What You Get
Daddy’s a poet with psychedelic lips
for sucking when he talks about the way
it hurts to pray. He’s got fingerpaints
in his pockets and treasure box buttons
for you to break open in the now-I-lay-you-
on-a-pole, bedtime rehearsal.
You’re a glass angel.
One hit is what you get
for being so holy.
Daddy writes about needles
and the way they look half-through wings.
He takes paper napkins and rolls a punctured ball
to dab your eyes when you start to cry.
His lips look much better in a dead-red,
liquid bed—when you’re just coming down-
stairs. He’s twisting cracked nails in every finger
and through the headboard—
what you get when the beat
is thrusting just right.
Glass does not judge. Glass does not
budge unless its breaking.
Daddy brings you to the city
because poets like breathing in dirt,
and you can be that naked angel in the cemetery,
and every piece of gray is a little harder.
He places a stone in homeless half-shirts,
then in open, decaying mouths.
Be exposed. Hunt those stones.
Cement them to your body. Now’s not the time
to get cracked up wings.
Be the barbiturate, what-you-get
babydoll.
Daddy mixes metaphors in ice buckets
to stand in. Until you’re too numb.
He’s got his hands folded like those paper napkins,
then he pops his fingers out
and says he’ll make them fly.



LinkBack URL
About LinkBacks

Reply With Quote




Bookmarks