Silver,
Like I mentioned in an earlier post, poetry isn't my strong point. So I can't offer too much along the lines of criticism. My comments reflect the viewpoint of a lay reader, so keep that in mind.
That said, I did enjoy this piece. You confidently evoke a mood of peace and tranquility. That shows skill.
Still, I'd like to see a bit more conflict. (This may very well be my background in fiction speaking.) You touch on the contrast between urban living and your more peaceful, rustic surroundings now. I think a bit more of this contrast would help give the piece more purpose.
Here are a few bits that particularly caught my attention:
gazing at a sky with a God full of stars,
Beautiful phrase here!
a trillion tiny points of lights blinking,
Just a nitpick, but I hate "big number" hyperbole. Something more obliquely descriptive might serve better here, like, "a black sheet full of tiny pinpricks blinking"
sunken into my worn foothill jeans,
Not sure what "foothill jeans" means, but I think this still works. It fits, somehow, with the duality of the poem's subject: mountain and woman together and distinct at once.
an angel, rooted in the glory of the high earth.
Somewhat dissonant phrasing here. We don't normally think of angels as being "rooted."
while winds whistle in crevice of mountain breasts
This line seems out of sync with the prose poetry style of the rest. The wording seems almost archaic.
and the gladness of my breaths…
Another nit, but I hate the "ellipsis ending". I think a period does so much better. It seals off the poem and gives it a sense of completeness. You don't need an ellipsis to signify that this piece seeks to describe something ongoing and eternal. That's accomplished in the main body.
Overall, I like the piece. It's soothing and moody (in a good way). Still, the fiction writer in me keeps looking for the conflict, which may or may not be relevant or even helpful at all. Either way, hope this helps.
Thanks for the read, Silver!
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