basejumper400
Apprentice

I don't know where else to write this, so I'll put it here:

To my professor:

Thanks, Mr. Osaka,
For accepting my project,
for letting me work
the severe angles and bar codes
in black and violet and gray.
For allowing the lines,
for insisting on the ruler
and the compass on driven
white.

You asked me today,
"What's your story,
what's your background in art;
what are you doing at UCLA?"

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Is anyone acquainted with James Merrill's "The Changing
Light At Sandover?" I have never read it. Should I?

I am working on a long (not three volumes, not one
volume, less, less) of a reader's theater which I want to
perform with spoken word poets, synthesizer, bongo,
and Power Point graphics. I don't want this to be a strict
story or a choral work, but poetry, meaning in this case
language that makes use of rhythm and sound,

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