View Full Version : Advanced Writing Discussions

  1. Writing: Hobby or Profession
  2. Finding a Voice
  3. The Imagination of a Great Storyteller, or the Eloquence of a Master Writer?
  4. A Few Writing Thoughts
  5. Writing ; Nuts And Bolts. Article 1.
  6. Freelance writing tips
  7. The Use of Abbreviations and Acronyms
  8. Arc Words
  9. Pacing? Novel vs. Short Story
  10. Novel Writing: Chapters/Scenes vs. Chronological?
  11. Multiple Simultaneous Scenes?
  12. The Erik Demos Experiment
  13. Plot Issues, Help Appreciated!
  14. Do you read books on how to write?
  15. Discouraged! :(
  16. Fiction Writing - Killing off your Lead Character?
  17. 12 Surefire Secrets to Writing the Best Fiction Ever!
  18. Showing versus Telling
  19. For Those Who Despise Adverbs
  20. Don't write; just sit.
  21. Richard Russo on the Purpose of Literature
  22. What defines fiction?
  23. A matter of style...
  24. It Has No Conflict...or Does It?
  25. My Fiction Writing teacher's Top Ten List of things to Avoid in Short Stories
  26. Jennifer Egan on Writing
  27. Is the Short Story an Endangered Species?
  28. The Re-Readables
  29. 'That's what he/she/they/it said...'
  30. Your Target Audience
  31. Write what you know???
  32. how to pick a voice
  33. Writing Exercises for Generating Ideas
  34. Writing in Handan
  35. Translations
  36. "To Three (Act Structure), or Not to Three?" - Shakespeare (kinda)
  37. Are we old fashioned?
  38. Fate? Destiny?
  39. Sympathetic Villain?
  40. For the love of the Game
  41. Big Stakes versus Personal Stakes
  42. Emotions in Conflict
  43. Symbolism - Here's a Way to do it
  44. Myers Briggs PT for Character Building
  45. What is your Drafting Process like?
  46. How do you reveal backstory?
  47. Novel Writing like Sisyphus
  48. Your Opinion on Fiction Frankensteining?
  49. Consider your Ending
  50. POV Characters in the Same Scene?
  51. A Simple Trick to Build Suspense
  52. Writing in Scenes?
  53. Word Count: 2k a day to 10k+ a day
  54. Your Reward System?
  55. Types of Endings!
  56. POV for the Villain Subplot?
  57. Going against Convention?
  58. Are Accents Offensive?
  59. Vocabulary
  60. What Is Your...
  61. Kurt Vonnegut's Eight Rules
  62. Jack Bickham on "The Story Question"
  63. Longevity
  64. Colonel Stonesteel - by Ray Bradbury
  65. POV
  66. Master Class: The MRU
  67. Writing How-To's
  68. Sketch a Scene! Ready? Set? Go!
  69. The Internal Knot
  70. The Hero's Journey - Demystified
  71. Writing Advice from Pulitzer Prize winner Jennifer Egan
  72. Haruki Murakami, on Writing
  73. Searching for Apathy?
  74. Writer Spotlight: Elissa Minor Rust
  75. Male Writers versus Female Writers
  76. Who, or What, Inspires You?
  77. Writing Battle: Chuck Palahniuk vs. John Irving
  78. Junot Diaz on Writing
  79. Defining Science Fiction
  80. Killing in the name of ... fiction?
  81. The science of deeper meaning
  82. Learning to write by reading
  83. Style Infections
  84. Learning a craft
  85. The value of an idea...
  86. What is your WIP?
  87. An Issue of Principle
  88. First Person, Present Tense?
  89. Series, Anyone?
  90. Fragments & Run-on-sentences
  91. FWIW-Lovecraft on writing
  92. The I conundrum.
  93. Interesting Article about Modern Literature
  94. How to Live while writing
  95. Flavouring/padding/fleshing your story
  96. Overdoing It
  97. The dream of being published.
  98. Accuracy of location and settings
  99. Is dialogue considered amateurish?
  100. Starting at the beginning
  101. Ideas
  102. Backstory
  103. Writing about things you've no business writing about.
  104. Impossibility.
  105. The Most Important Thing...
  106. "Thought" verbs and why they're evil
  107. The Major Difference between an Amateur and Professional Writer
  108. Your Words Are Not Precious
  109. Just Write.
  110. Talent vs Technique
  111. Murderous Editing
  112. Storytelling
  113. The Role of Artist in Society
  114. The Blank Page
  115. The Argument against Present Tense
  116. Memory
  117. The Case for the Oxford (Serial) Comma
  118. Introducing the Rival and the Lead
  119. Deep POV Checklist by Juliette Wade
  120. The Dual (or Multiple) POV Novel
  121. UK/US measurements
  122. Hypertext & Experimental Formatting
  123. Pilar Alessandra on the Craft of Writing
  124. Intentionally misusing words
  125. Reading as Writers
  126. The Long Narrative Versus The Self-Contained
  127. James Wood on 'roundness'
  128. Show and Tell
  129. Enter Late. Leave Early.
  130. Writing in Past Tense
  131. Must the hero have a goal?
  132. The lie of creative writing
  133. Quick Question Re: Calan's Eden
  134. Quality in Writing
  135. Fantasy & Magic: Suggested Reading List
  136. Endings (and a beginning)
  137. Literary Theory
  138. The Devil is in the details
  139. Talkin' at ya
  140. No Reason to Read the Book except it's a good story
  141. The Pliability of Perspective
  142. Don't Take It Personal
  143. Portrayal of people with disabilities in fiction
  144. Unrelatable or Non-human MCs
  145. Non-human characters
  146. The difference between description and imagery?
  147. Plot progression: Imagery, Description, or Dialogue?
  148. Formatting a story for the appropriate medium.
  149. Switching genres and switching off the brain
  150. Misunderstandings in pigeonholing
  151. Agendas vs. themes
  152. Fine Tuning Genre
  153. First Person Present
  154. Present-Tense Fiction
  155. Replacing -ly Adverbs
  156. Third-Person Characterization: Distant vs. Close
  157. Judge a Book by Its Start?
  158. Blurbs -- handy? Evil? Something in between?
  159. Reader Emotion: Spectator vs. Participant
  160. The main entity
  161. Given versus New
  162. Sequential Phrase Grammar
  163. The long and the short of it
  164. Naming & Surnames - determining right and wrong
  165. Thoughts on Literary Fiction
  166. Free Indirect Style
  167. Making the Invisible Visible
  168. The written language.
  169. Dark Places : Ecology, Place, and the Metaphysics of Horror Fiction
  170. Would you know eco-fiction if it bit you?
  171. The protagonist is not the author
  172. A figure of speech. 1
  173. A figure of speech 2
  174. A figure of speech 3
  175. Grammar: Stasis, Chaos, or Growth
  176. Theme and when to address it (if at all)
  177. Mentor's memoirs, the rules of writing
  178. Mentor's memoirs, Beginning
  179. Mentor's memoirs, getting ideas
  180. Descriptive writing.
  181. Mentor's memoirs, word order
  182. Mentor's memoirs, The first Question, on meaning and understanding
  183. Mentor's memoirs, Leaving it open.
  184. Pinching the plot
  185. Mentor's memoirs, Rhetoric.
  186. mentor's memoirs; Sensible fleshing out.
  187. mentor's memoirs; Changing language.
  188. The General and the Particular.
  189. Repeating Yourself.
  190. Mentor's memoir; Deliberating circumlocution.
  191. Mentor's memoirs; Position pips punctuation.
  192. Mentor's memoirs; Rhyme and alliteration.
  193. Perspective
  194. Techniques (perspective)
  195. Order (Does it Matter)
  196. Cut it - kill it
  197. There are only two plots, or: How to have an existential crisis in writing
  198. Writing the Awesome Moment
  199. Bad Science In Good Fiction
  200. Back matter
  201. Theory of Writing
  202. swain
  203. Handy editing trick
  204. Is the Scene Clock Running
  205. My Writing Rules
  206. Plot vs story. What's the difference?
  207. "It works for me..."
  208. writing technique (sentences and words)
  209. To show or imply
  210. Shifting perspective on the Main Character
  211. Dramatic Irony
  212. Metaphors and Similes
  213. The Climactic Ending
  214. Pulling Punches vs. Raising the Bar
  215. Goofy (?!) Starts
  216. A term I hadn't heard before... "Mega Novels"
  217. Putting it out there
  218. Novel openings
  219. Hidden meanings, and implied time lines, etc in stroy telling.
  220. How much description needed for sense of place?
  221. Grim/dark = realistic? Where did this idea come from?
  222. Quiet Books or Stories
  223. Grab within the first paragraph
  224. Censorship in Writing: your thoughts?
  225. to find out what happens, turn to page 315
  226. Getting the most from beta readers
  227. Being Your Character
  228. Collaborations
  229. Different Responses to Imaginary Worlds / Types of World-Building
  230. A formula for a crisis leadership speech