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It's very difficult to make technical stuff interesting. I consider people like Michael Crichton and Greg Bear fairly good examples success in that attempt, but even they stumble IMO. I struggle with this in my own works, because it's easy to fall in love with all the effort it takes to make one's ideas work out. But in the end, I think it's best to be loyal to the ruthless rule: if it doesn't advance the story or contribute to something that does, toss it out.
Naturally that can vary quite a bit. Sometimes all that backstory is the story. But it doesn't sound like it might be the case here, so drop and run might be your best bet.
If you are hoping to make this a series of some sort, you might consider that by withholding your backstory, you'll be not only making your present story more econmomical, but also providing fodder for future works.
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"I don't like to write. I like to have written." -William Zinsser
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