First, I'd like to extend a huge thank you to the judges for this round. They certainly had their work cut out for them, and they came through like troopers. Great work, Chris, eggo and Hawke!
Second, thank you to everyone who submitted a story for this round of LM. I hope you all enjoyed the challenge and I wish you all the best with your scores.
On to the good stuff...SCORES!
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From Chris Miller
Judging is always a crap shoot. There’s no accounting for taste and mood, or whether a piece is the first one I read right after my morning coffee or the last of six during my afternoon should-be-napping hours. I feel a little like I’m spewing my own tastes and limitations as a reader here as much as “judging” all your fine efforts in some hypothetical, objective, writerly, score-able way. I “officially” recommend that for the next competition, everyone who enters critique and score everyone else who enters. I think the results will be more interesting and contestants will enjoy and learn more about contest judging, and therefore, competitive writing.
Shawn: Life (Or Death) as I See it from Under a Piano – 14
Funny, maybe a little trite or shallow or something. An easy read. The erection made me think of auto asphyxiation deaths. The piano was cartoon-ish. The theme being you’re aware of everything after you’re dead, as in not much changes, was pretty common here.
Krim: untitled – 17.5
The prose and structure was rich to the point of a little self conscious. Found repeated use of “sanguine” awkward until it became a motif. It almost reads like the kind of text spammers attach to defeat spam filters. In other words, it didn’t make a lot of sense as a whole and was hard to parse. Funny in a dry, confusing, rambling (British?) way. Possibly the kind of piece that’s too deep and subtle and rich for the rushed contest venue too.
Roundeye: The Harsh Reality of Death – 16
More a description of dying. But you make your point well: there is no after you’re dead. The writing’s good, but the whole idea path strikes me as pretty well traveled.
I’ve just got to know what the hell happen.
happened
German Voodoo: A Smiling Goner – 18.5
Nice poem. Seems well within the guidelines. Just kind of let the words wash over me to see what emotional flotsam would wash up. I may be biased, but I thought it was nice: the detached, fucked-up remorse and regret that anyone paying any sort of attention (and trying to escape) has got to take as carry-on. Good drug/pop vernacular. Beat and rap and real.
Triquediqual: Death After Life – 16
Watching one’s death and funeral proceedings is a pretty well worn idea, but there were other ideas and funny bits I enjoyed. Like his corpse having the best view! I also found the ending poignant. There are tense problems. But the biggest weakness is in the wordiness of the prose. Reading it’s like having to swim against the current. It’s like you’re under the impression that more words are better, when in fact it’s exactly the opposite. Try to get your ideas out in as few words as possible via better phrasing, possessives and conjunctions, and strategic omission of the irrelevant and flat. It’s like you’re guessing at the proper voice. Find “your” voice. Revise and refine.
E.g.
Beyond the valley, we witnessed an extraordinary accident, one of which would have been avoided had I listened to my parents.
“Beyond the valley, we saw an accident.”
The “extraordinary” is never shown and so’s just a big word to wade through. The whole not listening to his parents thing is also never followed up on, so why tease?
Loulou: Rainy Day Coffin – 19.5
Great voice. Great wit. Great theme. Great hope too. I hope you’re right. I hope to see a lot of tight T&A in the afterlife. Lots of clever irony, and truth. Also the kind of fun, easy to understand and read piece that subs and competes well.
This sentence was the only one that weighed a bit too much to my ear, and so dilutes the hilarious idea and imagery.
Millie, who led the procession down the aisle, is organising the mourners into a row along the graves edge, which if I didn’t know any better goes in order of obesity.
Maybe just, “Millie’s organising mourners along my grave’s edge in order of obesity,” or something?
Frabes: Postmortem Musings – 16
Apt title. I liked the last line, even though it’s a little cliché. The tense felt funny. But this could be a problem with being dead. Sort of sad and humorless. Shit I hope you’re wrong.
seawings: It Could Happen – 16.5
I think this is already the 3rd time I’ve seen this exact opening idea almost. Was distracted by the overuse of ellipses, rhetorical questions (e.g. “Where am I?”), and multiple bangs (!!!), and wrong quote punctuation. But I liked the theme and the eggo-esque humor.
apple: (untitled) 540 words – 18.5
Enjoyed the story. Well told. Like how you focused on character and the idea/wit density. Very cool ending. The whole after death idea of nothing changing was pretty standard and a bit of a let down.
vangoghseer: (untitled) 580 words – not scored
I read that about the lethal injection drugs somewhere. So good research. Nice story idea.
MiloDaePesdan: G’Knight Mate! – 17.5
Neat idea. The tense jumps from present to past. I liked the early metaphor for womanhood expressed via the damsel cum succubus. Or maybe I’m just a little misogynistic at heart. Good dialogue.
Rakashazun: Tuesday’s Bottle – 18
Nice, sort of literary and poetic. Some cool funny ideas like the cactus. The beginning confused me and felt too wordy, but it seemed to sharpen toward the end, which I found beautiful.
Tellervo: Stuck – 17.5
Again, a death is exactly like life theme. The elevator seemed metaphorical, but I couldn’t quite put my finger on what of. Funny how bad things happen in clumps. Funny piece.
Charlie Elanor: Holding Hands – 18
I enjoyed that. For a while I thought it was the 2nd person “you” that was dead and would live on through the narrator and their baby… sigh. Still a poignant little piece. Made me stop and think for a bit.
ebmadman: Memory Lane – 17
Nice ghost story. Boy commits suicide in playground. I thought the older couple were his parents… but then the “older gentleman” turns out to be her son. So the dead kid’s brother? Was never quite clear on whom he was waiting for. His mom (whom he doesn’t recognize)? A friend? Some good ideas but a little hard for my slow brain to figure out.
Second reference to the “frigid night air” distracted me.
Mortar&Pestle: Dream – 19
That was cool. Very surreal, but with some nice specifics, like Pixel’s piss floating up and away. A different sort of death too.
Mandax: The Afterlife – 16
Found the writing a little cumbersome. I liked the ending, her going to hell and not caring. But I couldn’t figure out what she’d done or who was speaking. It starts out kind of over descript. You could almost begin with, “There was very little room in the coffin.” I liked that line.
Dewgee: Interview with Satan – 16.5
Cute idea. Some good description. Cleverly expressed, if fairly standard, moral fare.
Defenstrator: Life’s Web – 15.5
Probably I’m too much of a hard ass, but I found this melodramatic and the poetry a little strained. Don’t try to force me cry along. The emotive life events of the MC’s were expressed too generally (though well enough) to engage me to his character. So his poignant emotional trip was lost on me. A little detail and life specifics with tears (or smiles) at the end would have impacted me more. Pretty clean writing.
my father warmth
father’s
Trap: My first attempt at Literary Maneuvers – 16.5
The only line pertinent to the theme here was, “Eternity began.” So that’s what happens when you die? The mysterious murder story itself was well told, but a little vague. Good description of the daughter. So has this tall dude been living in their walls? Weak title.
huitzil: Amazing Grace – 19
Great little story. Darkly comedic. Good characters. Fine plot. Nice grip on reality and the afterlife I thought. A little goes a long way here.
Mike: Death Travelers – 15.5
Stumbled through the prose somewhat. Even though it seemed correct. Had a little trouble nailing down the theme of the levels of death. No real feel for the plot or characters. The little exclamations (e.g. “Aw, fuck” seemed to overtax the 3rd person limited.)
Jiieden: How Demons are Made – 18
Very poetic. The beginning flows, but feels a bit well-traveled overall idea-wise. Loved the end. Works better for me without the last sentence?
…three hundred year old bones.
three-hundred-year (or it seems like he only has three bones… or maybe three-hundred bones…)
I watched the worms crawl through my bones, and I watched them turn to dust.
I thought he was underwater? Cliché imagery anyway. I’d strike.
speakerphone2: A Lack of Color – 18
I miss my brain too. And I’m still alive. Seriously though, nice ending. Very poetic. The beginning seemed a little ludicrous or gabby (e.g. “you know”) or something, but you pulled it together well at the end. Sweet and light.
Himani: untitled – 16.5
I assume they fired him from the catapult to spread disease among the enemy? You employ two after death theories: 1) nothing changes and 2) blackness. Both are pretty well traveled here. Well written, perhaps not overly engaging back story or character development.
IrishLad: Last Surrender – 18.5
I enjoyed that. Serious and musing, and some nice personal observations. Just enough story. Nice feel and character.
kenewbie: The minds eye – 16.5
Like the 2nd person POV. Starts like a text book, but then gets fantastical. I liked the notion that death is like waking up. The prose flows a little stilted is all. Like you’re answering a question on a test.
minds=mind’s
laying=lying
face=faces
Tarantula: Lye still – 16
Without the pun of a title, I’d never have got it. A little light on character and plot, but a cool way to die I guess.
laying=lying
eggo: Plan Ahead to Be Dead – 17.5
Like your style man. The journey’s always the thing. Agree about the pope. Not sure about the Disney robot though. I mean you’d have a long, long time to see what’s up her skirt. And she’d have to get around to you sooner or later. But in the end you wind up in front of the TV with your wife nagging you. I guess no matter where you spend eternity it’s going to seem like hell eventually.
Hawke: Misconceptions (not scored)
Love the pace of this. The imagery. How the story emerges from a stream of statements. Also like the ending. In a way it doesn’t really address the contest theme of what happens after you die… but then I guess in a way it does: the ever popular, nothing happens. I dearly hope you’re right. Strong writing.
Foxee: Iced – 19
So the MC wrote some character’s death (while waiting in an airport?) and then somehow got switched around with him (via a cell phone transfer?). Had to read a couple times to appreciate that it’s all sort of taking place on the page. Interesting idea, a writer changing places with a character, nice literary metaphor. The after death part’s well described (though kind of leaves me hanging (get it?)) but seemed a little incidental, or maybe the main idea just overpowers it. This pulling of the page into 3 dimensions made me a little dizzy in both a bad and a good way. Cool outside-the-box thinking.



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