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Transition: 2nd act to 3rd Act
Hello all,
I'm a bit more than halfway through a screenplay, and I'm trying my best to adhere to the following guidelines:
- each page = roughly 1 minute screen time
- Act I = roughly 30 pages
- Act II = roughly 60 pages
- Act III = roughly 30 pages
I fully understand the purpose of Act I and II. In the first act I introduced the characters and set the table for the plot to come. In the second act I've been spinning off multiple plot lines, each containing conflict or potential for conflict.
My problem is, I'm having trouble deciding what qualifies as a good plot point which supposedly kicks off the third act. In the case of my screenplay, there is a major goal that my main character has from the very outset. Over the course of Act I and II, there are multiple obstacles (both real and imaginary) that develop.
According to the guidelines above, there should be a plot point with 30 minutes left, one that drives toward a conclusion. It doesn't seem to fit. I've seen many effective movies where circumstances were not resolved until several seemingly unrelated threads converged to produce an unpredictable ending. If I tip off the audience 30 minutes in advance about a resolution, doesn't that make the script predictable?
Sorry... I'm rambling. But I'm wondering if any other screenwriters have also felt the Act II-III transition was ambiguous at best. Any tips/clarity is appreciated!
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