So I assume Tony's dead, which comes kind of out of nowhere. Or did I miss a clue? Some good writing. Interesting narrator character.
The language strikes me strained, or unnatural or overwrought at times:
E.g.
"Aside from the bickering which I scarcely tolerate and disguise as consideration to restrain myself from losing my cool,..."
E.g.
"Sure enough, four hours later he’s hugging me and polluting my inhaling vicinity with lethal bourbon breath."
Btw, if you mean "fuck" just write "fuck" imo.
The opening paragraph almost lost me, striking me as both dull and shrill. It, like so many (including most of mine) could almost be deleted.
I like a story that appears to have been edited well. Maybe use fewer adverbs.
Quote:
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Some guy I don’t recognise begins conversation and I’m too drunk to excuse myself so I stand there and periodically blurt ‘Yeah..’ and ‘Sure..’ As time passes I form the reasonable assumption that he’s either a dealer or gay, so I follow him to a secluded area as either possibility interests me. Finally, he holds out a sachet of four pills. My father’s money is relayed to the stranger and I ferociously shove three of them into my mouth as he disappears back into the dark sea of desperate folk.
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The most interesting and character developing excerpt, but that could be integrated better.