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Old 06-02-2007, 02:55 PM   #1
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I'll Be Home In 10 Min - 450 words

Okay. I'm new and have been posting around a little, but this is my first actual piece of writing I'm posting. I'll be honest, my biggest weakness as a writer is actually showing people my personal pieces. But, I've to force myself to get over it. I hope you like it...


“I’ll be Home In 10 Minutes”


For the first time since she moved in two years ago she discovered that none of the tiles on her ceiling were perfectly aligned with each other. It took her two years to notice it, but now she couldn’t take her eyes off the uneven lines between the rows of squares. She couldn’t help but find it ironic because in this world, nothing adds up.

Forcing herself to get out of bed for the first time in days, her feet danced across the linoleum floor with the grace of a ballerina but the lethargy of an old dog. After she turned her 13’’ television set onto the news and muted it, she began playing the most beautiful opera music. Humming to herself she fixed breakfast for the first time in a week; pancakes that were burnt on one side but undercooked on the other, scrambled eggs with way too much cheese and crisp microwave bacon. All of which she hated, but he loved. He loved watching her cook and he loved eating what she made for him. She loved the simple fact he loved it.

She visualized them sitting across from each other in the table for two; him eating his oddly cooked food while she drank her first cup of coffee. He would watch the muted television over her shoulder while she would hum the tune of the opera songs to him. They were both completely in love with each other and as she continued to hum, teardrops fell into her bowl of pancake batter and her eggs began to burn.

She set the table as she did days before, only this time she sat the phone in his seat and angled herself towards the television. Patiently she sipped her sweetened coffee and let the food across the table turn cold and stale. She wanted to be ready for him to call, be ready for him to come back. She wanted him to know that his absence wouldn’t change the way her life worked because her life only worked one way, and that was with him.

As the news turned to afternoon soap operas her shoulders sank and her eyes filled up with tears. Taking as much time as she could she cleared off the table for two, one item at a time. After rinsing the last unused utensil her tears were stopped by the rattle of the phone. She picked it up and recognized the familiar breathing. Without her saying a word, he began speaking in the same soft, loving tone he had spoken to her with a week ago.

“I’ll be home in ten minutes” he said.
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Old 06-02-2007, 03:08 PM   #2
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Quote:
Originally Posted by Heather_18
Okay. I'm new and have been posting around a little, but this is my first actual piece of writing I'm posting. I'll be honest, my biggest weakness as a writer is actually showing people my personal pieces. But, I've to force myself to get over it. I hope you like it...


“I’ll be Home In 10 Minutes”


For the first time since she moved in two years ago she discovered that none of the tiles on her ceiling were perfectly aligned with each other. It took her two years to notice it, but now she couldn’t take her eyes off the uneven lines between the rows of squares. She couldn’t help but find it ironic because in this world, nothing adds up.

redundant. the metaphore was of straight lines

Forcing herself to get out of bed for the first time in days, her feet danced across the linoleum floor with the grace of a ballerina but the lethargy of an old dog. After she turned her 13’’ television set onto the news and muted it, she began playing the most beautiful opera music. Humming to herself she fixed breakfast for the first time in a week; pancakes that were burnt on one side but undercooked on the other, scrambled eggs with way too much cheese and crisp microwave bacon. All of which she hated, but he loved. He loved watching her cook and he loved eating what she made for him. She loved the simple fact he loved it.

these two images contradict each other. is there a point in knowig the size of the TV? Humming to herself, she fixed breakfast for the first time in weeks: pancakes that were burnt on one side, scrambled eggs with too much cheese, and crisp microwaved bacon. fragment.


She visualized them sitting across from each other in the table for two(,) him eating his oddly cooked food while she drank her first cup of coffee. He would watch the muted television over her shoulder while she would hum the tune of the opera songs to him. They were both completely in love with each other and as she continued to hum, teardrops fell into her bowl of pancake batter and her eggs began to burn.

She set the table as she did days before, only this time she sat the phone in his seat and angled herself towards the television. Patiently she sipped her sweetened coffee and let the food across the table turn cold and stale. She wanted to be ready for him to call, be ready for him to come back. She wanted him to know that his absence wouldn’t change the way her life worked because her life only worked one way, and that was with him.

As the news turned to afternoon soap operas her shoulders sank and her eyes filled up with tears. Taking as much time as she could she cleared off the table for two, one item at a time. After rinsing the last unused utensil her tears were stopped by the rattle of the phone. She picked it up and recognized the familiar breathing. Without her saying a word, he began speaking in the same soft, loving tone he had spoken to her with a week ago.

“I’ll be home in ten minutes” he said.
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Old 06-02-2007, 03:53 PM   #3
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1st...I don't quite understand how you're saying the line "nothing adds up" is incorrect. It's ironic that the lines don't align because nothing in this world adds up.
2nd...The images are supposed to contradict each other. That's the point.
3rd... The size of the TV is relevant. For a lot of reasons, reasons which I don't elaborate on because the reasons aren't quite relevant. Leave it to your imagination.
4th... The use of the fragment was for emphasis on that line, is there a better way to structure that and still have the same emphasis?

Thanks for the feedback, but can you possibly let me know how you liked the actual story?
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Old 06-02-2007, 04:01 PM   #4
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Quote:
Originally Posted by Heather_18
1st...I don't quite understand how you're saying the line "nothing adds up" is incorrect. It's ironic that the lines don't align because nothing in this world adds up.
2nd...The images are supposed to contradict each other. That's the point.
3rd... The size of the TV is relevant. For a lot of reasons, reasons which I don't elaborate on because the reasons aren't quite relevant. Leave it to your imagination.
4th... The use of the fragment was for emphasis on that line, is there a better way to structure that and still have the same emphasis?

Thanks for the feedback, but can you possibly let me know how you liked the actual story?
i'm not overly keen on the story... sorry

but your response is quite telling considering the post you made on the 'kill your loved ones' thread. it is a mixed metaphor, so it does confuse, even if you intended it that way. the size of the TV is of no relevence what so ever.- imagination or not (13 unlucky... yes i knew) but that is crowbarred in and it doesn't work. it is a fragment, and as a fragment (which is a legitimate trick for emphasis) it didn't work. i would have gone through it a bit more thoroughly but i ran out of time.
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Old 06-02-2007, 04:12 PM   #5
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Quote:
Originally Posted by Heather_18
2nd...The images are supposed to contradict each other. That's the point.
No. The point is, I as a reader can't picture someone's feet dancing across the linoleum floor with the grace of a ballerina but the lethargy of an old dog. It stopped me in my tracks and struck me as something horribly made up and lost this reader.

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Old 06-02-2007, 04:20 PM   #6
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heather we are not having a go at you here, please understand that you just agreed with both Rob and I in the other thread. it does confuse.
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Old 06-02-2007, 04:26 PM   #7
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the story is a based off of some personal situations and so yes, the size of the television is relevant. I don't need to explain why it is there and my reason to why it's relevant. It's not incorrect to be there, so why question it? And no, it has nothing to do with 13 being an "unlucky" number.
And I don't understand how what I said on my "to kill a loved one's" thread is something to bring up about that line. I talked about description and education. Not metaphors. The lines on her ceiling didn't line up. She had been laying in bed [looking at the ceiling] upset because the one she loved left her, and it didn't make sense. Her whole world just exploded, and it didn't make sense. And she sees the lines, not lining up. And she finds it funny because to her, "nothing in this world adds up".

Rob, the point is the woman was graceful, she is a beautiful woman, and she walks with grace..... but she's been in bed for days, and is lethargic because she is sad. A depressed/sad person can still be beautiful and graceful. A huge example in my mind is the movie girl, interrupted. Susanna was sad, she was depressed, she needed a "rest" they said, but she was beautiful.

Why must it be so black and white. Right and wrong? It's writing. It's art. There are grey areas.
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Old 06-02-2007, 04:33 PM   #8
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I don't get it.

I'm confused between two things. This one is a more personal than technical one. I get this implication when she switches from the news to afternoon operas that something bad happened to her husband. That, and the fact it's morning--I suddenly get this image of 9/11. The 'I'll be home in ten minutes' fixed that image on me--because the planes just kept coming right after the other into the tower.

Sorry. Just morning + ten minutes + news + missing husband = a whole world of bad.

The second thing I'm confused over is whether her husband is dead already or not, and the person speaking on the phone is a ghost conjured from her head.

0.02 c



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Old 06-02-2007, 04:36 PM   #9
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No-one said it has to be black and white. No one said it has to be right or wrong. No one said it is or isn't art. No one spoke about grey areas. I simply read what you wrote and it stopped me in my tracks and threw me out of the story. Defend it if you want to, I really don't care. I'm just giving you feedback. You did ask for feedback. What you do with it is really up to you, as the author.

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Old 06-02-2007, 04:41 PM   #10
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Quote:
Originally Posted by Heather_18
the story is a based off of some personal situations and so yes, the size of the television is relevant. I don't need to explain why it is there and my reason to why it's relevant. It's not incorrect to be there, so why question it? And no, it has nothing to do with 13 being an "unlucky" number.
And I don't understand how what I said on my "to kill a loved one's" thread is something to bring up about that line. I talked about description and education. Not metaphors. The lines on her ceiling didn't line up. She had been laying in bed [looking at the ceiling] upset because the one she loved left her, and it didn't make sense. Her whole world just exploded, and it didn't make sense. And she sees the lines, not lining up. And she finds it funny because to her, "nothing in this world adds up".

heather you are not seeing it clearly here. you can't start with lines and then say it doesn't add up. lines/add up one is symetrical, the other is mathamatics.

Rob, the point is the woman was graceful, she is a beautiful woman, and she walks with grace..... but she's been in bed for days, and is lethargic because she is sad. A depressed/sad person can still be beautiful and graceful. A huge example in my mind is the movie girl, interrupted. Susanna was sad, she was depressed, she needed a "rest" they said, but she was beautiful.

Quote:
her feet danced across the linoleum floor with the grace of a ballerina but the lethargy of an old dog.
this is an impossibility. we are the READER here, you are the writer. if it pulled us up it will pull all readers up... unless your ambition is not to get into print? how can you dance with the grace of a ballerina, but with the lethergy of an old dog? not only that but the metaphors throw images up too, think about it

Why must it be so black and white. Right and wrong? It's writing. It's art. There are grey areas.

because that's how to write good stories. forget the ART mumbo jumbo lol, it's a skill first and an art later.
just try our suggestions and see.
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Last edited by Azmakna : 06-02-2007 at 04:43 PM.
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Old 06-02-2007, 04:43 PM   #11
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Originally Posted by MiloDaePesdan
I don't get it.

I'm confused between two things. This one is a more personal than technical one. I get this implication when she switches from the news to afternoon operas that something bad happened to her husband. That, and the fact it's morning--I suddenly get this image of 9/11. The 'I'll be home in ten minutes' fixed that image on me--because the planes just kept coming right after the other into the tower.

Sorry. Just morning + ten minutes + news + missing husband = a whole world of bad.

The second thing I'm confused over is whether her husband is dead already or not, and the person speaking on the phone is a ghost conjured from her head.

0.02 c

Milo
He was never dead. He left her. He walked out. For reasons unknown. It spoke of their ritual, and the switch between news to soap operas is just to put time into words. She had waited, for a long time, for him to call. The person who called is infact her husband, she waited, she didn't change her life, she kept things the same and just waited for him to call, to come back. And at the end, he called, and said he'd be home in 10 minutes.
He came back.

Clear up the confusion? Or no? If not...keep asking.


And Rob, I know you didn't say that, I guess I just felt that when I said to the previous post that it was the point to be a contridiction and you come back with "no. the point is..." just came off as you're saying, no, it's wrong. So I'm explaining it to you, not defending. Sorry I am defensive, because I feel I'm being told its all wrong. I wanted feedback, but constructive criticism isn't just pointing out what you thought was bad, and what you didn't like. I felt attacked. The contradiction fed a purpose. I just wanted to explain that to you.
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Old 06-02-2007, 04:52 PM   #12
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And azmakna. Yes I'm talking about lines. But I'm talking about the ceiling tiles (tiles, create lines, when done correctly) but, if a tile is out of align, the lines won't be straight...they won't "add up".

she wasn't dancing. she got up and her feet "danced with the grace of a ballerina". She was walking, that's all. Just to say "She walked" is pretty boring. But she was tired. Lethargic. Like I said to Rob. She is sad, she's been depressed and in bed, depression can cause one to be tired and that she is...but, she's still a graceful person. Just because you're tired (lethargic) doesn't mean you aren't graceful.

I feel so redundant in how I'm explaining it but this story has been shown to so many teachers and authors and my editor and nothing has been mentioned how those things don't make sense.

I know how to take advice and feedback, I love getting it, especially from other writers. I just have never had people, including my professors and other writers and english majors I look up to, say the contridiction is wrong. And I feel attacked. I've had you throw out in one post what was wrong, but nothing to come back with a positive note.
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Old 06-02-2007, 04:53 PM   #13
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Clear up the confusion? Or no? If not...keep asking
nobody should need to ask questions. yes you can have some subtext, but the subtext should not throw the reader off the main story
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Old 06-02-2007, 04:58 PM   #14
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Ok then tell me how he got the idea her husband was dead? That was implication on the reader's part, never on the writer. It's all in how he saw it, and he was confused... Sometimes certain things don't click in a reader's mind. I've had stories, great best selling novels, that I've had to stop and go "wait...what?" or ask questions. Doesn't mean the story is bad or written incorrectly.
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Old 06-02-2007, 04:58 PM   #15
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And azmakna. Yes I'm talking about lines. But I'm talking about the ceiling tiles (tiles, create lines, when done correctly) but, if a tile is out of align, the lines won't be straight...they won't "add up".

she wasn't dancing. she got up and her feet "danced with the grace of a ballerina". She was walking, that's all. Just to say "She walked" is pretty boring. But she was tired. Lethargic. Like I said to Rob. She is sad, she's been depressed and in bed, depression can cause one to be tired and that she is...but, she's still a graceful person. Just because you're tired (lethargic) doesn't mean you aren't graceful.

I feel so redundant in how I'm explaining it but this story has been shown to so many teachers and authors and my editor and nothing has been mentioned how those things don't make sense.

I know how to take advice and feedback, I love getting it, especially from other writers. I just have never had people, including my professors and other writers and english majors I look up to, say the contridiction is wrong. And I feel attacked. I've had you throw out in one post what was wrong, but nothing to come back with a positive note.
if you start with the concept of lines then you must (if you choose another image) have the second image match. if you said that the lines were 'out of kilter' or something along those lines then that would match. i know what you intended to do with the ballerina/dog, but you have had to explain that, and even explaining it won't fix it. if your tutors have not mentioned this then shoot them lol.
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