Okay, Modern Ghazal's have less rules, so if you wanna play but wanna start of easy, it's a fun exersize:
5-15 couplets linked only associatively and it's cool to put your "name" in the last couplet.
Once you've got your feet wet, these guidlines are for the more daring:
A Persian Ghazal has more rules
PoetryNet: The Ghazal
Again, it's 5-15 couplets. The form looks like this:
Couplet one:
---------------------------------------------rhyme A + refrain
---------------------------------------------rhyme A + refrain
Couplet Two, Three, & so on:
---------------------------------------------------------------
---------------------------------------------rhyme A + refrain
Meter a consistent is metric or syllabic.
No emjambment.
The link lists common themes.
I'll post a modern and more persian influenced Ghazal to show you.
Modern:
Ghazel #1
I was wrapped up in Ethernet cables and tied to my chair
in a tutu and that's why I didn't make it on time.
A little girl was crestfallen when the snow didn't arrive,
everyone else's shipments unloading around her.
The Walmart steamer came to port and beef jerky men
unloaded season 3 of Scrubs on DVD.
She watches Grey's Anatomy with a stolen cat
in her lap in a house made of orange bricks.
I get thick headed when I think about going to work
and going to heaven.
On her day off, she dances and dances in frothing pink.
I, Katze the Mighty, hate pink. I like frothing.
With syllabic count, rhyming, and refrain (but changing rhymes... frankly, I'm just not that good to have the same rhyme throughout!):
Ghazal #54
She’s doing it, the waiting room fidget, again.
Medical history? Just fudge it again.
The seismic hallway blinks a burnt out bulb.
Pipes between floors corroded with black mold, again.
Soft canvas shoes pace the linoleum.
An accountant takes a snifter of rum, again.
The sun wafts through a polarized lens.
“Lonely me” is the cry of cactus wrens, again.
Lackluster terrain begs sterility,
I, Kay, dream of yet another city, again.



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