
Originally Posted by
KyleColorado
When I was new to writing, I mostly just dove right into the thick of things, with no idea where I was going. It was wild, it was reckless, and it was fun. Overtime I learned to hone the technicalities of my writing, through feedback, critiques, and self-editing. This strengthened my ability to craft solid sentences, through better understanding of description, imagery, and succintness.
What this approach didn't do for me, however, was help me learn the dynamics of a plot structure. I grasped, at times, little glimpses of the bigger picture, when wiser writers than myself would mention things like "character arc" and "foreshadowing". I knew these terms meant something, but their deeper meanings eluded me.
Now I am actively teaching myself the dynamics of plot structure, and how good writers utilize plot to propel their stories forward. There's alot to it, but the basic premise is that this type of writing requires active planning before putting pen to paper, or fingers to keys, as you so accurately described it.
So, in my summary of sorts, there are two processes to follow.. One of free writing, and one of calculated planning. Both have their merits and ideally you'll want a solid combination of the two.
For brainstorming, it helps to understand what the critical components of a good story are. These are:
Protagonist (or hero)
Antagonist (or villain)
Interesting Setting
Then, the plot itself is a series of conflicts between the protagonist and antagonist, preferrably escalating as the book progresses. Think Harry Potter versus Voldemort. Think Dr. Grant, Lex, and Timmy versus the Dinosaurs. Think Jeff Bridges' character in the movie "Crazy Heart" battling his alcoholism.
Then, if you're still feeling analytical, you can plan each conflict, where the hero faces difficult choices, or scary choices, or choices that alter the character in some way. The character must then fail, or prevail, either way it moves the story forward towards new situations. These individually are called "scenes".
Now there's a hole gammut of theory out there on how a Scene itself should be "correctly" done, with catch phrases like "goal, conflict, disaster, reaction, decision" etc.. etc.. But I don't like to think that hard about things. I consider a scene to be something "memorable" that happens in the story. Something "different". And I trust in myself to have the common sense to be able to know what that is.
So here I am, blabbling on. I'll cut this short before I scare you off. Hopefully something in my ramblings was helpful to you. Cheers!
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