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Poetry Poems, Haiku & Tanka etc.

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Old 01-31-2005, 09:29 AM   #1
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Chrismtyler
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Old 01-31-2005, 10:21 AM   #2
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A fantastic first post- a thought-provoking piece thats I didn't quite understand, but I don't think it mattered. I reveled in the imagery and I enjoyed the jagged nature of the flow. Sorry about the lack of detailed critique on my part, I never was one for analysis, but keep up the good work. One to watch if you ask me.
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Old 01-31-2005, 10:28 AM   #3
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Originally Posted by European_Son
A fantastic first post- a thought-provoking piece thats I didn't quite understand, but I don't think it mattered. I reveled in the imagery and I enjoyed the jadded nature of the flow. Sorry about the lack of detailed critique on my part, I never was one for analysis, but keep up the good work. One to watch if you ask me.
Thanks for the comment ES. I'm sure (and have been told elsewhere) that it requires continued work. It's not something easy to grasp on a first reading (and that's not really a good thing). A small hint, though, that it would assist greatly if the reader knew the inner workings of a revolver once the trigger is pressed. I really need to work on the first stanza as it obviously doesn't clarify that I'm trying for a bullet=memory (discharge = process of recall) metaphor.

Thanks again for your comments.
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Old 01-31-2005, 02:09 PM   #4
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Originally Posted by Gigi
Did you know that duelling pistols were notoriously inaccurate? 'Tis true!

Having said that, I really like your style. It's clever and shadowed. Please tell me about "she needs a kiss, but I" being cut short at first and then elaborated upon. I'm missing that.

Very crafty with the gun references without going too far. Not an easy task.

gigi
Thanks for your comments...I'll gladly elaborate, though I realize that is the task of my piece, which I'll have to work on some more.

I'm framing the pull of the trigger with a memory - namely, a New Years kiss gone wrong. If you'll notice, the first italicized pondering (i.e. the start of the memory)...(she needs a kiss but I) leads into the very next line (I/with two hands on...). I complete the thought more abruptly later when the arm (the hammer) strikes down in its finality.

Like I said, I've got to "polish" up on this one some more. I don't want the reader to have to work at it too hard.

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Old 02-01-2005, 01:18 PM   #5
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bravo.
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Old 02-02-2005, 08:51 AM   #6
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Originally Posted by ms. vodka
bravo.
Thanks ms. vodka.
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