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Short Stories Short Stories, usually between 500 and 2000 words.

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Old 07-19-2007, 06:21 AM   #46
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Hey, GV. Thought I'd give this a stab...

Quote:
Originally Posted by German Voodoo View Post


"Sunlight's vulgar. Burns that pretty lily powder from your skin. Cooks you."

Leather creaked with every swish of her form, reflecting the light in creases. She'd been called SodaSex, for her bubbling energy and sadism. Once, a john had called her a spy gipsy, kissing the wind before a firing squad. A woman referred fearless, styled to die.

"Now. Raise that leg."

Bare assed and random, a man laid prone in chains, the scarlet sheets hugging his skin but not covering it. A whip cracked.

[I get what you mean here, but perhaps there's a better way to say it.]

Tassles hung from a black rod, shining and focused. She could imagine and savor timeless the impression such a toy could leave on chalk skin.

"I said raise it." She twirled the sex weapon with her wrist, smacked his rear with it. The man screamed and withdrew his testicles as if the toy had been barbed with chickenwire.

[Can you do that? I sure as hell can't. Just "withdrew" would suffice, though you'd lose some of the sentence's strength. I'd go with "The man screamed and recoiled, as if the toy striking his testicles had been barbed with chickenwire."]

He raised his leg.

"Good boy." Dominance echoed at the edge of her covered smile.

Circling the bed, her hips rocked with pendulous grace, surety. The gasmask belied her face, concealing her eastern european features under its black facade. She preferred to hide her eyes. They'd seen too much, crawled over too much skin, eaten too many wasted people.

[Stereotype, and a blunt one at that. Try some description. Not too much, but any adjective like "sharp" or "hardened" (Though I know these don't fit here) would be better than "eastern european."]

[Brilliant.]

She wrapped the tail of the whip around the john's neck. His face was red as a virgin's blush, but his eyes were alive with sexual hatred. Brick hard and poised to stab, his member rode the air like a flag.

She released, allowed the man to recede from his state of excitement.

"Men. You can't take pain."

"What? I'm paying you to hurt me."

"You're paying me to get you off. You want me to hurt you, I can cut your dick in slices and feed it to you."

She'd played the schtick many times before. Nothing special, she watched pleasurably as the john took it in with fear, hesitation.

"What? I don't want that."

She was tempted to pout, plump her lips, but it would be a waste. The gasmask conveyed all the emotion needed. Her muffled voice all the tone.

"I'm an ebony queen. You're a housewife."

Power around her finger, moisture around her middle, puddling and ebbing. Her own lover, she was the best she'd ever had. The lone member of her century fuck gallery.

She walked to the wall opposite the bed, eyeing a rack of toys. Replacing the whip, she drew a nightstick.

The john's eyes snapped opened.

"Are you going to beat me?"

"Your money, honey. I'm an offer."

"Beat me."

"I'll do more than that. I earn my food."

Forshadowing, but it's subtle, maybe even unintentional.

She flicked a switch beside the rack, and blaring rave music began pulsing from unseen speakers, increasing in volume. The lights flickered, the vanity bulbs above the bed painting everything red and black.

"Dungeon music for the sugar daddy."

"Sounds like a cheap porno."

"You are a cheap porno, you fuck."

His penis towered once again.

She'd once thought a foolish dream, of being a teacher or a model. She had the looks to strut, the smarts to educate.

[Ahh, lose this. Disillusionment with a character like this is already implied. "foolish dream, of being a teacher or a model..." immediately brings to mind a stripper "working her way through college." Similar, but at the same time entirely different.

If you're bent on keeping it, at the very least you need to rework it.

Having it in the story like it is helps the characterization, but detracts from the flow. You just have to decide which is more important.]

But such a timid life wouldn't be satisfying. She could give back to the people who took her childhood and'd raped it dry in ways sweeter than teaching.

[Nicely put, but like I said...]

"I'm going to kill you, sweet one."

"Yeah yeah. Do me."

"Call me a bitch, daddy."

The prisoner laughed. "Fuck me already. With that nigger stick."

She pressed the night stick into the man's belly, forcing his breath into curled volleys.

"Pity how my dick is bigger than yours, little man. Want me to drink your brine?"

"Bitch."

"Daddio." She smacked the club into his face with brutal force, knocking his head sideways and staining the pillows a twin shade of red. His teeth were hanging on his lip.

"Fuck. My arm hurts." She rolled her shoulders slowly.

He should have been screaming bloody murder, but she'd hit too hard. Either reaper unconscious or reaper dead, he wouldn't be waking up soon or without brain damage.

His face had been nothing to glare at before, but the force had pushed his nose inward, his cheeks askew. She'd read somewhere - back when she had cared abut life and future - that a hard blow to the nose would shatter the bones and send them into the brain.

'Do I give a fuck?'

[Superfluous. You already made this clear in the previous paragraph.]

She slammed the club into his middle, grunting a little at the sound of cracked ribs. If she hadn't seen it so much, heard that lobsterclaw break with every worldly cycle, she'd have filled her mask with vomit.

Sweating under leather and moist lather, she was feeling the stageplay was lacking. Sloppy.

'No emotion. Not from a cow.'

Starving a headache, she cut the music and erratic lights off, showing the room in sterile sodium light.

The curtains closed because she drew them together. She was the woman, after all.


'A performance wasted.'
Your ending worked well for me, and I don't see much reason to change it.

As for characterization, I agree that it's lacking a bit. It would be even more apparant if it wasn't so well written. As it is, the description and the story itself make up for it.

I don't need to feel sympathy for the main character anyway--I don't really even need to care about her--in a story like this, it's more important to believe the character. And that wasn't a problem for me as I read this.

All in all, well written and entertaining.
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Last edited by Frabes : 07-19-2007 at 06:27 AM.
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Old 07-20-2007, 09:24 PM   #47
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thank you, frabes.
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