
Originally Posted by
SilverMoon
I remember you,
fresh as orange juice
in the morning. This is such a wonderful simile to start with. Very powerful.
A white laundered
pillow near my ear,
after the love making. Very nice enjambment and rhythm
Heart not red
but pink, stainless,
from the blood of life.
Your hands
more beautiful
than your face,
chiseled. This one word adds so much character to the man. The focus on the hands is not tiring; it's lovely.
They that built
the harpsichord,
that portal to Bach,
where you played
the “Brandenburg Concertos”
with the fervor of his student. I know nothing of Bach but the image is so strong; especially right after the hands.
I fell in love with the arms, wrists,
which allowed your long fingers
to milk the ivory. Hmm... this is beautiful
The Joy!
Organ Chorale fantasia ~
I never meant to leave.
It's just that Madness
had his way with me. You know better than anyone why this would be my favorite line.
Then I, no longer
pure of mind,
was too shy
for you to see
my eyes undressed. A great way to describe the emotion.
Time is a dime. Easy, but you pull it off!
You flip the coin
and if it’s the right face
you might meet a mélange
of seraphim disguised as
whores or pushers
on a cracked city street,
always waiting for someone. Haha, this is brilliant. Your imagery makes me think of Dickinson.
Time is a crime. Nice repetition
You think of
30 years passed
since you loved the
hands of a genius.Here I wasn't sure about the enjambment of "the/hands" but after some thinking, I do think it helps the beats of each line in this stanza.
One day the coin
landed on the right face
though, tarnished. This is what I was talking about earlier. Just a snippet of an image, but it's perfectly enough.
“Laurie?”
I didn't recognize
your hands
as one wiped off
the sweat from your brow.
Orange juice gone rancid. Nice job bringing the reader back to the original image.
Dirty pillow marks
etched on your face. Again, same as above.
Your heart no longer pink,
nor even red, but black
as if it had seen
too many funerals. This is very powerful stanza. An original way to describe the change.
The arms, the wrists
which allowed your fingers
to milk the ivory
wore long thin felonies of
track marks.
We went into a neglected diner.
You spoke of
dealers and hammers. A bit of moment poetry here, and it's so lovely.
How your only dreams
were the nod.
Dirty needles shared
like a good meal.
You spoke of rat rugs.
Methadone
cleaned you up but
stole your teeth.
A scarred lip
still bleeding.
Nails bitten
from what was left,
as if from wolves.
I looked into your eyes
and probed for Bach. Sigh... that whole last section really did leave me speechless. Again, a wonderful job. Certainly my favorite poem of yours so far.
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