


Is that what they are calling the tabloids these days? Lotus-eater, half the city is without power and we have work to do. I don't have time for this now.



(PANEL) 13.


RIVER

Gunner, I can help you for old times sake if you can help me... I have something that no one else can provide you that could give you info about this event no one else has... I will share with you if you will share with me...



Take my card and think about it... maybe if you ever take a night off from being the caped crusader we could have some fun this time... in your case fun is a promotion though isn't it.. so maybe we could work something out here?




AGENT GUNKOWSKI

I'll think about it. By the way, how did you get here so fast?

(PANEL) 14.


RIVER

I'll tell you about it when you call me. Sometimes it pays to buck the system.







MONTAGE 3

SCENE 1.

SCREEN 3 (PANEL) 16.

Reporters and camera crews as well as random every day observers move back from their observation point when the police and FBI roust them.



SCENE 2.

(PANEL) 17.

At this moment, while hiding, River sees several military helicopters and VTOL* aircraft entering the scene landing in a large empty lot.





*Vertical TakeOff and Landing









MONTAGE 1

SCENE 10.

SCREEN 1 (PANEL) 29.


JOURNALIST

Is this just the beginning of the EMP attacks or do you feel this was just an isolated event?




RANDOM INTERVIEWEE 1 - OLD WHITE LADY

I think this is just the beginning. Once one person does it then everyone else starts copycatting. We saw that after 9-11. Now terrorist attacks are happening constantly where as before it was a rarity.



MONTAGE 2



SCENE 5.



SCREEN 2 (PANEL) 15.

INT. FBI BUILDING, MANHATTAN

We are in the VIEWING ROOM of an FBI interrogation room with several FBI personnel watching. There are monitors that can be switched from camera to camera mounted inside the room that can be zoomed and changed with controllers like a TV show control room. The suspect - GRIM LIGHTFIELD - dwarfs Agent Gunkowski AND EVERYONE ELSE in the scene.




GUNNER'S PARTNER - ROARK


This guy's big enough to go bear huntin' with a switch.




AGENT-SHRINK

Is SHE safe alone in there with him?



(PANEL) 16.


GUNNER'S PARTNER ROARK


Agent Gunkowski, you kidding? I was just wondering if he's safe in there with her.







MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 18.

We see many agents, soldiers and what appears to be random civilians leaving the arriving aircraft.




CIA AGENT


(to superior)


We have more aircraft in flux at multiple locations setting up the perimeter, Sir.









MONTAGE 1

SCENE 12.

SCREEN 1 (PANEL) 32.



TV SCREEN -




REPORTER

Leader of the terrorist group RAH is claiming responsibility for providing the suspects in NYC with the weapons used for the EMP and claims this is just the beginning of the havoc to be seen all around the US and other Western enemy nations.

Clip plays of middle eastern terrorist speaking in their language on a video sent to the news stations. But wait... this person looks oddly familiar.







MONTAGE 2



SCENE 6.



SCREEN 2 (PANEL) 17.

INT. INTERROGATION ROOM

Gunkowski is in the interrogation room with Lightfield, grilling him.




AGENT GUNKOWSKI


So, this device you built you say is something the Nazis developed in WWII and you built it to prove to the world that this technology is possible - flying saucer... technology and free energy...?(skeptical)




Lightfield is hunched over and speaking so low he can barely be heard, even with the sensitive mics in the interrogation room. We can barely see his eyes and expression under his slightly long hair hanging covering his face.






LIGHTFIELD

Again, I don't have time to go into this in depth. I know you and everyone think this is crazy. You have to listen to this as carefully as you can. Someone like you can dig into this and find the truth. That's why I did all this.



I know I won't have long to explain this to you so this won't make much sense. Yes, I'm sure you have heard all about THE ORDER OF THE FREEMASONS who run this country. They are the people who have suppressed all of this. But that isn't all, this is just the tip of the iceberg.



All the FLYING SAUCERS you see and hear people talking about aren't aliens.. they are government craft. The U.S. has had antigravity craft since the end of WWII as well as solutions to the world's energy problems. And they have used an immense DISINFORMATION CAMPAIGN to suppress this information and slow down the progress of technological development. These people will stop at nothing to keep this secret.

(PANEL) 18.




AGENT GUNKOWSKI

And you say they use MIND CONTROL to control people throughout society?




LIGHTFIELD


Yes, they developed this based on work started during WWII. The U.S.. continued on with this development using scientists they brought over in a program called project PAPERCLIP. All this information is documented throughout society but people refuse to take it seriously and there are details that people are not aware of.


(PANEL) 19.




AGENT GUNKOWSKI


So, am I mind controlled too?




LIGHTFIELD


In a way, yes. everyone in this country is, and all around the world.


(PANEL) 20.




AGENT GUNKOWSKI

If these people are as all powerful as you claim how is it you have survived this long without them killing you or stopping you from finding and spreading the truth?




LIGHTFIELD


I was very cautious about who I communicated with online and how much info I revealed. Only attempting to communicated with people I felt certain could be trusted. But trying to get this info across quickly is really impossible. There are many many reasons for this. The people in power know this.

(PANEL) 21.


AGENT GUNKOWSKI


How is it you were able to develop this and no one else?




LIGHTFIELD


I have weird abilities.. I am sure your people will discover this soon enough anyway.. I have aspergers syndrome. but...





MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 19.

The military people immediately round up anyone around the scene who saw the helicopters land and begin forcefully detaining them.







MONTAGE 1

SCENE 11.

SCREEN 1 (PANEL) 30.


REPORTER

What is your take on the recent wave of killings by autistics?




FRANKLIN FORESTALL

It's very sad and we are working to try to understand this threat more and more. We need to educate the public and show people that people with autism are not more dangerous than anyone else. This is simply an anomaly.



(PANEL) 31.

REPORTER

Easier said than done though... There's a knee jerk reaction to these types of things by the general population.




FRANKLIN FORESTALL

That's so true so true. Just keep educating. That's our focus. An educated public is a responsible public.









MONTAGE 2



SCENE 7.



SCREEN 2 (PANEL) 22.

INT. INTERROGATION VIEWING ROOM

FBI INTERROGATION CONTROL ROOM.




GUNNER'S


PARTNER - ROARK

Here we go, he has Aspergers syndrome, that explains a lot. Especially the paranoid delusions.




FBI SHRINK


Not long ago that was considered a myth - Aspergers sufferers being delusional. People with aspergers/autism were actually said to see the world as it is, it is we, the neurotypicals, who see the world in a kind of mass delusional state - people with aspergers were said not to get caught up in a communal interpretation of things. This is why people with aspergers have trouble fitting in to social constructs. It was only after this recent spate of mass shootings by those diagnosed with aspergers that the department of homeland security's threat assessment division's studies that we found this causal link between autism and some kind of schizophrenia.




FBI ASSISTANT


This could be just what we need... as you all know the nation is in a panic because of this EMP incident. Everyone around the country is in fear of another EMP attack. The president's staff wants answers about where things stand and what he can tell the nation. How he can ease their concerns. We need to get this out to the president and the media that the suspect has Asperger's syndrome and that indications point to this being an isolated incident rather than a worldwide terrorist plot.




FBI DIRECTOR


Ramirez, We need to get this info out on the wire, immediately.



(PANEL) 23.

We see a computer monitor screen with Lightfield's information on it.




AGENT 1

Sir, we received authorization from homeland security to do a full sweep of all data stored on the suspect. this is all the data our search algorithms have acquired at this time - within a half an hour we should have all of it mined and a full *a-intel psychological profile generated on him and his immediate family and everyone in his social network.




FBI DIRECTOR

The suspect appears to be a full blown schizophrenic,but is it legitimate or an act?





*A-INTEL IS A ARTIFICIAL INTELLIGENCE PROGRAM DESIGNED TO GENERATE A PROFILE ON A SUSPECT USING ARTIFICIAL INTELLIGENCE ALGORITHMS IN A FRACTION OF THE TIME IT WOULD TAKE USING CONVENTIONAL COMPUTERS.







MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 20.

The government agents head right for the crime scene and start taking charge.



(PANEL) 21.

The reporters begin claiming law abiding citizens were looters at the scene and who would not stay in their homes or beyond the perimeter, were detained.



(PANEL) 22.

Other agents begin dealing with the neighbors at the scene.





MONTAGE 1

SCENE 13.

SCREEN 1 (PANEL) 33-36.

We see the CIA efficiently storming the FBI building taking control.







MONTAGE 2



SCENE 8.



SCREEN 2 (PANEL) 24.



INT. FBI BUILDING MAIN OFFICE

We see the CIA arriving at the FBI building taking control as if they own the place.







MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 22.

River can hear the conversation with his shotgun mic.



(PANEL) 23.

CIA agents lead what look to be civilians to the reporters already on the scene before the aircraft and begin interviewing them.




REPORTER

Mr. Friedler, please describe for us what you witnessed when the device flew into the air..





MONTAGE 1

SCENE 14.

SCREEN 1 (PANEL) 37.

INT. NEWS STATION

CIA agents storm the news stations threatening them with the ramifications of revealing information that is a threat to national security.







MONTAGE 2



SCENE 9.



SCREEN 2 (PANEL) 25.

INT. FBI INTERROGATION ROOM.


LIGHTFIELD


... People with aspergers have been demonized by these same people. When I started trying to contact people anonymously and telling them about what I discovered, and how - because of my Asperger traits, one after another these violent aspergers events started happening.




These people in power knew. They knew this was the only way I could explain what I had discovered even though... I didn't appear to be someone who could understand it.




GUNKOWSKI


What is the purpose of all this? what do these people in power want?



(PANEL) 26.




LIGHTFIELD


The people in power are working on an immense time scale, they killed JFK and destroyed the twin towers as part of a mass mind control campaign, in essence.




GUNKOWSKI


Did you build this device yourself? As well as all the machines in the garage?



(PANEL) 27.




LIGHTFIELD


Yes, I've been working on this for many years, researching and developing the technology. I have been trying to contact people like you here and anyone I could find in the media who might be open to understanding all this. I got nowhere. People refused to believe this was possible. I had to find a creative way to get people's attention... something that they wouldn't just blow off and ignore I tried every other method before I made a graphic novel trying to explain everything I even sent one to you but never got a reply back. Probably because it was a comic book.



MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 24.




FAKE WITNESS


(Into reporters microphone)


It was an immense explosion... I've never seen anything like it. Fire everywhere...




RIVER


(into his voice recorder)


Agents bringing in what appear to be fake witnesses - making claims about an explosion when the device didn't detonate.









MONTAGE 1




http://i.imgur.com/DK4MThs.png










MONTAGE 2



SCENE 10.



SCREEN 2 (PANEL) 28.

FBI interrogation control room.




FBI PSYCHOLOGIST

I've never seen a more complex delusion. Most schizophrenics have elaborate mental constructs but I have never seen anything like this.



SCENE 11.

(PANEL) 29.

INT INTERROGATION

We see Lightfield writing something down with his hands cuffed in front of him.



(PANEL) 30.

POV of Lightfield writing in interrogation room.




LIGHTFIELD

Agent Gunkowski, they are going to come take me away soon... you have to find a way to get this info to the masses after that happens, and ensure your own safety. They will come after you now, too, because of what you have seen. but I know if there is anyone who can get through this it's you.



Look up this information as soon as you can - do a search for "Jim Garrison, playboy interview", keyword search "goose-stepping" on the pages of the interview.



Also look for a documentary called Westall 66, look for the incident involving the government man who intimidates the little girl. It's the same person and he will use the same tactics on you.



(PANEL) 31.

Agent Gunkowski takes Lightfield's note and looks at it then him, tucking it in with her own paper work as...



SCENE 12.

(PANEL) 32.

An FBI agent enters the interrogation control room.




FBI AGENT


The CIA's here, they want to see AGENTS GUNKOWSKI and ROARK and they want all evidence and data brought to them immediately.









MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 25.

River is still watching the crime scene






CIA AGENT


FBI agent, this area is now under CIA control. This incident falls under the auspices and ministrations of international terrorism.




AGENT HARRISON


Hey hey hey.. Hold on here..



(PANEL) 26-28.

Agents begin swarming the crime scene loading evidence totes into storage containers.



(PANEL) 29.

Agents are escorted away from the crime scene despite their protests.



(PANEL) 30.


FBI AGENT


What is your name?




CIA AGENT

All evidence will be immediately acquired and all Agents not on a need to know status will be removed from the crime scene.





MONTAGE 1




http://i.imgur.com/DK4MThs.png





MONTAGE 2



SCENE 13.



SCREEN 2 (PANEL) 33.

FBI MAIN OFFICE SPACE.

We see Agent Gunkowski in the main office room with several FBI AGENTS and Lightfield in tow, looking through the glass walls of her Manhattan FBI OFFICE at her director, who looks like a kid in the Principal's office. And it's his own office he's being instructed in by a superior, it seems. The CIA appears to have taken the entire office over.

The FBI director comes out with CIA director Agent Jones.




FBI DIRECTOR


Gunkowski, Roark, we are under orders to transfer the suspect and all information and evidence obtained to CIA director Jones, as this is a matter of international terrorism and under their jurisdiction.




Agent Gunkowski


Sir, I have seen absolutely zero indication of any terrorist affiliation. What exactly is the evidence?



(PANEL) 34.


FBI DIRECTOR


That's a matter of national security Gunkowski, and privileged information.




Agent Gunkowski


Under whose orders?



(PANEL) 35.


FBI DIRECTOR


That's an executive order - direct from the president and his staff.




AGENT GUNKOWSKI


And what if I refuse?



(PANEL) 36.


AGENT JONES


If you refuse, both you and your seniors will be charged with treason and deemed enemies of the state and forcible action will be taken.


The tension has been rising dramatically from the beginning of this confrontation... by this point it's reached "Mexican stand-off" level with all agents in the room, FBI and CIA. Agent Gunkowski hasn't reached for her gun yet but the thought has definitely crossed her mind at this point and luckily her PARTNER is aware of this before everyone. He steps between them and tries to rein her in. And he thought that if he wasn't mistaken or crazy he could swear the CIA goons were about to go for their guns, too




AGENT GUNKOWSKI


Did I wake up in the wrong country or something? Is this really happening...?



(PANEL) 37.


AGENT GUNKOWSKI'S PARTNER


Agent Gunkowski, easy easy easy... Let's go.




AGENT GUNKOWSKI


I'm not releasing the suspect without a damn good reason why.



(PANEL) 38.


AGENT JONES


I admire your conviction, agent Gunkowski. Crawford (FBI director), have agent Gunkowski meet me in your office in a moment and I will try to assuage her worries.









MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 31,

We see River observing all this from his hidden location afar, using an old school telephoto lens with a shotgun mic attached to get an up-close view.



He peers over the edge of the building and sees CIA agents confronting an elderly black man.



(PANEL) 32.


CIA AGENT


What was it you saw Mr. Smith?




MR. Smith


It looked like some kind of disk shaped device...



(PANEL) 33.


CIA AGENT


A flying saucer Mr. Smith? Little green men?




MR. Smith


That's not at all what I stated..



(PANEL) 34.


CIA AGENT


This is a very dire matter Mr. Smith. The nation is in a panic over this incident as well as others in recent months. If careless statements are made this panic will only intensify. We cannot tolerate that Mr. Smith. We would hate to see anything happen to you financially Mr. Smith. You are near retirement. It would be a shame if some clerical error put that in jeopardy.[some threat like this]




MR. Smith


Are you threatening me sir?!









MONTAGE 1




http://i.imgur.com/DK4MThs.png









MONTAGE 2



SCENE 14.



SCREEN 2 (PANEL) 39.

INT. CRAWFORD'S OFFICE

We cut a few moments ahead in time, Agent Jones is in Crawford's office. We see Agent Jones speaking on his cell phone while looking at the FBI agents and Agent Gunkowski through the glass and holding eye contact with his number one CIA agent who gives a barely perceptible nod, as if in communication with Agent Jones through his small ear piece. The number one agent then does the same to his lessors speaking into what must be a wrist microphone.



(PANEL) 40.

Agent Jones then motions for agent Gunkowski to come in the office.




Agent Jones


Have a seat agent Gunkowski.

(PANEL) 41.

When Agent Gunkowski is seated his congenial demeanor instantly vanishes.




You don't realize what you are up against here. You have a choice, either you convince your men to release the suspect or things will go very badly for you and the people you care about. Like your partner for example and his family.






If you try to tell anyone what I am telling you now you will only exacerbate your situation. You may not have any immdeiate family you are close to... but your partner and coleagues will die in the most gruesomely painful way imaginable and they will know it's you that has caused their suffering. I can assure you that this isn't an idle threat. We have done it many times before and we will do it many more. WHAT IS YOUR DECISION AGENT?



(PANEL) 42.

Something in Agent Gunkowski has broken.. she is no longer the same person. It's as if she is now a robot.



When Agent Jones threatens Gunner we see in her mind she is going over the things Lightfield said - images flashing and his claims of how the world really works flashing in her mind... she realizes they are true - in the Instant from when he gives her the ultimatum to when she makes the decision - it's a flash.


Agent Gunkowski


I u-understand.



(PANEL) 43.

Agent Gunkowski gets up, still a robot. Walking dazedly to the door. It's obvious she no longer understands if this is reality or a dream. But under the circumstances can't risk exploring that mystery.





MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 35-40.

River looks around and sees agents threatening everyone in the neighborhood the same way. Some arguing and being detained.







MONTAGE 1




http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 15.



SCREEN 2 (PANEL) 44.



FBI OFFICE FLOOR

Agent Gunkowski speaks to her fellow agents and tells them to take Lightfield to a holding room. Her partner sees there's something odd about her.. notices her voice is unusually soft and without her normal strength. He's never seen his partner scared before, but he suddenly realizes that's what her face is saying.




Agent Gunkowski


Take the suspect to a holding room.

(PANEL) 45.

These are his.(HANDING HER iFrames TO THE AGENT)

You can't see without these, right? (She gives an exclamation mark to the statement with the look she gives him when she says this)



(PANEL) 46.


CIA AGENT

The evidence, agent Gunkowski. We will take that immediately. Agents, please escort Gunkowski to help her make sure she doesn't miss anything.



Agent Gunkowski walks robotically to her office, her partner and the CIA agents following behind.







MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 41.

As River watches neighbors being railroaded all around the scene he forgets he's supposed to be hiding himself.




CIA AGENT


(Into communication device while watching River)


We've got an intruder on the scene... Agents G12 and R2 security detail converge on the targeted location.









MONTAGE 1


http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 16.



SCREEN 2 (PANEL) 47.

FBI BUILDING - Agent Gunkowski'S OFFICE

Agent Gunkowski begins gathering the evidence she amassed on Lightfield preparing to transfer it to the CIA agents. Intentionally holding back the note Lightfield wrote her.

(PANEL) 48.


AGENT GUNKOWSKI

Partner, give me your iFrames, quick. (partner digs them out of his pocket)

(PANEL) 49.

Agent Gunkowski uses her partner's iFrames to call Lightfield on her own iFrames she gave to him.

(PANEL) 50.


AGENT GUNKOWSKI

Lightfield, if you can hear me don't speak, tap your iFrames on the right temple 3 times. Use your index finger to select the camera out function on the iFrame arm scroll surface.



(PANEL) 51.

Lightfield's VIEW COMES IN ON Agent Gunkowski'S glasses.




AGENT GUNKOWSKI

Good, good. You can hear me. We are going to try to get you out of here. Hang tight until we can figure something out.

(PANEL) 52.


PARTNER

What happened in there? (a hint of fear in his eyes now)




AGENT GUNKOWSKI

Roark, how far are you willing to take things... I mean if you thought everything we took this job for in the first place was at stake?



(PANEL) 53.


PARTNER


What are you saying?




AGENT GUNKOWSKI


I am saying we have to decide right now how far we are willing to go. It could cost literally everything that means something to you.



(PANEL) 54.


PARTNER


It sounds like there's no choice...




AGENT GUNKOWSKI


For me here isn't.

(PANEL) 55.



I'll follow your lead. Tell me what to do.




AGENT GUNKOWSKI

We need to get everyone else on board we can.



(PANEL) 56.


PARTNER

Everyone here's on board with you.. You know that.




AGENT GUNKOWSKI

We need surveillance on these guys to figure out how we can get the suspect out of here and into a safe house as a key witness. We need to monitor their communications and activities.



(PANEL) 57.

Agent Gunkowski and Roark hear Lightfield's name mentioned on CNZ news show. They are repeating the info the CIA's people fed them in a previous scene. It's total BS, and talks about Lightfield being a "violent aspie."









MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 42.

As agents surround the building River is on top of, River is talking with the mic of his recorder to his mouth.




RIVER

2:23 a.m. witnessed what appears to be CIA agents roughing up and threatening neighbors around the crime scene...



(PANEL) 43.

At that moment River sees the agents heading to the fire escape below him..



(PANEL) 44.

He looks around and sees soldiers surrounding the building.









MONTAGE 1




http://i.imgur.com/DK4MThs.png













MONTAGE 2



SCENE 2.



SCREEN 2 (PANEL) 1.

SCENE 16

(PANEL) 58.

We see the FBI agents monitoring the CIA agents covertly. trying to detect their communications. watching their activities.




FBI AGENT

Agent Gunkowski, They are communicating on some channel I've never seen before. I've never seen a signal like this.. I'm getting many signals that are almost too weak to even detect. But if that's the case it shouldn't be able to transmit at all."









MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 45.




http://i.imgur.com/Me3DJgp.png





MONTAGE 1




http://i.imgur.com/DK4MThs.png













MONTAGE 2



SCENE 17.



SCREEN 2 (PANEL) 59.

INT. FBI DETENTION ROOM

We see a visual representation of Lightfield's thoughts - all kinds of dark and depressing memories swarming through his head, visions from the past. Lightfield at the center with images radiating all around.











MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL) 46.

RIVER

2:23 a.m. witnessed what appears to be CIA agents roughing up and threatening neighbors around the crime scene...



At that moment River sees the agents heading to the fire escape below him.. He looks around and sees soldiers surrounding the building.

(PANEL) 47.


SOLDIER


There! He's made visual on us!




http://i.imgur.com/Me3DJgp.png





MONTAGE 1






http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 18.



SCREEN 2 (PANEL) 60.

INT. Agent Gunkowski'S OFFICE

FBI AGENT IG[ (TO GUNR WITH IGLASSES) - TheInventor, 4/22/2015 9:39:55 PM]

Agent Gunkowski, I'm getting another signal this one is far weirder.. And much stronger but it's directional. It's in the 100 to 210 Mhz range which is dead in the range used for electronic harassment.







MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)




http://i.imgur.com/Me3DJgp.png







MONTAGE 1






http://i.imgur.com/DK4MThs.png







MONTAGE 2



SCENE 19.



SCREEN 2 (PANEL) 61.

INT. FBI DETENTION ROOM

We see Lightfield's POV in the detention cell.




LIGHTFIELD


(IN A WHISPER HEARD THROUGH AGENT GUNKOWSKI'S IFRAMES)




Agent Gunkowski, I'm having an issue... I'm having strange f-feelings I've never had before.. And I'm hearing a buzzing in my head.



(PANEL) 62.

Suddenly we see one of the CIA agents enter Lightfield's detention room. He lays an automatic service weapon on the table like an expressionless waiter leaving the check.









MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)






http://i.imgur.com/Me3DJgp.png













MONTAGE 1






http://i.imgur.com/DK4MThs.png







MONTAGE 2



SCENE 20.



SCREEN 2 (PANEL) 63.

INT. Agent Gunkowski'S OFFICE

Agent Gunkowski sees the CIA agent put the gun on the table through his iFrame cam.




Agent Gunkowski


(TO PARTNER)


They're going to kill him. Right here. They're setting him up.




ANOTHER FBI AGENT

The CIA director is exiting Crawford's office, he's exiting the building with an escort team but the rest of the agents are remaining.



(PANEL) 64.


Agent Gunkowski

Roark, we have to make our move, like right now. Can we cut the power?



Tech guy, can we cut the power?




TECH AGENT


Yes, when do you want to go?

(PANEL) 65.




Agent Gunkowski


I'll give you the go.





Tell everyone to get their iFrames - use the night vision feature.



We're going to hit Crawford's office first and disable whatever they are using in there.



(PANEL) 66.


Agent Gunkowski iFrames POV

We hear an animal-like guttural noise that sounds very slightly human.

Agent Gunkowski sees Lightfield's iFrames POV again, but this time the camera view is from the ground because he's knocked them off his face, he's broken his handcuffs and is pounding on the door. we finally get an idea of his true size and strength - the door booms. he hasn't used the gun yet but it seems likely to happen soon.




Agent Gunkowski


Was that Lightfield?




It's now or never! Let's go!



Murray, Ramirez, Spangler, AND Bresnan take the main office in front of Crawford's. Engel, Brennan Roark and Portman we will get Lightfield when you signal you have taken out agent Jones' #1.



Cut the power now!




FBI TECH GUY


Engineer, cut it!

(PANEL) 67.

We see all the power in the building cut out. All the FBI agents grabbing for their guns. bursting from their offices.









MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)




http://i.imgur.com/Me3DJgp.png













MONTAGE 1






http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 21.



SCREEN 2 (PANEL) 68.

They take control of the main office killing several CIA men.






http://i.imgur.com/Me3DJgp.png







MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)




http://i.imgur.com/Me3DJgp.png









MONTAGE 1






http://i.imgur.com/DK4MThs.png









MONTAGE 2



SCENE 21.



SCREEN 2 (PANEL) 69.

Continued - They take control of the main office killing several CIA men.


http://i.imgur.com/Me3DJgp.png











MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)








http://i.imgur.com/Me3DJgp.png







MONTAGE 1




http://i.imgur.com/DK4MThs.png









MONTAGE 2



SCENE 22.



SCREEN 2 (PANEL) 70.

INT. CRAWFORD'S OFFICE

Agent Jones' #1 is in Crawford's office when the power cuts out. He hears gun fire, he immediately moves his attention from electronically harassing Lightfield to using his cell phone.







MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)




http://i.imgur.com/Me3DJgp.png















MONTAGE 1








http://i.imgur.com/DK4MThs.png







MONTAGE 2



SCENE 22.



SCREEN 2 (PANEL) 71.

Agent Gunkowski's partner's flashbang flies through the glass of Crawford's office and blinds him.



(PANEL) 72.

FBI AGENTS ENTER THE ROOM.


AGENT JONES' #1


Code DELTA -destruct!

(PANEL) 73.

HE IMMEDIATELY EXPLODES DESTROYING THE ROOM.









MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)






http://i.imgur.com/Me3DJgp.png













MONTAGE 1




http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 23.



SCREEN 2 (PANEL) 74.

INT. Agent Jones' SUV LIMO

Agent Jones gets a weird alarm on his cell phone at this time.




AGENT JONES


Wha..."


He looks like he just realized he was shot.



(PANEL) 75.

He hits a special hot key on his cell phone.




AGENT JONES


Yes, it's a code delta. I thought the situation was under control but the slate will be wiped clean. #1 - it must be agent Gunkowski we must assume the prime targets have escaped until proven otherwise. Gunkowski, Roark, Lightfield







MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)



Page missing









MONTAGE 1

SCENE 1

SCREEN 1 (PANEL) 1.






http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 24.



SCREEN 2 (PANEL) 76.

INT FBI BUILDING - NEAR DETENTION AREA

Gunner and her team of FBI agents is in a firefight outside Lightfield's detention room killing the guards who should be blind as bats in the dark - but surprisingly dangerous even still.



Lightfield is inside and has the iFrames on communicating with Gunner.




LIGHTFIELD


I'm feeling better now... More like myself.




AGENT GUNKOWSKI


We're coming in the detention room Lightfield. Don't shoot. We have to get you out of here.









MONTAGE 3

SCENE 2.

SCREEN 3 (PANEL)




http://i.imgur.com/Me3DJgp.png













MONTAGE 1




http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 24.



SCREEN 2 (PANEL)

Battling




http://i.imgur.com/Me3DJgp.png













MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 48.

River skids his bike to a stop and runs into the Supermarket Press office...




RIVER


Matilda! Matilda!

(PANEL) 49.

We meet Matilda short boyish cropped hair, early 20s. She's a novice reporter some of the time and assistant most of the time.









MONTAGE 1




http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 24.



SCREEN 2 (PANEL)



Battling


http://i.imgur.com/Me3DJgp.png













MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 50.

INT. The SUPERMARKET PRESS TABLOID NEWSROOM

On an array of TV screens on the wall we see info on the incident




REPORTER


IN leaked information CIA officials claim the suspects have been reported to have strong terrorist ties...







MONTAGE 1




http://i.imgur.com/DK4MThs.png











MONTAGE 2



SCENE 24.



SCREEN 2 (PANEL) .

Battling




http://i.imgur.com/Me3DJgp.png









MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 51.


RIVER


(half raving)


Where's the Chief? You are not going to believe what the hell just happened to me! Where is everybody?




MATILDA


What happened?! You look terrible!

(PANEL) 52.


RIVER


(out of breath)


I was almost killed... god only knows what they would have done if they had gotten a hold of me alive. Come on... I have to tell you what happened...




(In another location where they can talk in private)




There is a rogue element in the government running wild. It's like all the conspiracy theories where they claim everything was a "false flag" attack... they seem to be using this as a false flag attack even though they didn't do it.. Some NOBODY did it it seems..









MONTAGE 1




http://i.imgur.com/DK4MThs.png









MONTAGE 2



SCENE 24.



SCREEN 2 (PANEL) 77.

Agent Gunkowski'S PARTNER WAS SHOT IN THE FIREFIGHT WITH Lightfield's GUARDS - NOW HE'S DYING.




PARTNER


How could these goons be a better shot blind than me being able to see?




I'm not gonna make it. You and Lightfield go out through the maintenance exits out onto the street. My car is across the street. I'll cover your backsides.




Agent Gunkowski


We can carry you...



(PANEL) 78.


PARTNER


I'll slow you down. You guys don't have time. You'll be lucky if you get off this island as it is... these people aren't playing around and this is just the beginning. I know that much. We got the jump on 'em here. They probably never figured on this. They never figured we'd make this move. But if we hadn't we'd never had a chance.




Take my gun and ammo and anything else you can use. My wallet. Leave my cell phone I'm going to call my wife. If I can't get through give her and my kids my love.









MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 53.




MATILDA


They have been talking about that "nobody" all night in the mainstream media - his name is Grim Lightfield. Homeland security said he is tied to all these terrorist organizations.




RIVER


We have to get this info out. They are railroading that kid. Where is the chief?

(PANEL) 54.




MATILDA


Someone from corporate contacted him and he took off right away. I've never seen him as on edge as he was after whoever he talked to.




RIVER


I have some pictures I need to develop.

(PANEL) 55.


MATILDA


You and your retro gadgets... I'm amazed we still have a dark room here..




RIVER


You laugh but if I had a digital camera these pics would've been fried.. If they turnout that is.. I hope I got em... let me know the minute the chief comes in. We have to get this info out. I need you to get me all our profile info on Agent Gunkowski for the article, too.



(PANEL) 56.

River is looking at pictures of Lightfield on the TV screens.




RIVER


Does he look familiar to you? Something about him... can't figure out what it is...







MONTAGE 1




http://i.imgur.com/DK4MThs.png













MONTAGE 2



SCENE 24.



SCREEN 2 (PANEL) 79.

Lightfield and Agent Gunkowski enter the service door and run down stairs to maintenance exit at street level. Cross the street to Roark's car.



(PANEL) 80.



Lightfield and Agent Gunkowski don't know it.. but an Asian woman on the street notices them, not thinking anything of it at the time, but they will soon see how important it is.











MONTAGE 3

SCENE 3.

SCREEN 3 (PANEL) 57.


RIVER


I saw them helicoptering in witnesses and media to skew the public view of events to their own agenda and probably to cover up something really big.




MATILDA


Why are you afraid to tell everyone here what happened? That could keep you alive.

(PANEL) 58.


RIVER


They would think I am crazy... no one believes in this stuff. I sure didn't. Plus half these guys would kill their own mother to get stories like this even if they did believe me. And they could care less if they get the story right.




TO Be Continued

Grim_L
July 6th, 2016, 01:05 AM
[Notice to reader - Please be aware that this document is in a crude state. This is just the script of a graphic novel/comic book. The art pages have been lost and many pages of the script have been lost as well or have yet to be recovered due to their classification with the US government. Pages will be transmitted to you and other readers if they are tracked down - signed (blacked out) - leader of the resistance ]





MONTAGE 1

SCR3-1

SCENE 1.

SCREEN 1 (PANEL) 1.

INTERIORS homes - Various locations

A series of people being notified to take action

We see a woman painting on an immense canvas



(PANEL) 2.

A man typing on an antique typewriter



(PANEL) 3.

A man in a yoga type pose



(PANEL) 4.

A man working on a device in a mechanical shop



(PANEL) 5.

A woman doing calculations on a chalk board in her home.



(PANEL) 6.

We follow them all into various rooms in their homes. We see them close the doors behind them once inside.



(PANEL) 7.

Then we watch them all slowly disappear....



MONTAGE 2

SCR3-1



SCENE 1.



SCREEN 2 (PANEL) 1.

INT. ROARK'S CAR

We see Gunner and Lightfield in Roark's (gunner's partner) car.




GUNNER

Are you feeling better? Do you feel any serious after effects from that device?



(PANEL) 2.


LIGHTFIELD

Yes. I'll be OK.

(Beat)

I'm sorry about your partner.


GUNNER

You shouldn't feel responsible... you seem to be one of the few people trying to do what is right. Maybe the only one.



Right now we have to stay focused on keeping you alive. The info you seem to have these people don't want getting loose. I suspect things are about to get a lot worse. Take these glasses and monitor the news. We need to gather as much information as we can.



MONTAGE 3

SCR3-1

SCENE 1.

SCREEN 3 (PANEL) 1.

INT SUPERMARKET PRESS DARK ROOM

River is watching the photographs develop. We see THE MACHINE coming into view.


RIVER

Oh my god. I've seen that before... but where?



That's it... the "comic book conspiracy theorist".....



River starts going back through his memory..



(PANEL) 2.

In comes River's boss...


RIVER

Where have you been? I meed to talk to you.. immmmmediately.




CHIEF

I need to talk to you, too. I have an assignment for you. We have many witnesses who saw this saucer that the government is trying to cover-up and we need you to work your magic.. Check your email. I sent you a message already



(PANEL) 3.


RIVER

That's all wrong, chief! That's what I need to talk to you about!



SCENE 2.

(PANEL) 4.

INT. CHIEF'S OFFICE

The Chief rushes into his office before River can finish.

River runs in after him.


RIVER


(River pushes everyone out of the room)


Chief, we have to stop everything and get everyone working on this and there isn't a moment to spare....


CHIEF


Okay! Okay! What is it?



(PANEL) 5.


RIVER


Listen... I was almost killed! Do you understand? I saw these people threatening and detaining people...




They had actors pretending to be witnesses... they detained anyone who wouldn't cow down to them, under false pretenses! I have it all documented on audio tape and with pictures... and I know who this kid is.. This Lightfield kid...




I have a picture of the device that flew up in the sky and it wasn't aliens and it wasn't a bomb... do you understand?



SCREEN 3 (PANEL) 6.


CHIEF


Listen, kid... we aren't equipped to handle what you are detailing. It's too big. We've encountered things like this before. It's best if you take this to the mainstream media or the Feds. Let them deal with it. Who have you told about this?




RIVER


Don't you think I have already thought of that? But I don't know who to trust and who not to trust. Whoever this group is they could have people involved everywhere.



(PANEL) 7.


CHIEF


(While leading River to the door)


I think you're blowing this whole thing out of proportion kid. These are different times.. all the terrorist activity. It's a state of war. The law enforcers have to bend the rules a bit in times like this.. For the benefit of all. No system is perfect...




But listen.. Whatever you decide to do you make sure you bring copies of all the evidence to me as an insurance policy for yourself whatever happens.




I'll put it in the vault. Now I gotta go, kid. I've got to get some reporters over to these contacts who saw the saucers.




RIVER


(Through a closed door we see from the Chief's POV)


Chief, those contacts may be associated with these groups(or "with the conspirators")!



(PANEL) 8.

We see River's Chief dialing a number.





SCENE 3.

(PANEL) 9.



INT. CIA CONTROL CENTER

We see this communication being delivered to a control center.

The Chief begins conveying the info he has to the control center.



(PANEL) 10.



We see the man with the scar at the control center contacting Dr. Forestall and Agent Jones.



SCENE 4.

(PANEL) 11.

EXT. NYC



We also see our insect friends activated again.



Insects begin taking flight.

(PANEL) 12.



Many agents being notified and en route.



SCENE 5.

(PANEL) 13.

EXT. SUPERMARKET PRESS ENTRANCE

Chief starts walking from the door and takes his cell phone out and calls Matilda.



MONTAGE 1

SCR3-2

SCENE 2.

SCREEN 1. (PANEL) 8.

TV Screen


REPORTER


Yes, Roger. Firefighters are responding to the scene of the devastation at the FBI building.




Residents have begun evacuating the the city fearing this is just the beginning.




Law enforcement urge anyone to contact them who has information leading to the apprehension of the suspects - FBI Special Agent Gunkowski and Grim Lightfield.





SCENE 3. (PANEL) 9.

INT. VARIOUS HOMES

We are back with the mysterious assortment of people who just disappeared... we watch them disappear again, this time seeing their invisible forms..



They all begin communicating with their minds as they glide like ghosts through the walls of their homes and out into the environment.




LUMINARY ONE - SUN (GOLD)


Confirm search and destroy mission - ground zero.




LUMINARY FIVE - MERCURY (MERCURY)


40.7128° N, 74.0059° W. Confirmed. Target data confirmed.




LUMINARY FOUR - MARS (IRON)


40.7128° N, 74.0059° W. Confirmed


Target data confirmed.




LUMINARY THREE - JUPITER (TIN)


40.7128° N, 74.0059° W. Confirmed


Target data confirmed.




LUMINARY TWO - VENUS (COPPER)


40.7128° N, 74.0059° W. Confirmed


Target data confirmed.





MONTAGE 2

SCR3-2



SCENE 1.



SCREEN 2 (PANEL) 3.

IFRAMES view of several news channels.





We see news reports of police beginning to arrive at the FBI building.



(PANEL) 4.

Hear reports on police scanners about a firefight at the FBI building.



MONTAGE 3

SCR3-2

SCENE 6.

SCREEN 3 (PANEL) 14.

INT. SUPERMARKET PRESS

River is talking to matilda...


MATILDA


Ok. I got you Agent Gunkowski's file..




RIVER


Listen Matilda.. I know..

(PANEL) 15.


MATILDA


Hold on... phone..




CHIEF


(while watching what's going on out in the newsroom)


Don't say my name, don't let River know it's me...



(PANEL) 16.

River is preoccupied with his new revelation about Lightfield and goes looking for the file


RIVER


I'll be right back!




MATILDA


(really talking to the Chief)


Hi.... Sara.




CHIEF


I need you to make sure River gets his evidence to me from the scene last night. Don't let him know who this is... don't tell him about this conversation or that I'm worried he might be in danger... I know some folks in high places who can look at that evidence and keep him and us in safe hands. Don't worry him. It sounds like he's been through enough tonight.

(PANEL) 17.




MATILDA


Will do. I'm on it.




CHIEF


Good girl. I'm going to take off for awhile. Let me know if anything comes up.





MONTAGE 1

SCR3-3

SCENE 4.

SCREEN 1. (PANEL) 10.

EXT. GROUND ZERO OF FBI BUILDING RUBBLE

Ghostly human forms alight down to the buildings smoking wreckage.

Systematically sweeping the location for data.




LUMINARY THREE - JUPITER


Biological data streaming.


We see a list of biological signatures amassing and an image of the scene overlaying the image.




We see a trail of faint tiny colored dust particles exiting what was the FBI building trailing out to the street. The Luminaries focus in on this trail.




LUMINARY FOUR - MARS


Time remaining - bio trail - approximately 2 hours by foot or open window vehicle, 15 minutes by enclosed auto.



MONTAGE 2

SCR3-3



SCENE 2.

EXT. NYC STREET



SCREEN 2 (PANEL) 5.

The Asian woman sees the story on her phone



(PANEL) 6.

And calls the media to report seeing Gunner and Lightfield leaving the FBI building in a unmarked FBI vehicle.



MONTAGE 3

SCR3-3

SCENE 7.

SCREEN 3 (PANEL) 18.

INT Supermarket Press File room

River is in a big file room.. He finds a special file cabinet entitled "loony bin" and starts going through files...



MONTAGE 1

SCR3-4

SCENE 5.

SCREEN 1 (PANEL) 11.

Ext Supermarket press front entrance

We see the chief walking out as the insects land on the surrounding buildings.

SCENE 6.

SCREEN 1 (PANEL) 12.

The Luminaries begin rising in the night sky tracking the spread of the colored dust.




LUMINARY TWO - VENUS


Reported sightings by eyewitnesses data points displayed.


We see colored data points displaying at each location of the reported sightings.




LUMINARY TWO - VENUS


Cross referenced data point checks.




We see the witness data points shrink to a much smaller percentage and it creates a new colored stream that matches the bio stream...




LUMINARY FOUR - MARS


We have a data lock.




LUMINARY ONE - SUN


Continue residuum pursuit to conclusion.



MONTAGE 2

SCR3-4



SCENE 3.



SCREEN 2 (PANEL) 7.




REPORTER


Breaking news - The pandemonium in New York City has escalated to an even more unbelievable level. We are getting reports that the FBI building has been completely destroyed by a blast of some kind..




Remarkably the CIA already has evidence showing the suspects leaving the scene




They're calling it - the new 9-11.





MONTAGE 3

SCR3-4

SCENE 8.

CONT. - INT Supermarket Press File room

SCENE 3.

SCREEN 3 (PANEL) 19.



Files we see -

"The ROYAL FAMILY ARE REPTILIANS"



"ATLANTIS IS REAL!"



"THE NAZIS WON WWII"



"SPACE RAY KILLS JFK"



"ATLANTEANS ON THE MOON"



"TELEPORTATION MOON BEAMS"

"WORLD WIDE GOVERNMENT CONSPIRACY"

"SATAN WORSHIPING FREEMASONS"



"SHARKPOCALYPSE"



"I HAD BIGFOOT'S BABY"



"ALIENS KILLED JFK"



"NAZIS ON THE MOON!"



Etc etc...



River can't seem to find the file he's looking for..





MONTAGE 1

SCR3-5

SCENE 7.

SCREEN 1 (PANEL) 13.

EXT BACK ENTRANCE - SUPERMARKET PRESS

As River and Matilda leave we see those tiny insects again locking on to River and Matilda





SCENE 8.



SCREEN 1 (PANEL) 14.

EXT CENTRAL PARK

The Luminaries descend into Central Park. They are at the location where Gunner and Lightfield parked before running the car into the water.




LUMINARY ONE


The last cross-checked eye witness reports were near this location. They had to have gone underground


here.




They descend again - this time below ground.


We see a diagram of the underground network.


Luminary One mentally contacts the control center.




LUMINARY ONE


Disastrous news to report. They've gone underground. Into the subterranean network.




THE MAN WITH THE SCAR


How could they have known...




How could they have known we can't trace them underground...




Agent Gunkowski or Lightfield must be working with a contact within the company...




How could they be in contact...




We will have to do a manual search. It's the only alternative.





MONTAGE 2

SCR3-5



SCENE 3.



SCREEN 2 (PANEL) 8.

INT. Car NY city street

We see an image of Gunner and Lightfield leaving the FBI building before it is destroyed yet they are wearing different clothes than we saw them just previously. The video is obviously faked.




REPORTER


Police and federal agents are setting up checkpoint roadblocks at all entrances/exits from the city.



LIGHTFIELD

Jesus, they destroyed the FBI building





MONTAGE 3

SCR3-5

SCENE 9.

SCREEN 3 (PANEL) 20.

INT. SUPERMARKET PRESS OFFICE


RIVER


Matilda, do you remember last year when that guy sent us the comic... the conspiracy comic?




MATILDA


The comic book nut?! How could I forget?!




(PANEL) 21.


RIVER


I was just looking for his file in the loony bin... it's not there.. Do you have any idea where it could be?




MATILDA


No, it should be in there.. Why would anyone take it?



(PANEL) 22.




RIVER


That's a great question... I need that comic desperately... do you remember at all what was in the comic? It's imperative we find this info.. Would anyone in the office remember?




MATILDA


Wait a minute... I just thought of something.. Remember that Westall 66 incident.. That was one of the weirdest things I had ever heard of.. One of those things that makes you wonder about all this stuff. There was something about that in there.



(PANEL) 23.


RIVER


That's right! I know someone who who works at a tabloid around there. What time is it? It's a decent time over there..


River goes for the phone




MATILDA


River.... hold on a sec.. I'm worried... if this whole thing is as big as you say it is we should make sure the chief has a copy of the evidence... it could protect you and all of us in the long run. I'm going to take a copy of this and have him put it in the vault..



(PANEL) 24.




RIVER


That's a good idea. They can't kill me if the evidence exists at least.




Yes, hello, could you be sure to give a message to Jon Grumbel and let him know that River Lotus-eater called and let him know it's urgent he get back to me? Yes please make sure to get this to him.




River types "Westall 66" into the search field.




Articles on Westall 66 - a documentary comes up.




River sees that there was a cover-up of a school that witnessed flying saucers land in they're track field...




He looks up the local tabloid archives for this time frame and discovers they completely ignored it.

MONTAGE 1

SCR3-6

SCENE 9

SCREEN 1 (PANEL) 15.

EXT - SUPERMARKET PRESS

CIA agents wait and watch looking for an opportune time to take their target.



MONTAGE 2

SCR3-6



SCENE 4.



SCREEN 2 (PANEL) 9.

EXT. NYC STREETS

Citizens all over the city are getting images of Gunner and Lightfield. People all over the streets are on the lookout for the terrorists and some are starting to get suspicious as Gunner and Lightfield pass.



(PANEL) 10.

Their car gets stopped at an intersection and they are frozen looking forward afraid too look around drawing attention to themselves but there's no way to avoid being identified.



(PANEL) 11.

People on the streets begin yelling and swarming around the car.




GUNNER


We've got to get out of here. Find some way to hide.





(PANEL) 12.

She drives their car up on the sidewalk to get around the traffic. People begin throwing things at their car. Some cars even start following them up on to the sidewalk in pursuit.



PEOPLE ATTACKING


http://i.imgur.com/Me3DJgp.png



MONTAGE 3

SCR3-6

SCENE 9.

SCREEN 3 (PANEL) 25.

CONT. - INT. SUPERMARKET PRESS OFFICE

River looks up to see -




REPORTER


Breaking news - The pandemonium in New York City has escalated to an even more unbelievable level. We are getting reports that the FBI building has been completely destroyed by a blast of some kind..




Remarkably the CIA already has evidence showing the suspects leaving the scene.




They're calling it - the new 9-11.



MONTAGE 1

SCR3-7

SCENE 10

SCREEN 1 (PANEL) 16.

INT. SUBWAY TUNNELS

The luminaries move to the chamber in the subway tunnels that is a hub branching out in 5 directions.



MONTAGE 2

SCR3-7



SCENE 5.



SCREEN 2 (PANEL) 13.

INT. ROARK'S CAR




LIGHTFIELD


I have an idea. Go to central park!


GUNNER


Why? We'll be sitting ducks in the park.. We'll never get out...



(PANEL) 14.




LIGHTFIELD


It's the area with the least amount of people for one thing.. But there's something else, too. We can lie low for a while




Plus we're out of options at this point.



MONTAGE 3

SCR3-7

SCENE 9.

SCREEN 3 (PANEL) 26.

CONT. - INT. THE SUPERMARKET PRESS OFFIC

River gets a phone call...




RIVER


(after seeing the FBI building report - with a look of sheer terror)oh my god..




JON GRUMBEL


River, G'day mate (say something else Australian here). You called me before the FBI building was wiped out and it's right around the corner from you.. Got something to tell me mate?



(PANEL) 27.


RIVER


I promise Jon, it wasn't me... I am in deep here though my friend. I need you to do me a favor... this is urgent and I don't have time to go into it too much.. are you familiar with the Westall 66 incident?




JON GRUMBEL


Of course! It's our Roswell incident but even weirder... though most don't know the details and many assume it was just some top secret balloon experiment by the government related to the cold war.



(PANEL) 28.

In the background we see River seeing reports claiming Gunner was involved in the terrorist attack.




RIVER


(pauses a beat seeing Gunner)


What's your take on it all? Have you looked into it much?




JON GRUMBEL


A bit. There was some bloke around here who made a documentary on it. He seemed to have gone through the whole thing with a fine tooth comb and seems to think it was of alien origin. He felt it wasn't possible that we have the technology to do what those things did.






I have a great mate who is heavily into this who I can contact at this moment. He's looked into this whole thing in depth as well as just about anything else you could imagine related to the paranormal and conspiracy world. What is this all about River? Is this related to the FBI building?



(PANEL) 29.


RIVER


Are you sure you want to know what this is about? The more you know the more danger you might be in. This goes for your friend too.


JON GRUMBEL


Hrm... don't you think it's a bit late for that now River?



(PANEL) 30.




RIVER


I hope not. But the more I tell you it might guarantee you are in danger. I'm a single guy myself, I know you have a family.




JON GRUMBEL


What if we don't solve this mystery you are working on... will we all still be in danger in the end anyway?

(PANEL) 31.


RIVER


It's possible.




JON GRUMBEL


Then I guess we are all involved already...



(PANEL) 32.


RIVER


Ok, I will send you some photos of what I witnessed. You have heard all about the electromagnetic pulse right?




These are photos of a device I saw flying that created that pulse.


(Matilda is helping him scan and send them or she is photographing them with a digital camera - iphone)




JON GRUMBEL


I've been messaging my mate about what you have told me. Don't worry.. I would trust him with my life. His name is Carl Spangler, he's looking at the images as we speak. He says he has seen this device before. He's certain it's something called a repulsine. It was created by a German scientist in WWII.. but no one could get it to operate. No one could get it to do what it was supposed to do - fly using antigravity rather than conventional flight methods and produce free energy. Steve says if this thing could produce an EMP then he clearly cracked the mystery of how it works. Steve also says he has an idea why the FBI building was destroyed as well and he says you and I need to get out of our offices as fast as we possibly can and get someplace safe.



(PANEL) 33.

While this is being said to River we see a name come up on River's call waiting line - it's Agent Gunkowski's name and number.



MONTAGE 1

SCENE 10.

SCREEN 1 (PANEL) 17.

CONT. - INT. SUBWAY -

There are abandoned subway cars filling this central junction. It's a switching car rig with one subway train car in the middle. Each Luminary is on one side of the car where their train tracks lead out to each of the 5 tunnels.



MONTAGE 2



SCENE 5.



SCREEN 2 (PANEL) 15.

CONT. INT. ROARK'S CAR

Gunner and Lightfield are racing through Central Park finally coming to a place to park in a wide open area.




GUNNER


Here?




LIGHTFIELD


Yes, we need to get out here. Pop the trunk. Leave the car running.



(PANEL) 16.

Lightfield finds the tire iron in the trunk.




LIGHTFIELD


Get everything from the car we can that we might be able to use.





(PANEL) 17.

Lightfield is working in the driver side of the car. Then lets the car go and it drives off into the pond totally submerging itself.



(PANEL) 18.

Gunner can do nothing but look on while stifling her urge to voice her skepticism.. But there's no time for that anyway.




LIGHTFIELD


Follow me.



(PANEL) 19.

He runs off in the direction of an empty space.



(PANEL) 20.

He then kneels down on the ground working with something there.. Suddenly we see a manhole being pried up with the tire iron.




GUNNER


Are you sure you know what you are doing here?



(PANEL) 21.




LIGHTFIELD


I hope so.. But we are out of options at this point anyway.



MONTAGE 3

SCENE 9.

SCREEN 3 (PANEL) 34.

CONT. INTERIOR SUPERMARKET PRESS

At this time we see on the news that Lightfield and Agent Gunkowski are on the run (Matilda points it out) and people on the streets are photographing and videoing them in transit. Different sightings popping up here and there. Police are trying to get to the scene.

Right at this moment we get a call to the office from Agent Gunkowski - she found Rivers card...




RIVER


Agent Gunkowski.. Is this really you?




Agent Gunkowski can't respond right away because of the onslaught going on all around her..




AGENT GUNKOWSKI


River?!



(PANEL) 35.




RIVER


Yes!




Agent Gunkowski


Thank god...




I need your help... I need you to make a statement that we were not behind this supposed terrorist attack. A rogue element of the government is behind this. They are trying to cover-up something discovered by Grim Lightfield, who created the device that produced the EMP - who is in my custody. There is no known evidence that he is connected to any terrorist groups or that he is a terrorist himself.



(PANEL) 36.




RIVER


I know Agent Gunkowski! I know! I can't get into it more on the phone how or why I know but I know!




AGENT GUNKOWSKI


We need you to go public with this, River. You could get this out and convince the world.



(PANEL) 37.


RIVER


You don't understand Gunner.. I know what these people are capable of. That's all I can say on the phone like this. Get somewhere safe and we can figure something out. We shouldn't make any rash decisions. It won't do any good to stick our necks out if they get chopped off the instant we do.




AGENT GUNKOWSKI


River, we likely won't get another chance. This group we are up against will just be more prepared to attack us over time... they will just get stronger...


Gunner's voice is cut off..



MONTAGE 1

SCENE 10.

SCREEN 1 (PANEL) 18.

CONT. - INT. SUBWAY -

We see their bodies start to become tangible rather than invisible.. And we see that their bodies are covered with a metallic material that corresponds to their alchemical name.



MONTAGE 2



SCENE 6.



SCREEN 2 (PANEL) 22.

INT. SUBTERRANEAN TUNNELS

Gunner & Lightfield enter into the storm drain pulling the cover back over them - luckily they still have their night vision feature in their iFRAMES to rely on. They climb down the ladder, also lucky the water is low in the drainage tunnel, just a minute amount of water flowing up to the top of the soles of their shoes due to the horrific heat wave and drought.



PANEL

Without their high tech glasses they wouldn't be able to see anything in the pitch black. With those glasses everything is a pale blue and brightly lit. A rat looks back on all he can see of them with his razor sharp night vision... two pairs of pale blue illuminated glasses floating in the dark.




LIGHTFIELD


I have a map of the tunnel systems on the iFRAMES and I think we can get off Manhattan without going above ground. Once we are, they won't expect us being off the island. They know our car was ditched in central park and they shutdown all the ways out above ground and even the subway trains. We need to walk all the way back to where we started out - the direction of the FBI building. We need to hurry and get out of this drainage tunnel soon though because if the water rises we could get stuck in here and drown. We've got about 2 miles to go.




GUNNER


MY god.. The smell... it's unbelievable. I don't know how long we will be able to handle this.



PANEL


LIGHTFIELD


It's usually not like this.. It's the heatwave. All the animals including humans try to get underground to avoid the heat and many of them are dying down here now.


GUNNER


Yes, the police have had to start running patrols. The homeless have been getting killed by subways and delaying all the trains. It's incomprehensible...

PANEL




LIGHTFIELD


(Looking at Gunner's sexy high heeled pumps)


How can you walk in those shoes here? That's something I didn't really consider... here


(reaching out to help her balance)




GUNNER


It's not much worse than the rainy NY streets. I'll manage.


(taking Lightfield's arm)



MONTAGE 3

SCENE 9.

SCREEN 3 (PANEL) 38.

CONT. INTERIOR SUPERMARKET PRESS




RIVER


Jon, you there..




JON GRUMBEL


I was worried about you mate....




My contact - Jon Grumbel has tracked down someone in New York city for you to meet with. This contact and a band of like minded individuals can try to provide protection for you and help you plan your next course of action. Do you remember where we had the drink together when I was there and we bumped into your pal Sting? Travel straight to that point from your office... and look for a sign where to go from there - you'll know it when you see it!



(PANEL) 39.




RIVER


Know it when I see it? How?!




JON GRUMBEL


That's what the informant said. You've got to get out of there mate. Pronto. It's not safe. The informant said he will make sure everyone is out of the building somehow before it gets vaporized, too.



(PANEL) 40.

River grabs his leather satchel with his camera and gear he grabs Matilda's purse top and then grabs her hand.





MONTAGE 1

SCR3-10

SCENE 10.

SCREEN 1 (PANEL) 19.

CONT. - INT. SUBWAY -

They all have a hand on the subway car. Suddenly we see a bizarre effect around each of their hands on the car. The steel appears to be turning black... at the same time an ultra-fine metallic mist begins pouring out of the their bodies and filling and traveling down the subway tunnels.





MONTAGE 2

SCR3-10



SCENE 6.



SCREEN 2 (PANEL) 23.

CONT. INT. SUBTERRANEAN TUNNELS



Gunner and Lightfield have made pretty good time in spite having to navigate the heaps of garbage and detritus of their rotting city's innards.



They've come upon a abandoned construction site and an immense piece of industrial equipment that appears to be tied into the electrical framework. Immense electrical conduits the diameter of a man spread out in various directions.


GUNNER


Odd how all this equipment has been left here. We may be able to find something useful.




All the equipment is super-sized to work on this thing.


(Indicating the monstrous apparatus)




LIGHTFIELD


I'm looking at the schematics on the cities database on the information stored in the iFRAMES. This is a type of transformer. It looks like the central power point for the whole city. Everything streams off of this.




I think I may have just found a place we can rest. One of these cables runs right into something about a quarter of a mile from here, it's a decommissioned train station.



PANEL


GUNNER


That's good. There are a lot of questions I need answered. I need to figure out what exactly we are up against.





MONTAGE 3

SCR3-10

SCENE 9.

SCREEN 3 (PANEL) 41.

CONT. INTERIOR SUPERMARKET PRESS

River grabs Matilda by the hand and heads for the rear exit. River tells Matilda she's in danger too - she knows the info he has

River sees the cover for the tabloid Chief made

THE MACHINE on the cover - "the saucer men from New Jersey"

He thinks back to how the WESTALL incident was covered up by the tabloids.



He thinks back to a pin he saw the Chief wearing many times - a OPEN TRIANGULAR BOOMERANG SHAPE...

River realized he's been conned all along - thinks back to how the Chief screwed him... he remembers the Chief has the CIA pin like the guy at crime scene - emblem with similar design.





MONTAGE 1

SCR3-11

SCENE 11.

SCREEN 1 (PANEL) 20.

We see from the CIA's perspective as River and Matilda are inside the office of the supermarket press.





MONTAGE 2

SCR3-11



SCENE 6.



SCREEN 2 (PANEL) 24.

CONT. INT. SUBTERRANEAN TUNNELS

Gunner and Lightfield see the light beginning to intensify as they move down the tunnel getting closer to the train station.




GUNNER


What is that?! It's immense.







SCENE 7



SCREEN 2 (PANEL) 25.

INT. SUBWAY STATION - NIGHT

Lightfield and Agent Gunkowski arrive at an old subway train station from the 30s or 40s judging by the heavy art deco elements and we can see how beautiful it is even in the dark from the bright moonlight coming through the stained glass. Everything is shades of dark blue and green. Enough light they can take their iFrames off and see clearly.




GUNNER


As run down as this place is it feels like the Trump Tower compared to where we just came from.



PANEL

Lightfield and Agent Gunkowski use their blanket for as much comfort as they will provide. It's close to dawn above ground and it's still like a furnace below ground.


GUNNER


So, how did you get involved in all this? Where does your story start?




LIGHTFIELD


It didn't really start with me... it started with my dad....



MONTAGE 3

SCR3-11

SCENE 10.

SCREEN 3 (PANEL) 42.

EXT. STREET SUPERMARKET PRESS

River notices 2 motorcyclists across the street looking his way... as well as several other suspicious cars.




MATILDA


How do we know we can trust these people you are going to meet?




RIVER


I don't... we just have to hope, kid.




(PANEL) 43.


River continues watching the motorcyclists as he starts his bike and they take off.


RIVER


All the traffic is going the opposite direction to evacuate so we're going to have to go against the flow.




Don't be too obvious, but see those bikers across the street? Keep an eye on 'em and tell me what they do.





MONTAGE 1

SCR3-12

SCENE 11.



SCREEN 1 (PANEL) 21.

EXT. SUPERMARKET PRESS

The CIA agents see River and Matilda leaving the office.




CIA AGENT


OK, we can make out movement. They are out of the office.



They pull out several cars behind River and Matilda on his bike and the agent in the passenger seat aims his gun at them. Before he can fire, a truck immediately swerves in front of them blocking his line of fire - firing into the back of the truck with a silent weapon.



MONTAGE 2



SCENE 7.



SCREEN 2 (PANEL) 26.

CONT. INT. SUBWAY STATION - NIGHT

The dark blue tones of the stained glass window above Lightfield and Agent Gunkowski transitions to a narrow two-lane highway 30 miles from the Canadian border, flat desolate, an old blue truck is riding alone on the highway.

EXT. 2 TWO LANE HIGHWAY - NORTH EASTERN WASHINGTON STATE - WITHIN 60 MILES OF THE CANADIAN BORDER, 1968 - CLOSE TO MIDNIGHT



(PANEL) 27.

TITLE CARD:

(OVER THE PANEL) "LET ME TELL YOU A FLYING SAUCER STORY"




VIRGIL


What time is it?




KEITH


I told you 5 minute's ago it's almost midnight, Virgil.



(PANEL) 28.


VIRGIL


The old man's gonna flip his lid. (laughing)




KEITH


That's nothin' compared to what my old man's gonna do.



(PANEL) 29.




VIRGIL


It was worth it though. I've never seen a finish like that. That '55 Chevy sliding through the finish line sideways? The crowd going crazy?




KEITH


Speaking of races, this jalopy of yours isn't gonna be winning any. Is she at least gonna make it home? What's that sound?



(PANEL) 30.




VIRGIL


Old blue always makes that noise when he's running balls-out.(he's looking down at the gauges - the temps getting high and the speedo is topping out at 70)




KEITH


Hey, what is that?



(PANEL) 31.




VIRGIL


What is what? (fussing with the radio which has totally lost all reception all of a sudden)




Virgil looks up, trying to focus his eyes. Far in the distance there's something he sees he's never seen before. he has driven on this highway more times than he can remember, day and night, and he's never seen anything like what he sees now. What could it be, he thinks to himself.




He let's off the gas a bit. Decelerating well ahead of where he normally would.



(PANEL) 32.

in the distance they see something hovering above the intersection of the highway they are on and another road crossing it. something producing an incredible amount of light projected down on the intersection.



(PANEL) 33.

As they get about a half mile away they see what it is. It's a stereotypical b-movie-esque flying saucer. Something so well known and hackneyed to them at this point it was difficult to even take it seriously.




KEITH


(in a hushed whisper, as if afraid the occupants of the saucer might hear him)




it looks like a flying saucer right out of that movie Saucer Men from Mars.



(PANEL) 34.

The object sits hovering so placidly, close to the power lines, they don't feel fear, it's more of a dream like feeling. Was this really happening, they wondered to themselves. The lines between reality and fiction suddenly blurred completely.



(PANEL) 35.

Eventually they inch as close as they can to the craft while being able to see it through the windshield. They sit there for several minutes until it finally rises straight up.



(PANEL) 36.

Virgil

(whispering)

there's no noise or wind at all...



(PANEL) 37.

The craft is so high it can barely be seen now, even in the perfectly clear sky. It hesitates for a moment as if it was a living thing contemplating what to do next.



(PANEL) 38.

then instantly accelerates at an oblique vector.



(PANEL) 39.

The stars in the sky dissolve back into the lights coming through the stained glass again. Agent Gunkowski is wide-eyed listening to Lightfield's story.




GUNNER


So, from what you said in your interrogation, what your dad saw was actually a US government craft, then?




LIGHTFIELD


This I don't know. I don't know for sure what that craft was or what it was doing. But this experience my dad had with his friend is what led me on my journey to discover what I did. I will get more into that soon though. Let me tell you about my life and what led me to all this as well.





MONTAGE 3

SCENE 10.

SCREEN 3 (PANEL) 44.

EXT. NYC Street

River and Matilda take off and start weaving through the oncoming gridlocked traffic as quickly as possible, Even the sidewalks are full of people evacuating on foot.




RIVER


Do you see anyone behind us? Remember, try to act nonchalant...




MATILDA


How do I look back nonchalantly?

(PANEL) 45.




RIVER


I don't know... I thought you'd know...




MATILDA


I see them behind us!

(PANEL) 46.




RIVER


Hold on... I'm going to try to lose them!



(PANEL) 47.



River and Matilda narrowly avoid many cars and people as they fly through the streets away from the city to the outskirts.



MONTAGE 1

SCR3-13

SCENE 11.

SCREEN 1 (PANEL) 22.

EXT. NY STREET

More cars with agents pull behind the agents whose gunfire was blocked. Suddenly large trucks pull all around them from all sides - even oncoming traffic boxing them in.



MONTAGE 2

SCR3-13



SCENE 7.



SCREEN 2 (PANEL) 40.

CONT. INT. SUBWAY STATION - NIGHT




LIGHTFIELD


(VOICE OVER)


My mom was a single mom trying to support 2 kids on her own after my dad died. It was a big struggle for her. At this time aspergers wasn't as widely known as it is now and it's still overlooked.A YOUNG Lightfield ABOUT 6 YEARS OLD STARING OUT THE WINDOW AT SCHOOL. TEACHER NOTICING



PANEL 41.

A 10 YEAR OLD Lightfield SITTING ALONE LOOKING AT A BUMBLE BEE.




LIGHTFIELD


(VOICE OVER)


I had always felt different from the other kids. But I didn't know why. And my mom was very old fashioned in her thinking and was in denial about it.




My biggest problem when growing up though was that I felt like everyone thought the same and if you didn't there was something wrong with you. And I always felt like I thought differently than others. I saw things differently.




I also felt there was something horribly wrong with the school system and society in general. It was like no one really saw what was possible in life. The one time I discovered someone who I felt saw things like me was when I learned of Leonardo da Vinci. He was my hero as a kid and throughout my life, I dreamed of studying all the different things he did.




But when I was in school rather than encouraging these interests I felt like the school system crushed them. Things got even worse when I got to middle school and met algebra. I had dreamed of becoming a scientist or inventor but my inability to learn algebra or understand it destroyed that. This is a common problem with people who are on the autism spectrum, for some reason algebra just does not compute. I didn't know that then though.




I also had a weird issue where I struggled doing my homework assignments. The larger the assignment the more difficult it was for me to do it. Yet I did well in tests and aptitude tests at school. They tried placing me in advanced classes yet I still had the same problems. My mom assumed I was lazy because I just sat around daydreaming at home all the time too it seemed. So I was always in the doghouse. Yelled at constantly. And this made things even worse. I felt like I just gave up at school.




These weren't my only problems though, people seemed to know I was different as well and even though I was obviously a big kid people would bully me to an extent knowing that I wasn't the type to respond. No one ever physically bullied me... but they would psychologically bully me at times or act like I was a weirdo because I was just different.


That's all aspergers syndrome really is, we are just different. But society doesn't welcome different usually. They just see you as weird. Temple Grandin who is an aspie herself and studies aspergers and is one of the foremost authorities has said that no two autistic minds are alike.




Even though I wasn't doing well in school I still had this insatiable desire to learn and understand everything. I was especially obsessed with flight. One of the major aspects of Asperger syndrome-autism is an intense focus, and many aspies have unique abilities because of our obsessions and focus. Many people suspect Einstein was an aspie because of traits he had as a child - for example he was very late to develop speech which is a common autistic trait. I also had a tremendous amount of ideas but again struggled to be able to know how to really work towards developing them.


Because we didn't know what my issues were my mom didn't know what to do with me and she was upset I wasn't doing better in school. We didn't get along and I ended up moving out and living with friends before I was out of high school. I got my GED at the time and tested so high in the non-math portion the test taker said they could equate it to a SAT score and said I would have gotten an A. He seemed visibly upset wondering why I ended up in that situation. I told him I had just always hated school.


I worked at different odd jobs OVER THE YEARS dreaming of pursuing my interests. It was hell for me in these mindless jobs because I wasn't even capable of managing them, yet I had all these ideas of things I wanted to achieve and create... all this ability I couldn't tap, I felt, but had no idea why.



MONTAGE 3

SCR3-13

SCENE 10.

SCREEN 3 (PANEL) 48.

CONT. EXT NYC STREET

Suddenly 2 bikes pull in front of River and Matilda from side streets, Now they are pinned in front and back. These bikers look identical to the two behind.



As they tighten the noose on them, pinning them in tighter and tighter River has an idea and pulls the flash from his bag... he flashes the bikes in front then the bikes behind.. the bikers are all instantly blinded and all narrowly avoid crashing at the same time.




MATILDA


Yes! That was amazing!






RIVER


Woohoo!




We're going to make it!



MONTAGE 1

SCENE 11.

SCREEN 1 (PANEL) 23.

We are back with the agents surrounded by the trucks..

They see the drivers of the trucks getting out of the cabs and fleeing the scene.




AGENT


(to the control center)


We've been penned in! Someone is attempting to snatch the target!







MONTAGE 2

SCR3-14



SCENE 7.



SCREEN 2 (PANEL) 42.

CONT. INT. SUBWAY STATION - NIGHT




I tried to develop my different ideas for inventions and was always studying new scientific information coming out, still obsessed with flight especially. It was at this time thinking about developing different aircraft inventions in my mind that I remembered back to my Dad's story. When I was about 10 my Mom gave me some of his things.




It was at this time she showed me info he had relating to his experience. I remember looking through his things and I found this piece of paper.. All it said was D-I-E-L-C-T-R-I-C.




I asked my mom what dielectric meant and she said.. "It doesn't mean anything. Just 2 words together - "die" and "electric". I will go into this more later.




She also said how he had told her what he saw when they met a couple years after the incident, in the early 70's. They would visit the spot when he would go back to that little home town near the Canadian border in Washington state to see his parents.


One of the things he had, along with a written description of what happened, was an issue of a magazine called Popular Mechanics. The issue had an article that dealt with the several failed attempts to develop saucer type craft by the US military. Craft that barely got off the ground and were supposedly considered turkeys.


Thinking back to this I remembered seeing that all the issues of Popular Mechanics were online. I thought it would be easy to check out that old issue again. I had always wanted to look into the things he mentioned to see if new info had come out. In the article he had circled a saucer they had depicted. It was a depiction of the saucer someone named Bob Lazar had said he had seen at a government installation called Area 51. When I had first read this article when my mom showed it to me I didn't fully understand the implications of what I had seen.


The way the article had been written and the way the Bob Lazar saucer had been depicted it seemed like a joke. The image had a "they're here" caption under it. But I had always wanted to research Bob Lazar more.




There were conflicting claims about him at the time I first researched him. I had hoped by now the information was more easy to dig up about him and people had come to a conclusion one way or another about him.




I quickly found the account of his of what he had seen online. He describes how he was recruited by a famous scientist who worked for the US government named Dr. Edward Teller. How he was flown to Area 51 and a a secret outpost in Area 51 called S4.




He described a saucer he had seen there vaguely. Then he talked about going into a briefing room that said they had acquired this technology from aliens they had been in contact with. He said when he looked up from the table at the wall across from him he saw a poster there that showed the saucer he had seen in the hangar hovering over the desert floor with the caption "THEY'RE HERE".


It was at this time it hit me... I had never known that the image that was in Popular Mechanics was the actual image that Bob Lazar had recreated based on what he had seen.



MONTAGE 3

SCR3-14

SCENE 10.

SCREEN 3 (PANEL) 49.

CONT. EXT NYC STREET

At that moment as they approach the next cross street we see 4 more bikes about to pull behind them again from the side streets as they pass through the intersection.




RIVER


Holy crap. More?!



(PANEL) 50.

This time their pursuers don't mess around and immediately catch up to River and Matilda and 2 pass in front...



(PANEL) 51.

Then something weird happens... lights begin coming on on the back of the biker in front of Rover that write a message -




BIKER MESSAGE


We are friends


-


JON sent us.



(PANEL) 52.


BIKER MESSAGE


Follow us.

(PANEL)53.

Something else strange happens - We see all the bikers press a button on their handlebars



(PANEL) 54.

A gas starts being dispersed from their bikes... it envelopes the bikers and River and Matilda on their bike. - show cars that have gas on them invisible too)



(PANEL) 55.

We see the same thing happening from the insect view from above and



(PANEL) 56.

suddenly the signature they were locked on disappears and group of motorcyclists becomes invisible to the insects.



MONTAGE 1

SCR3-15

SCENE 12.

SCREEN 1 (PANEL) 24.

Int. Underground Subway Hub

The Luminaries continue to fill the tunnels with their metallic mist pursuing their targets.




MAN WITH THE SCAR


(From the Control center)


Contact has been lost pursuing a target. Allocate 2 Luminaries to reacquire the target.




Target data received.


Visual of data on the target and data on loss of target is displayed.



MONTAGE 2

SCR3-15



SCENE 7.



SCREEN 2 (PANEL) 43.

CONT. INT. SUBWAY STATION - NIGHT


This changed everything for me. This meant that the saucer my dad had seen was the exact same saucer Lazar had seen. They validated each other in some fashion.




So now the question became - was Lazar legit? Was he telling the truth or did he have another motive? Were these craft really based on alien designs or were they from the government? Even my dad had speculated from the beginning that this might have been government technology.


I began researching this stuff more and more. One of the most important things I discovered right off the bat was a video called Billion Dollar Secret. This was pivotal in the discoveries I made. The documentary by highly respected aviation journalist Nick Cook had some key information though... This was a documentary about how much money the government spends on black budget technology and weird sightings people have had. One of the key clues he put in there was about "remote viewers".


Remote viewing is a type of clairvoyance - seeing a place anywhere in the world from afar with just your mind. This was a program supposedly funded by the government for millions of dollars over 4 decades. Nick Cook spoke to one of the remote viewers and before this meeting made a cryptic statement about "disinformation". It's said so subtly someone might miss it. But after researching the remote viewers and the information the supposed great remote viewers put out I think I see why. You see all the supposed government remote viewers have claimed making alien contact.


In this same documentary by Cook he meets with an old aviation engineer who headed highly secret programs. He said the lengths the people in control of these programs would go to to keep the secrets went against his morals and beliefs. He said it was unbelievable.


Yet here you have these supposed government remote viewers speaking publicly about some program what was supposed to be top secret and talking about supposed alien contact. Why might this be?


The reason is that the alien thing has been the perfect cover story for secret government technology all along. The perfect diversion.





MONTAGE 3

SCR3-15

SCENE 10.

SCREEN 3 (PANEL) 57.

EXT. NYC PARKING GARAGE

The newly formed gang of bikers continues driving to the outskirts of the city.



(PANEL) 58.

pulls up to a big metal gate with small cameras located all around.



(PANEL) 59.

Looking through the camera POV, seeing that access is allowed as the group pull in...



(PANEL) 60.

they start circling around and rising up the garage.



(PANEL) 61.

Guards stationed in the darkness periodically waving them up.



(PANEL) 62.

More vehicles stream in behind them at a constant rate.



(PANEL) 63.

We see different walks of life entering the building for this emergency situation.



(PANEL) 64.

People they pass by look in in interest but seem worried and stressed too.



(PANEL) 65.

We notice something unusual about all these women and men.. Looking closely we see every one of them has at least one mechanical limb.. If not multiple.



(PANEL) 66.

Looking closer still we see they aren't just mechanical limbs.. But full functioning robotic limbs. Far more advanced than anything in the public known today.



(PANEL) 67.

These robotic soldiers are gearing up and manning their positions.





MONTAGE 1

SCR3-16

SCENE 12.

SCREEN 1 (PANEL) 25.

The Luminary leader selects his top 2 members for the job.





MONTAGE 2

SCR3-16



SCENE 2.



SCREEN 2 (PANEL) 44.

CONT. INT. SUBWAY STATION - NIGHT




Nick Cook also wrote a book at this time where he goes into the alien and antigravity lore that has been spreading since the end of WWII. The book is called The Hunt for Zero Point: Inside the Classified World of Antigravity Technology. I'm going to have to give you the Cliffs Notes versions of these sources I mention because we don't have the time to go totally in-depth.




The first thing I have to say is that from what I found Zero Point energy seems to be a red herring. Zero point energy which, is said to be the big discovery of the book is a supposed energy source that can be created from the vacuum of space. From nothing. From space time itself or inter-dimensionally.




The key way the people in power keep us in the dark is to make things seem much more complicated than they are.. And even more attractive on their surface than what is really being hidden. That is the purpose of something like this zero-point energy red herring.


They essentially have us chasing rainbows while there is a pot of gold sitting right in front of us. This appears to be the purpose of zero-point energy.


The reason they have to go to these lengths is because they can't put the genie back in the bottle. A lot of this info has already leaked, the only way they can hide info that is already partially out is to try to confuse people so they don't understand what they see right in front of them.


The other big keys of information Nick Cook includes is the lore about 2 of the key guys who developed antigravity technology and more. They did this on 2 different sides of the Atlantic seemingly totally independently of each other and before WWII. These people are Viktor Schauberger and Thomas Townsend Brown.


Before I tell you about these guys I need to explain what a CAPACITOR is.




(detail what a capacitor is here)


Back to TTBrown and Schauberger. The amazing thing about them is that one of them was an engineer and went about it in a more methodical modern approach - that was Thomas Brown, in the US. The other went about it in a more natural intuitive approach and he had his own way of explaining how it worked outside of our scientific understanding. But both were mocked and ridiculed for their claims and theories at the time. Both were dealt with by the powers that be and their work buried by the people in power.



MONTAGE 3

SCR3-16

SCENE 11.

SCREEN 3 (PANEL) 68.

INT. NYC PARKING GARAGE

A make-shift CONTROL CENTER has been made and is heavily guarded at the entrance.



River, Matilda and their escorts pull up to the entrance where a group of people is waiting.



(PANEL) 69.

As their bike pulls to a stop guards come up and hold the bike up for them and check on their safety asking if they have been injured at all.



(PANEL) 70.

A muscular lean faced man approaches.




HUDSON RAND


Welcome Mr. Lotus-eater, Ms. Leonard. I'm terribly sorry for having to keep you in the dark about our methods.


RIVER


I'm sorry about those guys we flashed. Hopefully they are alright...



(PANEL) 71.


HUDSON RAND


They'll be fine, don't worry about them. We've got some tough customers here thankfully. Again, my apologies for giving you a fright back there. You have probably deduced by now the forces we are up against will use all the means at their disposal to protect their interests.



SCREEN 3 (PANEL) 72.

A guard approaches River and Matilda with what looks like a handheld camera with what looks like, but isn't, an infra red sensor reading on the monitor - it reads "theta waves"




GUARD


They're both clear, Mr. Rand.




HUDSON RAND


Welcome. Please come in to the control room. I'll tell you about myself and the little operation we have here.



MONTAGE 1

SCR3-17

SCENE 12.

SCREEN 1 (PANEL) 26.

The Luminary duo leader and her associate begin moving out of the tunnels. Invisible figures moving through concrete like ghosts as they move to the surface of the city.





MONTAGE 2

SCR3-17



SCENE 7.



SCREEN 2 (PANEL) 45.

CONT. INT. SUBWAY STATION - NIGHT




Thomas Townsend Brown was a young college science student experimenting with electricity - an X-ray producing device - and noticed the device shifted significantly when activated. He devised experiments to examine this phenomenon and tried to replicate it. He isolated what was creating the effect and tried to enhance it.




It turned out the key was a CAPACITOR effect that creates this propellant-less movement which was unknown to science then, and even now. Yet there was another person who had detected this effect who TTBrown also credited in his work - calling it the Biefeld-Brown effect. Brown also developed a test rig that disk type craft could rotate around using this same effect.




Around this same timeframe, in Austria, Viktor Schauberger - who came from a long lineage of forest caretakers - had an understanding of nature few people in the world have ever had.




This is knowledge people today are totally oblivious to because we have become so out of tune with nature. People forget that all this stuff our society relies on, all this technology, is based on fundamental properties of nature. So if nature is key to our discovery of incredible forms of technology, like how the Wright brothers studied birds to developed manned powered flight, what other discoveries might be out in nature that we have no idea of?




This is why Schauberger was so far ahead of everyone. It's also why he said repeatedly that scientists in the mainstream were so backwards in their thinking. Because they were so completely out of touch with nature and it's characteristics/idiosyncrasies/ laws.




Schauberger had been writing about his theories about nature and technology and the path we were heading down way back in the 30s. He was even asked to speak to Hitler in a famous meeting. Schauberger's said the Reich would never last with its philosophy. A famous Nazi science official said "nature has nothing to do with science" in response.


When WWII started Schauberger was forced to work for the Nazis or he would be killed. It was clear the Nazis viewed everyone as a threat even someone like Schauberger and they were ruthless in their search for technological superiority. They were monitoring and controlling all his work and seemed to be stealing the products of his work and developing them independently while hampering his own progress when they saw him making breakthroughs. There are claims a Nazi engineer stole Schauberger's design for the jet engine - possibly the first true jet engine ever made.




There is a documented story from one of the workers in Schauberger's crew who reported of their work at the time after the war that he saw a device Schauberger made while working for the Nazis called the REPULSINE that sheared the bolts holding it down and flew to the roof when tested without Schauberger present. The Repulsine was the device I built in my shop that caused the EMP!




There have been claims after the war from people who have read secret documents that there was a device the Nazis were developing called the Nazi Bell. This device was said to have mercury within it, was radioactive and produced electricity. It was also said to generate antigravity.




After WWII when the US and Russian intelligence raided all the Nazis secret tech projects they both got some of Schauberger's work. Possibly other countries were in on it, too. Schauberger was debriefed by the US intelligence. He said all his devices were taken and he was forbidden from working on nuclear devices.




After the war Schauberger had heard rumors of flying saucers being sighted in the US. He thought this sounded like his technology since he knew he was the first to make a true flying saucer for the Nazis.


Years after WWII when he began getting vocal about his theories in the Austrian press, he was contacted by US businessmen with ties to the US government. They said they were going to help him develop his technologies and made all kinds of financial promises when he delivered the technology. After agreeing, then flying over to work with them in Texas, things got weird. He brought prototypes and built devices but they claimed there was a communication breakdown. They had him speak to people in the advanced science programs. Schauberger got worried they were going to use his technologies in the military and make bombs with them. Schauberger knew these bombs would make nukes look insignificant. Things never improved between Schauberger and the US businessmen. They also wouldn't let him return home unless he signed all his work and prototypes over.




At this same time Thomas Townsend Brown was going through the exact same kinds of issues with the US government as well. And Schauberger and Brown likely had no idea of the others work. After WWII and working with the US government in radar technology and some very weird rumors about his time working with them then, he showed his work from before WWII on electrogravitic rigs with disks flying rapidly around them to a US general and told him the potential of this technology. The general was documented reporting this to his superiors with great concern. Shortly after this, Brown was showing his work to more military people and his office was broken into and files stolen then later returned. There are many rumors about TTBrown after this time - heavy disinformation spread. He seemed to get the same kind of run-a-round Schauberger did.





MONTAGE 3

SCENE 11.

SCREEN 3 (PANEL) 73.

INT. MISFITS' CONTROL CENTER

HUDSON RAND

Please, have a seat. My apologies for being so concise here but we are all in grave danger and I am sure you have an idea of the extreme level of danger we are in now. But things may be far more dire than you might imagine.



We have been waiting, ready and prepared for the right time to act.



The are groups of people around the US who all sense something is wrong but there is no unity - all fighting against each other.. They all think they know the truth. Most of them are focused on alien disclosure.. Missing the bigger picture... They need ONE VOICE to unite them.. To cut through all the disinformation.




RIVER


Who funds all this?



(PANEL) 74.




RAND


It's all funded through my charity for wounded soldiers. These men and women take their proceeds and put them to this use. Without them I couldn't do this. And the wealthy patriots around the country who are privy to our real agenda.





MONTAGE 1

SCR3-18

SCENE 12.

SCREEN 1 (PANEL) 27.

We see them begin processing info relating to their new bounties immediately in the heads-up display of their suits.




SUIT COMPUTER


Location of lost target.





The Luminaries go through info taken by the FBI and CIA from Lightfield's shop. Images of River at the scene flash.







MONTAGE 2

SCR3-18



SCENE 7.



SCREEN 2 (PANEL) 45.

CONT. INT. SUBWAY STATION - NIGHT






Nick Cook documents another aspect of this in his book as well. It was what got him started on his journey. Someone anonymously left an article on his desk from a magazine from the 50s claiming that aviation manufacturers were seriously working on electrogravitics - the term TTBrown coined for gravity control used in aircraft.




(show a reproduction of the article cover here - G-drives and quotes)




Cook researched this and found it was legit. Many respected people in the aviation community predicted a breakthrough within 5 years and "think tanks" were forming to solve the "gravity riddle". One of these think tanks had a charter very similar to Schauberger's revolutionary philosophies - studying nature and applying this knowledge to scientific developments, the first iterations of a field known now as bio mimicry, which Schauberger likely spawned and no one knows it.




But, then, after all this hype... within a year it was as if the whole thing never happened. All talk of work with gravity control totally disappeared. In reality this was because it went black. The people in power likely made this all a matter of national security. You will see that is a pattern of control these people used from this point on.


There were some other weird incidents that occurred during and after WWII that seem to be connected. Cook documents that during WWII there were pilots flying over Germany who witnessed this strange phenomena. They would see these floating fireballs that would seem to play with them flying all about then disappear. They were called Foo Fighters. Named after a comic book character of the time. Allied intelligence investigated these reports. It's likely these were the first saucer craft made using Schauberger's technology.




Then in 1947 there was an account of a Washington state small plane pilot who saw something he described as a metallic saucer skipping across a pond, flying north to south along through the airspace following the formation of the rocky mountains. There is a document that slipped through from a General Twining who commented on this and had an odd reaction about how this technology was within their reach, how would he have known this if we weren't aware even now? The capabilities he discussed are not within the realm of conventional craft we know of even today.Twining doc here for readers




In 1950 there were reports of a formation of saucers flying over the White House. The president himself discussed this sighting publicly.




Then there was of course the infamous Roswell crash. This was likely the Nazis OR government disinfo to spread the alien red herring.


So, what would explain these saucers seen over the US at this time? It could be the US military developing this technology. But there is another possibility.





MONTAGE 3

SCENE 11.

(PANEL) 75.

CONT INT MISFITS' CONTROL CENTER

Rand receives a call on his cell phone from a shadowy informant figure. All the blood runs from Rand's face. His eyes look like he's not in the room with them anymore... his thoughts are somewhere else while listening to the informant.




RAND


(to number one)


These coordinates... this is the general area we picked up Lady and the tramp.




(To everyone in the control room)


Our mettle is about to be tested unlike anything before. The shadow government has sent their most precious asset to eliminate you. Our foe is like nothing I have ever faced before.




This is what we have been training to battle. Worst case scenario we could try to get you out of here and hide you somewhere else if you want to go that route.




But with your high profile it will be difficult to protect you for long. More forces will come after you because of the info you have. We don't know how they are tracking you so you may be at more risk - with all the forces we can amass here this may be your best chance for survival.




We wish we had more training time to deal with the threats we may be facing but on the other hand the longer we wait the more powerful our opponent gets - the more they breakdown society and further their plans.





MONTAGE 1

SCENE 12.

SCREEN 1 (PANEL) 28.

Luminary duo leader and partner going through images at a rapid pace. We see reports of the CIA encounter and chase of target. We see all relevant info about targets.



Every known video, article and image of River Lotus Eater comes up.





MONTAGE 2



SCENE 7.



SCREEN 2 (PANEL) 46.

CONT. INT. SUBWAY STATION - NIGHT


There is another strange account of flying craft being seen around this time that may account for some if not all of these sightings. There is a report from an Admiral Byrd who was sent on an expedition after WWII to explore Antarctica. Well, it's well known that the Nazis had claimed land on and around Antarctica during WWII, even though others had already claimed the land before them. There is a news report from South America after the Byrd expedition reporting that they were attacked by craft that have the ability to travel between the North and south poles at great speed. Admiral Byrd supposedly committed suicide not long after returning to the US as well. Maybe covering up Byrd leaking this information?




At the end of WWII there were reports of missing Nazi subs and claims that Nazi escaped to many different countries and were hidden by their secret allies through countries in South America. Hundreds of Nazi scientists were even secretly recruited by the American government after the war. These reports we have of Nazis continuing after WWII may be just a small hint at what really remained.




So, imagine there are Nazis remaining after WWII spread out all around the world and they have this technology they developed from Schauberger's work. They are so far ahead of the US and other countries at this time they can fly over our airspace with total impunity. Even over our own capital as a show of power.




In the meantime the US government, and possibly others, are developing this technology in secret. But here's the big key to all this -- why they couldn't take this tech mainstream. Why all the countries of the world colluded to keep this tech secret. It's because this technology would make many forms of business today obsolete. There is something else tied to this though.. Because to produce antigravity you need excessive amounts of electricity - power.




This is the other aspect of why this technology had to be kept secret. Power production is big money... and a means of maintaining control of society and the world. If people have total access to this they become uncontrollable and you also lose your technological edge. As complex as antigravity and the power source technology seem to be.. It is incredibly easy to manufacture when you know how to do it. The current state of advanced aircraft technology can only be achieved by throwing money and advanced engineering knowledge at it.




So what was the US government to do to prevent the mainstream population from learning what they desperately wanted to keep secret? They had the perfect solution already. It was handed to them on a silver platter. You see when allied soldiers saw the Foo Fighters during WWII while flying over Germany they were so far beyond their realm of understanding technologically because of their abilities and appearance they thought they were other worldly or alien when they reported back to the government.




This gave the secret keepers the perfect cover story for this super advanced technology. They began swamping the public consciousness tying together aliens with saucers and at the same time making antigravity technology seem like a joke. And also at the same time putting all the emphasis in public on nuclear energy and then the dangers of nuclear technology - which tied in perfectly with generating this fear of advanced technologies while diverting attention from other possible developments.




How far would the government go to keep this secret? What lengths would they go to to control the world wide economy and maintain the power structure already in place? These people seem to be working on a 100 year time scale.





MONTAGE 3

SCENE 12.

SCREEN 3 (PANEL) 76.

EXT. NYC STREET

Two invisible figures descend toward the street - the Rand team CAN'T see them with heat/electrical scanners.

The Misfits intelligence officer informs number one - radar scan of potential targets negative, sir. They must be radar stealthed.




NUMBER ONE


(To the team)


Deploy the scout drones to search for the threat at the given coordinates. Maintain maximum distance. We get too close they will spot us.




Infantry - setup the perimeter!



MONTAGE 1

SCENE 12.

SCREEN 1 (PANEL) 29.

The employees of Supermarket Press run through. Locating River and Matilda from the video images.



FBI and department of Homeland Security Files come up.



A major lead has been targeted. An image of the CIA motorcycle is in the display field. The power cell is highlighted.




SUIT COMPUTER


Exotic materials and energy signature can be tracked to possible hiding location or accomplices.





MONTAGE 2



SCENE 7.



SCREEN 2 (PANEL) 47.

CONT. INT. SUBWAY STATION - NIGHT




And there are other dangers as well. The Nazis were working on something else that may have posed a threat even greater than Schauberger's super technologies.




The Nazis had a mind control program that was brought with their scientists to the US after WWII. One of the key techniques of implementing mind control is based on inducing trauma to allow them to condition the subject as well as hypnosis. People also have been taught to think this is fantasy, too. Just like antigravity and flying saucers coincidentally. They do this to the general population using soft forms of mind control - subtle propaganda through mainstream media over long periods of time. They have total control over all forms of popular media and news programs. If you control the word's economy and the military and the government. It's very easy to maintain control of these programs financially.




But sometimes they don't just use soft forms of mind control on the general populatiuon... when they really want to get their point across or when they have something that requires the support of the entire population over a long span of time, they use more aggressive methods - trauma based. The US government and other nations seem to be joined together through secret societies that go back centuries - the Freemasons - and they have infiltrated most of the powerful countries in the world. They devised a goal of creating a one world government. The United Nations, created after the end of WWII, was a precursor to this. Major events since have been orchestrated moving towards completing that goal.




There are 2 major events that were orchestrated over long periods of time as part of this agenda. One was the JFK assassination and the other was 9-11.




Both of these events were done to coerce people to move in the direction of their agenda. And to create fear in order to control the people. As well as to create a psychological scar within the masses associated with the incident. To make them respond the way they want. These events were done in a high profile fashion to ensure they achieved the desired effect throughout the nation and the world. Both of these events were also done with forms of this advanced technology.





MONTAGE 3

SCR3-20

SCENE 13.

SCREEN 3 (PANEL) 77.

INT. MISFITS' GARAGE

Soldiers pile into troop transports.



Osprey like craft with business names hiding their true purpose are landing on rooftops carrying more and more troops



SCENE 14.

(PANEL) 78.

INT. MISFITS' CONTROL CENTER




NUMBER TWO


(To number one)


we should have the full East coast force here within the next hour and the full support team within approximately 4 hours.




NUMBER ONE


That's not fast enough, We have 2 elementals within 15 miles of home base. We need as many resources as possible. Find a way to get people here or we won't be around much longer. This is the fate of the country hanging in the balance.





SCENE 15.

(PANEL) 79.

INT. MISFITS' GARAGE

Soldiers are gearing up.

Some are praying.



Some are throwing up.



Announcements are made directing soldiers to locations.



SCENE 16.

(PANEL) 80.

EXT. NYC STREET

Elementals approaching from due North.



SCENE 17.

SCREEN 3 (PANEL) 81.

INT. MISFITS' CONTROL CENTER




NUMBER ONE


A-team, head to perimeter zone. B-G teams fall behind at 1/2 mile intervals.



Rand is translating commands to River and Matilda as they are called out on the PA system.



(PANEL) 82.

We see trucks camera POV as they travel to their appointed positions.



(PANEL) 83.

We hear soldiers communicating preparing for battle.



(PANEL) 84-85

Anti aircraft defense weapons moving like large insects navigate themselves autonomously into position.



(PANEL) 86.

Scout drones fly to their appointed locations.



(PANEL) 87.

We first see troops amassing..



(PANEL) 88-91.

Then pan right and see our targets. Incredible zoom here...





(PANEL) 92-95.

We see different sensors working and pick up electrical signals of the Elemental duo. Their shapes outlined in electrical form.





MONTAGE 1



SCENE 13.



SCREEN 1 (PANEL) 30.




LUMINARY LEADER


(To Luminary duo leader)


What's the ETA for tracking the targets? The trail is incredibly faint at this point. We WILL track it. I will update you when it's determined.





MONTAGE 2

SCR3-21



SCENE 7.



SCREEN 2 (PANEL) 48.

CONT. INT. SUBWAY STATION - NIGHT


GUNNER


So, how does Bob Lazar tie into all this?




LIGHTFIELD


Did you know that Bob Lazar came onto the public scene later the same year in which REDACTED




Bob Lazar said he worked for the government reverse engineering alien flying saucer technology. He outlined how the craft operated and how their power source worked. He claimed they used some super element that can't be found on Earth and using a particle accelerator they "transmuted" this element to another and then it began releasing energy that fueled the ship.




Well it turns out this is how Pons & Fleischman's effect worked, too. But with Pons and Fleischman's process all you needed was the ubiquitous element nickel.




REDACTEDand on a wild goose chase.. Chasing more rainbows. Once again using the dangling carrot of aliens that seems to capture people's imagination so easily. This way people are more concerned about the government revealing the truth about aliens than finding the truth about these technologies made by man. Remember also that the goal often is to fool people in government.. People in government not in the know, rather than the mainstream people. Imagine someone high up in the military chain witnessed one of these craft the government was testing and later realized that Pons and Fleischman discovered the process that powered it?




These events, the JFK assassination and 9-11 are tied in with these world wide agendas of suppressing these technologies, as well. And controlling the world economies. Which has been going on since the end of WWII when they discovered them. Different forms of these advanced technologies were used in both events, too. Because they knew the general population would have no idea of them. And they ensured the missions would be accomplished because of their effectiveness. They also ensured people could find no traces of them. Because people had no idea what to look for. I also think they like using these advanced technologies in this way as a justification for why they need to protect the world from them. But it's pure rationalization... people always use excuses like this to justify their behavior.




Did you know that Hitler wanted to create the Aryan race because he believed if Germany didn't do it someone else would and they would take over the world?




After 9-11 there was a professor Clemson university named Dr. Judy Wood. Dr. Wood was in the teacher's lounge at her university when 9-11 happened, and she couldn't believe what she was seeing. Not only what she was seeing but that she was the only one who was seeing it. She was the only one questioning what she was seeing.. Not believing it could be real. Not believing buildings could do what they did when hit by planes. She thought someone else would eventually ask the questions she had. Eventually after waiting and waiting for years and nothing happening and seeing more and more bizarre things in the aftermath, eventually she realized she was going to have to do it herself. She spent the next decade plus amassing evidence and finding out more and more bizarre things that couldn't be explained. What she found was evidence some form of advanced technology was used to destroy the buildings in a way we have never seen before in the mainstream. This effect also had an antigravity component.




So what we have is some unknown entity using a seemingly conventional scenario - planes crashing into buildings - but in reality using an advanced secret technology to make it look like they were destroyed by planes.






Now I want to explain what really allowed me to make the key discovery that will allow people to create this technology. The problem is it's so simple people can't believe it.






Remember how I talked about Viktor Schauberger and TTBrown? And how they had discovered the same thing essentially at the same time?






Also remember way back in the beginning when I mentioned finding the note written by my dad that said "die electric" - well that's what my mom thought it said.. WHAT I LEARNED NEXT TOTALLY CHANGED EVERYTHING...




What they discovered was that the key to antigravity was capacitors. All capacitors are is a device that works similarly to a battery - It is a way of storing energy. Unlike a battery though it can charge and discharge instantly. Where as a battery takes a long period of time to re-charge and even release it's energy in comparison to a capacitor. A thunderstorm is really a natural capacitor. The Earth itself acts as a capacitor. This is how electrical storms are generated.


The Nazi Bell worked the same way. The Nazi Bell was the Nazis taking Schauberger's repulsine and distilling it's essence and re-imagining it and using it's principles of operation.




The repulsine and Nazi Bell had a key feature that is unique though. They produced their own power to operate. This is something TTBrown's devices didn't have. He wanted to power them conventionally. Which would give them limited range.





MONTAGE 3

SCR3-21

SCENE 18.

SCREEN 3 (PANEL) 96.

EXT. DRONE VIEW

We see the view from the scout drones again - we see the Elementals have a cloud/mist like energy field expanded around them...





SCENE 19.

(PANEL) 97.

INT. MISFITS' CONTROL CENTER




TECH GUY 1


(To Number One)


Sir, we are detecting some kind of metallic charged cloud around the targets... it appears they may be using this to track their target using an unknown process..




TECH GUY 2


(To Number One)


We've got a sensor detection of 2 Elementals 50 meters from predicted coordinates. They are moving at a slow human walking pace.. Unable to determine actions.



(PANEL) 98.


TECH GUY 1


(To Number One)


It looks like they are on a hound dog hunt lieutenant!




NUMBER TWO


They don't actually have a hound dog do they?




NUMBER ONE


What can they be tracking? They can't track their bio trail - we eliminated that. They must be tracking something though...


We need to stop them before they acquire the trail. And we HAVE to find what they are tracking find some way to keep them off the trail.



(PANEL) 99.




RAND


(To River and Matilda)


We've never faced these targets in battle before.. We don't know how to stop them with the weapons we have




Logistics, give our evasive path to home base to the infantry.




Infantry, move covert troops to escort path to home base.




Long range artillery move to outer range of escort path at high ground.





MONTAGE 1

SCENE 14.

SCREEN 1 (PANEL) 31.


LUMINARY DUO leader

Tiny particles begin ejecting from the suit and spreading out in a mist.



We see the Luminaries visuals - they are looking for or sensing the signature.



We see the world in different views



A readout showing different visual technologies comes up - we see cosmic rays - infrared etc.. Heat sensors - we see tiny glowing particles and warping in the air itself. Invisible currents hidden from our everyday sight.



The Luminary view we see through is suddenly jarringly disrupted when dust explodes around him.




The on board computer


Beta leader - threat assessment - incoming artillery shells. Electrical fields in effect.




Luminary leader- mental activation


detect attackers - targeting




Luminary leader sees her partner struck as well.




Luminary DUO PARTNER


Coordinates received.



They both begin initiating attacks. Weird energy vortex rings are emitted from the ends of their arms.



The Misfits and their heavy artillery are being destroyed all around.





MONTAGE 2

SCR3-22



SCENE 7.



SCREEN 2 (PANEL) 49.

CONT. INT. SUBWAY STATION - NIGHT


There is another side of Schauberger's tech I haven't made clear yet. In his Repulsine, antigravity is a side effect of this production of energy. Schauberger's device used the "cold fusion" process that Pons and Fleischman detected but didn't fully understand. I'll explain that a bit better right now.




The key to understanding the Repulsine is that it was essentially a static charge generator. These were popular when scientists first started experimenting with electricity. Schauberger said the key to understanding the repulsine was to look to an experiment called the Lord Kelvin Thunderstorm experiment. It used induction of water moving up and then through tubing and falling. It was really just a static energy generator using water... but very efficiently. Charges developed extremely rapidly if designed properly.




This is what the repulsine does.. It builds up a charge from air traveling through the device. It uses dielectric materials to separate charges which is how capacitors store energy. The better the dielectric the better the capacitor is at storing electricity - the greater the antigravity effect.


Now, there is another device that uses this effect and another effect created in the repulsine using this effect. It's called a particle accelerator. Capacitors are commonly used to provide the energy necessary to all particle accelerators.(Describe history of particle accelerators here)



PANEL


AGENT GUNKOWSKI


How did you discover all this?




LIGHTFIELD


All I really did was put the final pieces of the puzzle together others had put out. They really did nearly all of the work. But they hadn't quite realized what they had for some reason. I think having the info I did about what my dad had seen, plus with my weird aspie abilities gave me that extra little something to help me see things more clearly. AND I happened to be looking at all of this at just the right moment in time. Right when all the info was coming out. There is something else that may have contributed to me discovering this. I am someone who has always had an incredible amount of ideas. That could be a big key to why I saw possibilities others didn't.




There is another possibility to why none of these people put this information together though. The people who put the info out might be controlled. They could be "limited hangouts". Gatekeepers themselves.PANEL


Agent Gunkowski describes limited hangouts to herself almost..




LIGHTFIELD


THE REAL BIG SECRET IS ATOMIC BATTERIES - WE HAVE THEM NOW BUT THEY ARE NOWHERE NEAR WHAT IS CAPABLE OF BEING USED




Imagine comparing a firecracker to a nuclear bomb. The atomic batteries we have now are the firecrackers.. The tech they are suppressing appears to be nuclear bombs in comparison in terms of the imact they would have on society if we were allowed to use this tech.





MONTAGE 3

SCENE 20.

SCREEN 3 (PANEL) 100.

EXT. NYC STREETS

We see trucks forming a perimeter radius.





(PANEL) 101-106.



Out of the trucks various weapons emerge from each. Some are guns mounted to the top of the vehicles. Others the same gun climbs out of the trucks and begin climbing the corners of buildings to the top and positioning themselves.



(PANEL) 106-111.

Misfits start firing all manner of conventional weapons at THE ELEMENTAL DUO.



(PANEL) 111-116.

We see they are harmless to them. THE ELEMENTALS start destroying them and their vehicles - killing people Control room panicking.

Grim_L
July 6th, 2016, 01:06 AM
MONTAGE 1

SCENE 15.

SCREEN 1 (PANEL) 32.

FD13




LUMINARY SUIT COMPUTER


Energy levels getting low - depleting reserves - Acquire mass for transmutation



We see the suit losing material the more energy used.



Luminary duo leader reaches her hand back and the suit reaches out further contacting a rotting vehicle nearby.



They continue destroying more Misfits... we see them being slaughtered and annihilated.



Luminary duo leader to partner - continue the attack, I will return to tracking the signature.





MONTAGE 2



SCENE 7.



SCREEN 2 (PANEL) 50.

CONT. INT. SUBWAY STATION - NIGHT




LIGHTFIELD


"Now I want to explain what really allowed me to make the key discovery that will allow people to create this technology and free us from the hold they have on us. The problem is it's so simple people can't believe it. Remember how I talked about Viktor Schauberger and TTBrown? And how they had discovered the same thing essentially at the same time?


What they discovered was that the key to antigravity was capacitors. All capacitors are is a device that works similarly to a battery - It is a way of storing energy. Unlike a battery though it can charge and discharge instantly. A thunderstorm is really a natural capacitor. The Earth itself acts as a capacitor. This is how electrical storms are generated. The air acts as a dielectric. Different layers of the atmosphere have different charges - positive and negative.


The Nazi Bell worked the same way. The Nazi Bell was the Nazis taking Schauberger's repulsine and distilling it's essence and re-imagining it and using it's principles of operation to make it more reliable.(Make image illustrating a self charging capacitor)



MONTAGE 3

SCR3-23

SCENE 21.

(PANEL) 117.

INT. MISFIT'S CONTROL CENTER




HUDSON RAND


Somehow they are tracking the route we used to extract the VIPS (River and Matilda). We have to determine what they are locking in on...




Double check them for any tracking equipment - on their person or their bike.




Intel, get all video of the extraction and return to base and look for any anomalies.



(PANEL) 118.

Rand and his Number one are watching the video of River and Agent Gunkowski being brought to the home base.



(PANEL) 119.

Watching River and Matilda being searched for anything that could be leading the Luminary team to them.





MONTAGE 1

SCR3-24

SCENE 16.

SCREEN 1 (PANEL) 33.

A media helicopter comes on the scene and we see the transmission...




MEDIA


Reports have been coming in about explosions seen in the industrial area of North Manhattan with continued terrorist attacks and the military stopping them. Tabloid journalist River Lotus-Eater has been photographed with the terrorist organization the previous evening.


Shot of Agent Gunkowski talking to River at Lightfield's shop scene.




LUMINARY DUO PARTNER


(To duo Leader)


Eliminate it.


Luminary partner destroys it.




NEWSROOM


Ladies and gentleman, we have temporarily lost contact with news copter 6. We will try to re-establish as soon as possible.





MONTAGE 2

SCR3-24



SCENE 7.



SCREEN 2 (PANEL) 51.

CONT. INT. SUBWAY STATION - NIGHT






LIGHTFIELD


"The repulsine and Nazi Bell had a key feature that is unique though. They produced their own power to operate. This is something TTBrown's devices didn't have. He wanted to power them conventionally. Which would give them limited range.




Schauberger's device used the "cold fusion" process that Pons and Fleischman detected but didn't fully understand.[Show the design of a Leyden jar - one of the most simple capacitors.]




The key to understanding the Repulsine is that it was essentially a static charge generator. These were popular when scientists first started experimenting with electricity. Schauberger said the key to understanding the repulsine was to look to an experiment called the Lord Kelvin Thunderstorm experiment. It used induction of water moving up and then through tubing and falling. It was really just a static energy generator using water... but very efficiently. Charges developed extremely rapidly if designed properly.




This is what the repulsine does.. It builds up a charge from air traveling through the device. It used dielectric materials to separate the charges which is how dielectrics store energy. The better the dielectric the better the capacitor is at storing electricity.


The more effective the dielectric the more powerful the capacitor - the more powerful the repulsine. In Schauberger's day they didn't have very powerful dielectrics - unless the Nazis themselves developed them internally. This could tie into the unique design of the Nazi Bell as well.




Now, there is another device that uses this effect in science and another effect created in the REPULSINE using this phenomenon. It's called a particle accelerator. Capacitors are commonly used to provide the energy necessary to accelerate particles to immense speeds.




The repulsine is a very mysterious device to people. There are many rumors of how it works and you have to really study all the info about it and really sort through all the mis-info or is it disinfo which has been intentionally spread? The same is true of TTBrown's work as well. You have to sort through a lot of rumors lies and mis-info to really understand his work.




There is a book out called Secrets of Antigravity propulsion that really helped me understand TTBrown's work. For some reason the author of the book never gets into Schauberger. I don't know why that is. But if he had studied Schauberger's work, in depth, he would have seen that TTBrown's experiments showing how antigravity is generated mirrored the operation of Schauberger's repulsine in essence. Though Schauberger's work was more refined because it adhered to the natural flow of energy Schauberger understood so well and also generated it's own energy in an incredible way.




If only the author of that book had made the connection I did with Schauberger's repulsine people could be developing this technology right now! In a very short time they would have the evidence they need to prove this tech is real and from there quickly develop it.


Another thing that helped me understand how the repulsine works is that I discovered an article that showed that when scientists fired particles at gold the gold released an immense amount of antimatter... antimatter is the key to the "cold fusion" Pons and Fleischman discovered. This release of antimatter produces immense amounts of energy.Show breakdown of article here - gold to antimatter






This release of energy continually recharges the REPULSINE which continually produces the antigravity effect.There's something else I discovered about the Nazi Bell though.. I discovered this web page - this scientist was able to accelerate the decay of radioactive material using mercury.. Which was used in the bell. This would allow them to speed up the radioactive decay of thorium to charge the Nazi Bell to produce energy and antigravity. It's the repulsine essentially but more reliable and easier to control.




[Image showing the Nazi bell codename and meanings - Chronos - Saturn - the bell - German folklore - Thor - thorium ]


No one understands this. No one understands that TTBrown and Schauberger's work validates each other... and gives us the tools to understand how to recreate this technology. This is the big secret the government doesn't want getting out. With this info we can prove this technology exists and works and can be easily replicated.


There's something else I haven't gotten into yet. The famous Nikola Tesla. There's a connection between Tesla and the 9-11 event. Tesla was the master of electricity. And no one's work could be more suppressed than Tesla's. TTBrown and Schauberger's work leaked somewhat. But the people in power may have got to Tesla's work before it could leak. But Tesla did show some of his work publicly and made cryptic statements. He made a huge tower that he said would be able to transmit power all around the world to give free energy to the world.




The key to Tesla's tower was that it was built on top of an aquifer. Aquifer's are known to produce energy because water flows through the porous stone in such a way to transfer ions - energy to the stone like the Lord Kelvin experiment. Tesla's tower was built in a such away to tap into this power and then transmit it. The WTC was designed to create this same effect. The World Trade centers Twin towers were designed as immense antennas. It gets even weirder though because a lot of people don't know this, but Dr. Judy Wood discovered that there was a hurricane off the coast of New York on 9-11. It was barely reported in the news at the time. What I discovered is that the towers and the Hurricane were working together - in tune together. This provided the bulk of the energy necessary to destroy the towers over time after the planes supposedly struck them.




But there is another key to this as well. As I said, the Towers were built according to a plan from day one. They were specifically designed for their purpose. A symbol of the destruction of the old world order and then being rebuilt according to the New World Order. 2 divided buildings becoming one. But the original 2 buildings were also designed in such a way to make them ripe for destruction on 9-11. They were built in order to corrode internally. People don't know it but the Twin Towers were built in an area where there was no land before. The Towers are essentially built IN the harbors water. The bottom of them had a concrete structure called the "bathtub" designed to keep the water out from the foundation of the building. The buildings being built in this way allowed the towers to be built to rapidly corrode at an extremely accelerated rate which made them even easier to destroy using the advanced technology. Dr. Judy Wood noticed that when they built the new One World center building replacing the twin towers they built it in such a way that concrete totally encased the lower portion of the building. Dr. Wood thought they did it to stop an on going effect that the energy weapon the government used was still leaving some lingering effect. But in reality they had to use some method to prevent that corrosive effect they built into the original twin towers. The original Twin Towers were built like an immense battery - and the salt water of the ocean acted like a electrolyte.




This was also done in a way to create a gravity effect that brought the buildings down as if they were in free fall.. Which should have been impossible with the structure slowing itself down because of the Resistance it created.





MONTAGE 3

SCENE 22.

SCREEN 3 (PANEL) 120.



CONT. - INT. MISFIT'S CONTROL CENTER

We see a camera view of River and Matilda riding the motorcycle before being taken to the home base.



(PANEL) 121.

We see a flashback shot in Rand's mind similar to other flashbacks we have seen when he thinks back and remembers seeing one of those power cells in the CIA machinery.



(PANEL) 122.




RAND


Wait that motorcycle.. River, where did you get it?




RIVER


When I got away from those goons at the crime scene I grabbed one of their bikes...



(PANEL) 123.




RAND


That bike is a black project transport made for intelligence personnel. Seeing that bike just triggered a disassociated memory of mine. The power cells used on that bike and other equipment. That is what appears to be a high power energy cell - black project technology. They may be tracking something related to that cells unique characteristics.



(PANEL) 124.




RAND


(To Number One)


Get the tech guys in here and let's analyze this power cell. I have a suspicion this is producing whatever they are locking in on.





MONTAGE 1

SCR3-25

SCENE 17.

SCREEN 1 (PANEL) 34.

Action continuing - Misfits getting wrecked




http://i.imgur.com/Me3DJgp.png

MONTAGE 2

SCR3-25



SCENE 7.



SCREEN 2 (PANEL) 52.

CONT. INT. SUBWAY STATION


GUNNER


How were you so certain that what you pieced together was right?




Also, what was the purpose of the 9-11 event for the people in power?




LIGHTFIELD


I knew I was right about a lot of it because there were things that I had predicted that were verified by other discoveries. This would take an immense amount of time to explain though because I would have to go through every detail I sifted through. But a good example is that I figured out how that Pons and Fleischman's discoveries were real then discovered Dr. Judy Wood's work and discoveries versified my own and we both did that completely separately. And there is so much evidence from her side showing the same indications.




The purpose of these events was to deal with the middle East. It seems to be the loose end in their bid for a one world government. They also need to gain control of the oil industry. It's their commodity for global control. Control the oil and you control the world economy. If the technology Schauberger and TTBrown discovered was released it would destroy their control apparatus. Economics is power. Economics buys military-technological superiority which equals power and control.



(PANEL) 53.




GUNNER


And they have that control now don't they? So much so that we are stuck underground here deep beneath the surface and can't even get this info out. Not for long at least, before they shut it down and bury it and discredit it. And we have no idea of who in the world to even trust anymore. Is there some way we can get the info out to the world even in hiding? There has to be a way.




LIGHTFIELD


We would have to find a way to get this info to the world in such a way where they couldn't erase it.




What if there was someway we could use their own methods against them? Fight fire with fire?




Oh my god.. It can't be possible? Let me check something.. This can't be possible.



(PANEL) 54.




GUNNER


What is it?? Bad? I can't take anymore bad news today..




LIGHTFIELD


I have to check something.. It can't be..



(PANEL) 55.

Lightfield using the iFrames. we see him looking at different schematics - schematics we have seen earlier - such as the subway system.




LIGHTFIELD


Oh my god... I feel like I'm in a dream. There have been things that have happened throughout my life like this.. Where it's as if things are so perfectly aligned that it's not possible it could be just an accident or chance.




I think I have discovered a way that we can deliver this message to the world and the only way they can stop us is to destroy the entire island of Manhattan.. And even then it might not do it. They would have to kill everyone on Earth too.




GUNNER


How can that be possible?





MONTAGE 3

SCENE 23.

SCREEN 3 (PANEL) 125.

EXT. NYC STREET



Battling

Action continuing - Misfits getting wrecked

MONTAGE 1

SCENE 17.

SCREEN 1 (PANEL) 35.

Action continuing - Misfits getting wrecked


http://i.imgur.com/Me3DJgp.png



MONTAGE 2



SCENE 2.



SCREEN 2 (PANEL) 56.

CONT. INT. SUBWAY STATION




LIGHTFIELD


When Dr. Judy wood was giving a presentation on the WTC and 9-11 I remembered her mentioning that underground all of New York was an immense slab of bedrock and the WTC's foundation was dug into it. You can see the granite bedrock all through these tunnels we have been traveling through.




I also remembered a story I heard about lightning hitting a building and it fried all the buildings within an immense radius of the building hit.. It turns out that granite has trace amounts of metal running through it - thorium - which is highly conductive of electricity.(like charge running through an electrical wire)




If this entire granite slab has thorium running through it like most granite does then we could theoretically use the entire slab of granite that makes up the bedrock of the island of Manhattan as an immense conductor. The same way Nikola Tesla did when he made his Wardencliffe tower which was designed to not only transmit electricity to any point on the planet but also information - wirelessly.




We could use the slab of granite bedrock that makes up Manhattan and all the buildings whose foundation is dug into the bedrock as an antenna to transmit the information."




GUNNER


So you are saying we could use the ENTIRE city itself as a transmitting antenna?? All the buildings on Manhattan itself?



(PANEL) 57.




LIGHTFIELD


Yes. Even the actual island itself will transmit the signal. Remember that immense power conduit we saw when we first entered the subway lines? That is the main line for the entire power grid of Manhattan. And from the blueprints I was just looking at, all you have to do to send the charge through the conduit itself and into the bedrock is to remove this piece and rotate it. It's as if it was designed for this purpose accidentally. But there would be absolutely no reason to design it to do this. It's just a fluke...




I have this feeling looking back all through my life that all these events that have happened are part of some preordained script. Like it's all scripted out. Now more than ever. That's the definition of crazy though isn't it...




GUNNER


Or maybe it's that you have some unique ability that allows you to see these things that others wouldn't?



(PANEL) 58.




LIGHTFIELD


That could be part of it but I feel there is something more to it. Some kind of order to things.




There's one catch though. We have to finish this before the power to the city is reinstated. And we have no way of knowing when that will be. If we do it too late we will have no way to do it without frying ourselves. The power could come on at any moment now so we have to get moving.




There's another thing I need to tell you about.. It was like the cap to all this for me.. I discovered a video after I had learned all this.. And it corroborated everything I had determined before... It's called Westall 66.



MONTAGE 3

SCENE 24.

SCREEN 3 (PANEL) 126.

INT. MISFITS' GARAGE

The tech guys are scanning the power cell.




TECHIE


When we run the bike up to speed the power of the cell ramps up dramatically.




Whatever is powering this is producing an immense amount of energy on demand.



(PANEL) 127.
Rand and Number one speaking together privately



RAND


I've got an idea...

MONTAGE 1

SCR3-27

SCENE 18.

SCREEN 1 (PANEL) 36.

We see the luminary duo following the wrong trail.





MONTAGE 2

SCR3-27



SCENE 7.



SCREEN 2 (PANEL) 59.

CONT. INT. SUBWAY STATION




GUNNER


What do we need to do?




LIGHTFIELD


Remember those construction tools we saw while we were traveling through the tunnels?




Lightfield indicates where they were when they saw the tools in the iFrames subway diagrams.



PANEL




LIGHTFIELD


I'll go for those and start working on the transformer. I need you to find some different people to contact through the glasses who can notify the world to tune into our signal when we get it going. But these people have to be people we know we can trust because if the shadow group figures out where we are they could track us down before we can get to safety. But how we can find people we know we can trust I don't know.




GUNNER


We might just have to gamble on the best bet we can find.





MONTAGE 3



SCENE 25.

SCREEN 3 (PANEL) 128-131.

EXT. NYC STREET

Close-up on the CIA bike power cell as we pull back - a Misfit commando is riding the streets with one of the Misfit drones tracking them.

We see the Rand Surveillance crew and Number One supervising the maneuver.



SCENE 26.

SCREEN 3 (PANEL) 132.

INT. MISFITS' CONTROL CENTER




NUMBER ONE


Keep the speed up, crisscross the original path and lead them north away from home base.




We want to keep the conditions as similar as possible to the initial trail.



(PANEL)133.

We see a diagram of the 2 cycle tracks - the original and the new.



(PANEL)134.

We see the CIA moto go by a targeted area on the screen




RAND


Detonate the points where the paths intersect and remove the original path.




Send troops to the false path.. We've got to make it look as if we are trying to prevent them from going that way...





MONTAGE 1

SCR3-28

SCENE 19.

SCREEN 1 (PANEL) 37.

Luminary duo realize they have been had and find their correct course.





MONTAGE 2



SCENE 7.



SCREEN 2 (PANEL) 60.

CONT. INT. SUBWAY STATION

As Lightfield initiates the iFrames and they access and send information at the same moment we see the CIA computers detect this and send info out to the same web we saw before when the sensor system detected the gravity waves from THE MACHINE.





MONTAGE 3

SCR3-28

SCENE 27.

SCREEN 3 (PANEL) 135.

INT. MISFITS' CONTROL CENTER




INTEL OFFICER


They've taken the bait! The Elementals have taken the bait!


We see the Elemental Duo taking the course set by the misfits to lure them away from the true target.



(PANEL) 136.



River is watching the monitors and the Luminary duo in the distance on the drone cam...


RIVER


(To Matilda)


Matilda, if this doesn't work, we can run away from here... we can go someplace where they won't find us...




MATILDA


River, I loved you... but I realized a long time ago I could never be with you.. I could never run away with you now.. You only think about yourself... you are a narcissist... both my parents were narcissists.




Narcissists are defined as spoiled bratty children in grown up bodies and minds essentially.. With a grown ups weapons...



(PANEL) 137.




RIVER


At least you don't have to worry about the glitz and glamour anymore..I'm going to be in hiding for the rest of my life it seems.




MATILDA


Its not just that though.. NPD - Narcissistic personality disorder isn't just about vanity... narcissists are impossible to live with.. There's a sadistic aspect... emotionally.




If you aren't selfish why can't you see the big picture here?

(PANEL) 138.




TECH GUY


(To Number One)


Captain, the Luminary team is reversing course!






NUMBER ONE


Pull the troops in behind them - hit them from the front and the back. Get creative people - improvise, overcome adapt!





MONTAGE 1

SCR3-29

SCENE 20.

SCREEN 1 (PANEL) 38.

SCIA control center -


MAN WITH THE SCAR


(to Dr. Forestall and the 4 other pillars via mental transmission)


There is a massive charge developing all over the bedrock of Manhattan. It's forming a dome of charge over and entire southern tip. BY our readings it will soon be impervious to any attack or attempt to penetrate it.





MONTAGE 2

SCR3-29



SCENE 7.



SCREEN 2 (PANEL) 61.

CONT. INT. SUBWAY STATION

Lightfield and Agent Gunkowski have used the power tools they saw in the abandoned subway line to run the power from the conduit through a metal structure that runs through the bedrock aquifer.




GUNNER


I tried to find someone to contact but every person I considered was either directly connected to these groups in power or in a position where if they acted they would likely be railroaded just like us. There was only one person left I felt might be willing to help us and even then I don't know...




I'm going to try to contact River again... he is the only person I feel certain isn't connected to these groups in some way who we can contact right now and who can possibly get this information out.


Gunner tries to call River with the iFRAMES.



MONTAGE 3

SCENE 28.

SCREEN 3 (PANEL) 139.

INT. MISFITS' CONTROL CENTER

INTEL GUY

Sir, at the current rate of movement they should be here in T-minus 20 minutes.



SCENE 29.

SCREEN 3 (PANEL) 140.



EXT. NYC STREET

The Luminary duo continues marching on course.



SCENE 30.

(PANEL) 141.



INT. MISFITS' CONTROL CENTER

NUMBER ONE

Mechanoids team, you're up.



Pull all the other troops back to let the Mechanoids attack. Fall back to home base for final assault.

(PANEL) 142.



6 high tech super alloy suits go in for the battle.

PFD31

(PANEL) 143.


INTEL GUY


Sir, there are media reports of an electromagnetic charge developing all over the island are increasing tremendously.



(PANEL) 144.



River suddenly gets a call he recognizes on his phone.




AGENT GUNKOWSKI


River, this is Gunkowski.




We need you to do something desperately we have no one else to turn to. No one else has the ability you do to get this information out...




We have devised a method to get information out to the masses that will give them the ability to see that this is all real. But they have no way to know how to tune in unless someone can get that word to them. Someone they trust..




By contacting you now we are likely leading our pursuers to us.. So we don't have much time. It's imperative you find a way to inform the world to tune into the message we are releasing now.



SCREEN 3 (PANEL) 145.


RAND'S #1


The Elementals are making easy work of the Mechs! We won't be able to hold them much longer!





MONTAGE 1

SCR3-30

SCENE 21.

SCREEN 1 (PANEL) 39.




CIA COMPUTER


DATA ACQUIRED - TARGET (AGENT GUNKOWSKI) CELL PHONE CARRIER SYSTEM SIGNAL DETECTED



SCENE 22.

(PANEL) 40.




LUMINARY DUO LEADER


If we self destruct the whole building would be destroyed. But we have yet to capture the prime targets. They may not be at this location.





MONTAGE 2

SCR3-30



SCENE 7.



SCREEN 2 (PANEL) 62.

CONT. INT. SUBWAY STATION

Gunner gives Lightfield the iFRAMES to explain to the MISFITS how to deal with the Luminaries.




LIGHTFIELD


It's like I said - the charge keeps them from moving through the area charged. Release water on the roof of the garage and the building will charge it.

MONTAGE 3

SCR3-30

SCENE 31.

SCREEN 3 (PANEL) 146.

EXT. MISFITS' GARAGE

The Luminary duo has arrived at the Misfits improvised garage base.



(PANEL) 147.

The Luminary duo can't get through the charged water..



SCENE 32.

(PANEL) 148.

INT. MISFITS' CONTROL CENTER




TECH GUY


They appear to be trying to test the charged wall to find someway through



SCENE 33.

(PANEL) 149.

EXT. MISFITS' GARAGE

They stand looking for an opening and trying to calculate what is stopping them.



SCENE 34.

PANEL) 151.

INT MISFITS' CONTROL CENTER




LIGHTFIELD


(Lightfield to Rand and Co.)


with the technological advancements they have it is only a matter of time before they get through.. You have to destroy them before that can happen..




I think I know how you can get through those suits and terminate them.




First connect your artillery laser cannons to the antenna tower on top of the garage then you have to fire a separate laser cannon at each of them. Then the charge collecting on the building will travel through the laser and penetrate their suits and vaporize the assassins.




HUDSON RAND


That's brilliant... the lasers will ionize the air around the beam which will act as a conduit for the electrical charge. It's like controlling a lightning bolt from the heavens to do exactly what you want it to do.




Artillery! Prepare for laser attack on the intruders!



(PANEL) 152.

Rand receives a call on his cell phone.




HUDSON RAND


Lightfield, I just received information that you and Gunkowski have been been pinpointed and are surrounded by the shadow government's data mining network. I have been told there is no way you can escape from their net closing in on you. You must close your transmission now because they will be able to pin point your exact location. Do not disclose your location over the cell network either! We will find you and eliminate your attackers!



MONTAGE 1

SCR3-31

SCENE 23.

SCREEN 1 (PANEL) 41.




LUMINARY MAIN LEADER


We've acquired a signal. Agent Gunkowski attempted a call from somewhere in this location.


(Indicating on a 3d map generated)





MONTAGE 2

SCR3-31



SCENE 7.



SCREEN 2 (PANEL) 63.

CONT. INT. SUBWAY STATION




HUDSON RAND


We will find you and eliminate your attackers!




LIGHTFIELD


They said we have to find some way to protect ourselves.. There is no way out of the net they have around us.. And I couldn't give them our location to rescue us.. We have to figure this out on our own.





MONTAGE 3

SCR3-31

SCENE 35.

SCREEN 3 (PANEL) 153.

EXT. MISFITS' GARAGE

The Misfits fire on them. The luminary duo is writhing and smoking in pain and then finally implode and only liquid metal remains.





MONTAGE 1

SCR3-32

SCENE 24.

SCREEN 1 (PANEL) 42.

The Luminary main leader is close to Gunner and Lightfield's location with the metallic mist spreading from him penetrating every open space in the area and expanding all around.

He suddenly gets a transmission from the Luminary duo...



The Luminary leader and the rest of his trio see and hear the Luminary Duo being killed horrifically.





MONTAGE 2

SCR3-32



SCENE 7.



SCREEN 2 (PANEL) 64.

CONT. INT. SUBWAY STATION




GUNNER


If we can't escape and there is no way to beat them then what is our option?




Lightfield is staring up at the domed stained glass roof of the train station... watching the sunlight come through.



(PANEL) 65.

And seeing the charge that's built up on the glass dome that is covering the entire city..



(PANEL) 66.

Suddenly a massive lightning bolt strikes a spire sticking up from the pinnacle of the stained glass dome!




LIGHTFIELD


If we could only figure out some way to destroy all the glass on the dome..




GUNNER


I could shoot it.. Or use a flashbang



(PANEL) 67.




LIGHTFIELD


It would take 1000 times the ammo we have.. And 100 times the flash bangs.




What we need is a big explosion..




Lightfield is looking all around for something to use to save themselves..



(PANEL) 68.




LIGHTFIELD


I have an idea!




He runs to one side of the train station and climbs up to the top of the tunnel almost falling down.. Using all his strength to get up there.



(PANEL) 69.

He swings his legs around the pipe to support himself



(PANEL) 70.

And use his arms and hands to twist a valve..



(PANEL) 71.

Suddenly some type of gas shoots out at high pressure...



(PANEL) 72.

you can see the gas rising up to the top of the dome filling it.. It stinks...




GUNNER


Is that natural gas....




Of course!


(She just realized what he's doing)



(PANEL) 73.




LIGHTFIELD


We need to fill the whole dome before they get here!




We need one of your flash bangs!



(PANEL) 74.

They stand there looking up.. Trying to calculate when enough time has passed because for the most part the gas is invisible...



(PANEL) 75.

Suddenly something catches their eye.. Deep in the tunnels they see something coming... something reflective..




GUNNER


Is that them?!




LIGHTFIELD


Throw the flash bang! Now!


Gunner throws the flash bang as far as she can... They dive into an enclosed area for protection...



(PANEL) 76.




LUMINARY 3


We've made visual contact! Leader - I've made vial contact!


The coordinates are transmitted. They all start flying to the targets



(PANEL) 77.

At this exact moment the flashbang ignites the huge volume of gas filling the dome and all the glass shatters... the immense fireball then sets off the sprinkler system built into the dome and water floods down the walls of the subway station... the charge all over the exterior of the station and the dome begins electrifying the water all around them...



Moments later the Luminaries begin arriving at the scene. They true to fly through the sheets of water but are unable to penetrate it.. The charged field repels them, too.




LUMINARY LEADER


(While looking for any laser cannons that might be around)


We have to find some way through the field..



Gunner and Lightfield sit in their protected area watching the luminaries plotting against them through the electrified field.




MONTAGE 3

SCR3-35.

Scene 36.

SCREEN 3 (PANEL) 154.

INT. MISFITS' CONTROL CENTER




HUDSON RAND


(To River and Matilda)


Because we can't find Agent Gunkowski and Lightfield in the tunnels to rescue them from the Elementals we have devised a method to pull them away from attacking to defend their commanding officers. Stay here under all circumstances. They have no way to find you here.



(PANEL) 155.

River and Matilda stay behind watching the troops and heavy artillery trucks moving towards skyline on the command center screens.



(PANEL) 156.

We see the remaining Misfits begin to attack the CIA troops and military. This is a full on war in the middle of the city,



MONTAGE 1

SCR3-33

SCENE 25.

SCREEN 1 (PANEL) 43.

Dr. Forestall communicating mentally with many different leaders.




DR. FORESTALL


We have considered all options available.. We have no technology that can penetrate the charge that has developed forming a shield all around the city.




Our only available option is to accelerate our plans and initiate the elimination of the profane.




CIA MILITARY OFFICER


Sir, we have another issue. Some rogue military element is attacking our outpost here.



(PANEL) 44.


DR. FORESTALL


Notify the Luminaries.

SCENE 26.

SCREEN 1 (PANEL) 45.



The Luminaries are still trying to calculate some way to penetrate the electrical field and then receive their new order. Like reprogrammed robots they instantly respond to their new task without the slightest hesitation they are gone in a flash.



(PANEL) 46.

Gunner and Lightfield watch in disbelief as they suddenly take off.



(PANEL) 47.

Gunner hears news reports on her IFrames at the same time. There are reports of a battle in the city - terrorist militia are attacking the CIA & armed forces.




GUNNER


The Misfits are attacking the CIA man-power structure. They found a way to pull the attackers away from us.





MONTAGE 2



SCENE 2.



SCREEN 2 (PANEL) 78.

INT. SUBWAY TUNNELS

Gunner and Lightfield move through the tunnels, exhausted.



(PANEL) 79.

As they travel Lightfield continues to monitor the news while trying to determine the best course through the tunnels to get off the island.



(PANEL) 80.

Reports start coming in from different government sources through the iFrames about weather warnings which are dramatically increasing.




GUNNER


I think I'm going into shock. I started feeling like I was in an icebox in the middle of everything.




LIGHTFIELD


It isn't just you... I am cold too.. The closer we get to the surface the colder it's getting. And I've been getting weird police and government reports all over the city from the services still operating... like random hailstorms with hail the size of baseballs. Birds have begun migrating en masse which isn't supposed to happen for months. The temperature above ground is even lower than down here because we are insulated.



(PANEL) 81.

We see images Lightfield sees illustrating his descriptions.. Hail.. Sleet rain... birds migrating.. visions of cold temperature. The polar vortex forming over the center of the US.




LIGHTFIELD


Meteorologists are talking about a polar vortex forming over the the US again. The last time we had one of these it was in the dead of winter. They say it's unprecedented to see something like this this time of year. More people are fleeing the city.




We're getting close to the the World Trade center. About a mile after that and we are on the mainland and can get some food, water and warm clothes.




GUNNER


I'm starting to see light up ahead.



(PANEL) 82.


LIGHTFIELD


According to the transit map the light area we see ahead is the old WTC subway station from before the towers were rebuilt



(PANEL) 83.

WEATHER REPORT - SCIENTIST

Paula - we have never seen weather patterns develop this rapidly in the history of documenting meteorological data - If you extrapolate the data we are receiving now the polar vortex we see here will increase to catastrophic levels in a matter of days.



(PANEL) 84.

Gunner and Lightfield continue traveling through the subway stations to the light. The trains were stopped and the passengers evacuated from them long ago.





(PANEL) 85.




GUNNER


What are these weird eye symbols on the walls? They have an odd luminosity.. I can even see them in almost total darkness in here.




LIGHTFIELD


I don't know.. I have been through this station many times before but I don't remember seeing them for some reason.



(PANEL) 86.

As Gunner and Lightfield travel through subway stations they notice the eye symbols all over along the way. There's something different about this stretch of tunnels.




WEATHER REPORT


Scientists have detected an immense hole in the magnetosphere that continues to develop at an increasing rate.





(PANEL) 87.

Lightfield and Agent Gunkowski enter into the Park Place subway station and see an immense mural on the ground glowing in the darknesss...




LIGHTFIELD


Agent Gunkowski, look at this image in the glasses. It looks identical to the mural here on the ground...




GUNNER


I can see it in the darkness too.. Like the eyes on the way here... I've seen that symbol before - look here -



PANEL


LIGHTFIELD


That's called the eye of Horus - it's an Egyptian symbol.



(PANEL) 88.


GUNNER


I have seen that somewhere before... I've got it.. the FBI worked on a murder case and this symbol was on the wall in blood. A military doctor killed his whole family in cold blood. He said he was setup and swore his innocence. He said he reported to his superiors that someone in the military was smuggling drugs into the country in the bodies of dead soldiers coming home.




LIGHTFIELD


After 9-11 I remember there was a ceremony where members of some government group formed an eye symbol with their delegation marching on ground zero.. They were commemorating something. Look here(Grim shows her some images in the iFrames)



(PANEL) 89.


It says here this delegation participating in this march and making this eye of Horus symbol was a Freemason delegation. It includes heads of the fire department.. The mayor etc.





(PANEL) 90.


I never noticed this when studying the WTC but here in the middle of the WTC buildings you see this odd pyramid structure.




I did a search for eye of Horus and Freemasonry and an immense amount of information came up relating to the Freemasons and Egypt. Everyone's aware of the pyramid on the dollar bill and that being a Freemason symbol. Some people say it symbolizes the power structure of these secret societies - the pyramid structure with the elite being the small group at the top. But I always thought that was crazy conspiracy stuff.




What could the Freemasonry-Egypt connection be with the WTC complex? Why this eye of Horus? My instincts tell me there is some reason we are seeing all this.. There's some purpose to it all...





MONTAGE 3

SCENE 36.

SCREEN 3 (PANEL) 157.

CONT - INT. MISFITS' CONTROL CENTER

We see the Misfits sacrificing themselves on the Control center screens - so does River..