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Old 01-23-2007, 04:58 PM   #1
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Black Sun Rising--Chapter One

If you havent already read the prologue, check it out... http://writingforums.com/showthread.php?t=72120 Like I said earlier, critique, nitpick,and edit without regard!

Black Sun Rising

Chapter One


“I’ll have a Tall Larry, on the rocks,” said Layne Emery, doing his best to sound old enough, and somehow succeeding. “Oh, and hold the green.”

“Cheapskate,” whispered Dwight with a smirk. The waitress handed out the menus, smiled, and turned to leave. Dwight tilted his head as he watched her disappear behind the counter.

Emery nudged his friend.

“What?”

“Dude, she’s like 23,” piped in Sairo from across the table. “Don’t even think about it.”

“What’s wrong with looking?” Dwight grinned, dimples appearing on a pale face. He had a buzz of blond hair, with long eyelashes that were somehow dark, despite his light hair and complexion. “I’ll be blunt, she has a nice butt.”

Emery rolled his eyes. “She wouldn’t date you if she was twelve.”

Sairo snickered from beneath his hoodie. Though it was warm inside, the blue-eyed youth was always shaking. A long tattoo of a dragon crept down the inside of his right fore-arm, its head poking out as he reached for the menu. “Yeah, she’s no Jen.”

Dwight cast a stern gaze upon the young man who had been his friend for all 17 years of his life. “She was thirteen, not twelve, dick. Besides, when was the last time you had a date?”

Sairo couldn’t argue with that, and held up his hands in surrender. Though he wasn’t a bad looking man, he never could work up the courage to ask a girl out—not like Dwight. Though shorter than most girls out there, Dwight Freerider was daunted by little--which was one of the reasons why they came every Friday after school to eat and chill out at the Golden Hammer, a notorious hangout for the local college boys.

Yawning, Sairo stretched out his arms, resting them on the booth. “So you gonna ask the waitress out, or what?”

Dwight shrugged. “I’m more worried about what I’m going to eat.” He squinted as he studied the menu. Dwight needed eye surgery…or at least contacts, although he couldn’t afford either--nor did he care. “What are you gettin Em?”

Layne Emery flipped the page. There were greasy fingerprints stuck on the breakfast section. “Chicken fingers, probably.” He made a face. “I dunno.”

“Always with the chicken fingers.” Dwight smiled and fished in his pocket for a cigarette. A silver lighter appeared a second later, sparking twice before catching flame. He puffed a couple times before hiding the lighter back in his coat pocket. Taking a long draw, he looked at Em, his best friend, who was studying the menu like an old scripture. Shoulder length brown hair concealed part of his face, while his dark eyes moved back and forth, ever deep in thought.

Dwight glanced back at Sairo, whose left hand was shaking, his stolen watch clinking against the table. Dwight kicked him in the knee.

“Ow!” A hand so naturally tan it could have been mistaken for an Armahsein’s reached under the table and rubbed the sore spot. “What the hell!?”

“Stop twitching!”

Sairost Grainger glanced down, never one to put up much of an argument. “I can’t help it,” he muttered. And Dwight knew it. Stupid, stupid Sairo, he thought, suddenly sorry. What am I to do with you, Sairost? The thought of his full name almost made Dwight laugh. Sairo’s father was a nerd in his earlier days—still was—but used to be an avid PC gamer. Unfortunately, his first son paid the price for it, accepting the name of a hero of some game or another.

“You goin with the Steakhouse today?”

Sairo looked up, and one could see the wheels of taste turning in his mind. He smiled. “If I have enough cash on me.” The youth picked out his wallet, counting the bills. Sairo always paid in cash.

Just then the waitress came back. She snapped the gum in her mouth just before taking their orders. She’d look much better without so much makeup, thought Emery. He had to agree with Dwight though, she did have a nice butt. After scribbling down their orders she was gone in the flash of a red apron.

Butting out his cigarette, Dwight began chastising Sairo about the girl he sat behind in science class. Though he certainly razzed his friend a lot, deep down Dwight cared for him, and just wanted to help. It was his way of prodding his less than determined friend.

While they argued, Emery found his gaze wandering. The Golden Hammer was well lit for a casual restaurant, with TV’s chattering away everywhere on low volume. But oddly enough there was one he could hear clearly and crisply, partially hidden behind the plants that helped separate the booths. Em cocked his head.

A news reporter was explaining something, her white-gloved hands clasped together as she talked. Snow was falling, light and lazy. “Nation has released vital information on 'the war on anarchism', as they call it, about the rebels who call themselves The Black Sun.” Her breath could be seen between words. “According to Nation officials, one of the insurgent’s leaders has been killed in battle. Though Nation is not releasing his identity, they said that this is the biggest step they have taken in securing peace, and that with this heretic eliminated, The Black Sun will shortly be forced to disband.”

An elbow poked Em from the TV. “Do you believe this guy?” Dwight laughed, while Sairo smiled, holding up his palms. Black tape was wrapped around two fingers on each hand, some sort of tradition he had started his first year of high school.

“I would make a good rap artist someday,” he objected. His half crooked went well with his eyelids, which never seemed to open more than halfway.

Emery shook his head, but before they could further the argument, the waitress appeared, three large plates balanced on one slender arm. After mixing up Em and Sairo’s orders, she produced a cup of barbeque sauce from who knows where and set it on Emery’s plate. Dwight smiled innocently the entire time, until she disappeared once again behind the counter.

“I’m telling you Em, she digs me.”

His brown hair waving back and forth, Emery nodded, though he certainly disagreed. Without further delay, the three went at their meals like the young men that they were. When they had finished, Dwight threw his napkin on the table and loosened his belt. He was small and slender, but could put it down when he wanted to.

Em tilted his head and checked Sairo’s watch. It was hard to read due to the twitching. “Dang,” he said, wiping his face one last time with a green napkin. “I have to be back home in five.”

Playing idly with a scrap of food, Dwight shot his friend a surprised look. “Already? It’s Friday man.”

“Ya, I know, but mom’s freaking out on my grades.”

“C’s get degrees.” Sairo nodded his agreement, flashing a surprisingly white grin for a man who took so little care of himself.

Rolling his eyes, Emery shooed his friend out of the booth. Once free, he threw his hoodie over his face, while Dwight hopped back into his spot. The three gave their ‘see ya’s’, and a second later Layne Emery was out the door and into the streets.

Two suns were still out, hidden behind one building or another. Truth and Justice, Em figured, judging by the yellowish light. The Black Sun was the oddball, blue like a flame, and surprisingly bright, quite contrary to its name. How it had gotten that inaccurate name voted in before the change, Em had no idea, but he gave props to the people who had voted for it. ‘Truth’ and ‘Justice’ were far too boring.

The normally busy inner city was unusually quiet, though the repeating messages fromthe screens could be heard echoing off the walls over random street corners. Emery walked quickly, being accosted by the government issued TV’s at every intersection. It hadn’t always been like this, he knew. Years ago, such things were outlawed. But with the rise of criminal activity, Nation had persuaded the government, after years of pushing, to put up the screens—as citizens called them--which spewed forth propaganda that only a handful of people would call news.

On one screen, a dark-suited man with a professional tie blathered on about the high levels of street safety. Whether true or not, Em had formed his own opinions about Nation. His father was always talking about how bad they were, but then again, his father was a criminal.

Instinctively, Em’s hand dug deep into his pocket, feeling the joint that lay hidden and safe. A sudden relief washed over him as he crossed the street, the white ‘walk’ lights blinking him forward. It wasn’t that he was addicted or anything—he was no Sairo--but it was nice to just relax sometimes, though his mother would kill him if she found out.

Or would she? She certainly knew about their father, just as he did, yet she refused to accept it. Although they had never talked about it, Janis Emery went along pretending everything was ok, that her husband was an active businessman, often away on work related trips.

But then again, he was a business man, Em thought, stopping at the next intersection. Cars drove past, sure to obey the speed limit since the recent bombardment of traffic cameras. For the most part the public hated them, but since Em didn’t have a car, he really didn’t care. The light turned and he walked forward.

His black tennis shoes made little sound on the hard pavement. Emery shivered and tucked his hands into his front pocket. It was getting colder. He took a right, a left, and after another few minutes of walking was almost in sight of his home.

An old woman was flapping a rug on her porch, frowning at all the dust it made. With mild interest, Em watched out of the corner of his eyes. It was Sheila, the widow. She made good cookies, but was still a loon.

Further down the road a drone hovered in the air, a black dot from far away. Suddenly Sheila shrieked, and Emery turned his head. One of her cats was running off the porch, a strip of bacon in its mouth. The old woman spat and chucked a nearby broom, missing by several yards. The cat escaped into the bushes.

Distracted, Emery’s eyes missed the slab of cement jutting out, but his feet didn’t. Falling face first, he got his hands up just in time, crashing to the ground with a groan. The cold concrete was unforgiving, cutting his hands. They throbbed, and he swore. Looking up, Em noticed the drone was getting closer. He could hear its blades cutting through the air as it turned, heading off to the east. Tilting his head to watch it go by, the young man saw his home in the distance, and noticed something was wrong.

Terribly wrong.

Scrambling to the edge of Sheila’s hedges, Emery peered through the brambles like a child in a tree-house. Men were running in and out of the house—men in uniform. Masks covered their faces, but Em recognized them well enough.

They were soldiers of Nation.
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Last edited by Danny77 : 05-13-2007 at 10:24 PM.
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Old 01-23-2007, 11:05 PM   #2
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I'm going to have to come back to this. But for the part I got through, I have to say this- your writing is real. It's clean, to the point, and I didn't have to sift through mangled sentences and tons of adjectives to get to the point of the sentences.

I'm really loving this so far. The characters are great. The imagery is great. It's really holding me. I have to go for now, but I'll be back.
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Old 01-24-2007, 04:26 PM   #3
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Glad you liked it...so far anyway Once you get done finishing it, if there's anything you'd like for me to take a look at I'd be happy to return the favor
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Old 01-24-2007, 08:12 PM   #4
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Greetings, Danny77!

And thanks for the read. I quite enjoyed it.

You have a lot of good things going on in Chapter One. For starters, there’s danger to the characters via the oppressive political machine and its lapdog media.

In addition, you’ve done a creditable job of doling out background information in such a way as to keep the reader turning the pages.

You’ve also developed characters in such a way that the reader can easily relate to them, and woven in a subtly complex story line to boot. (His father, a criminal? Ha! I just bet. J)

And you handled the end of the chapter with wonderful skill, dropping the reader straight into a cliff-hanger that’ll spin them right off into Chapter Two.

That said, there are a couple areas that you could consider for potential improvement. As with any critique, these are suggestions only, and only you can decide whether or not they are relevant to your work. Please take them in the helping spirit in which they’re given.

Most important to me, and also to the vast majority of readers, is the opening. So:

Set your scenario and ground the reader in it: Consider: is this contemporary earth or another world?

The characters perform as if they are standard earth characters. The guys flirt with a waitress, have earth-derived names, smoke cigarettes and pot, order chicken fingers, invoke typical earth slang and wear standard earth garb.

Then we step outside and for the first time I see the most intriguing triple suns in the sky, leading me to believe, all of a sudden, that we’re not on Earth. That was a delicious feeling!

As a reader, should I have to wait for it? Or should you put it in the first paragraph in order to hook the interest of anyone (reader, agent, publicist) who opens your manuscript to page one?

In science fiction, as I’m assuming this is, anything you can do to let the reader know where they are right off the bat is extremely helpful. Assuming we are on another planet, one suggestion would be to consider some slight reorganization.

For instance, have the POV character glance up at the triple suns before following his friends into The Golden Hammer (great name, btw, definitely a scene-setter) instead of after they leave.

Forget ordering water (too mundane, and who said that, anyway? J) and order something that will sound exotic.

Make up your own slang. Expand the addictions: instead of cigarettes, use “nicorettes” or something. Instead of lighting them with a lighter, light them from thick slabs of candles on the table or igniter patches set into the pack, depending on the technology level available to commoners. Instead of a joint, an herb cigarette or a ganja cigarette. Anything to make it sound exotic.

Build your world, inhabit it with people with their own customs, dress, and slang, and you’ll entice the hell out of the reader.

If, on the other hand, this is Earth, then you might want to explain fairly early the triple sun system that has evolved, and a waitress who can balance three plates on her arm. J

The POV character: As a reader, I’m not sure until well into the piece just exactly who the POV character is. For quite a while I think it’s Dwight. Then it became clear it's Emory, who throughout the piece almost seems to be three people: Em, Emory, and Layne.

Such name-shifting in the first chapter might seem confusing to the reader unless you’ve firmly set him into their minds. The lack of solid grounding in a particular POV character can do the same, and typically, its best to stick with one moniker.

Check for clarity: Here’s an example of one place where you could boost the clarity:

A man with a suit and glasses was talking about how safe the streets were in one screen as Emery walked past.

–A little awkward. To clarify and trim: From one screen, a dark-suited man in glasses spoke on (dull verb: glorified, eulogized, expounded on) the high levels of street safety. (We already see Emory walking.)

(Incidentally, throwing a hoodie over your face in this scrutinized environment [that’s how I read it, anyway] is sure to draw attention to those monitoring the monitors, unless it’s standard garb for the planet/time frame.)

Best single overall fix: I suggest a 10% word cut. Look at the piece and see how many words you can cut and still maintain the storyline, mood, and pacing. You’d be surprised how much that step alone will increase clarity and boost impact.

Finally: Dude, you are one brave dude! Science fiction is the most difficult genre of all. I’ve been reading it for years, and I certainly don’t have the courage to try writing it. You have an exceptionally good start on your novel. You just need to learn to hone your skill.

(Extremely small nitpick: I don’t know how much this matters, I’ve heard it doesn’t, but in your case this is worth looking into. There is already a book by the title Black Sun Rising. It’s the first book in CS Friedman’s Coldfire Trilogy, and a title most SF readers will know. Hey, just goes to show you, great writers think alike! J)

I wish you luck with this piece. You have a tantalizing opening, with characters who will grow on the reader, and the riveting promise of hope, danger and intrigue as the reader waits (hopefully, as I do!) for Nation to be overthrown.

Cheers,
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Old 01-24-2007, 10:15 PM   #5
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Wow, thanks for the compliments and such an in depth critique!

Quote:
Originally Posted by Tundra Belle
As a reader, should I have to wait for it? Or should you put it in the first paragraph in order to hook the interest of anyone (reader, agent, publicist) who opens your manuscript to page one?[/font][/color]
Excellent point...but I already got it covered (Check out the prologue=))

[
Quote:
Originally Posted by Tundra Belle
In science fiction, as I’m assuming this is, anything you can do to let the reader know where they are right off the bat is extremely helpful. Assuming we are on another planet, one suggestion would be to consider some slight reorganization.
I thought about about that. Right now I havent got all the setting and what not completely figured out, but even if I did I am leaning towards handing it out in doses so the reader doesnt get bored by it all. I dunno, perhaps it could be interesting...who knows.

Quote:
Originally Posted by Tundra Belle
Forget ordering water (too mundane, and who said that, anyway? J) and order something that will sound exotic.
Good point! I will have to rethink that.

Quote:
Originally Posted by Tundra Belle
depending on the technology level available to commoners. Instead of a joint, an herb cigarette or a ganja cigarette. Anything to make it sound exotic. [/font][/color]
More good suggestions, but the technology here would probably be not that much more advanced than our own, though there certainly is a notable difference.

Quote:
Originally Posted by Tundra Belle
The POV character: As a reader, I’m not sure until well into the piece just exactly who the POV character is. For quite a while I think it’s Dwight. Then it became clear it's Emory, who throughout the piece almost seems to be three people: Em, Emory, and Layne.
Yeah I was kind of worried about the reader getting confused about Emery. Obviously its hard to take it from a readers perspective, so its easy for me to understand, but yeah, maybe I'll have to keep his name a bit more consistant, and pull out the other parts of his name later on?


Quote:
Originally Posted by Tundra Belle
–A little awkward. To clarify and trim: From one screen, a dark-suited man in glasses spoke on (dull verb: glorified, eulogized, expounded on) the high levels of street safety. (We already see Emory walking.)
Ahh...I like it!
Quote:
Originally Posted by Tundra Belle
(Extremely small nitpick: I don’t know how much this matters, I’ve heard it doesn’t, but in your case this is worth looking into. There is already a book by the title Black Sun Rising. It’s the first book in CS Friedman’s Coldfire Trilogy, and a title most SF readers will know. Hey, just goes to show you, great writers think alike! J)
Serious!??! Ah CRAP. Man thats a bummer. I had an idea of what I wanted for a title, and it took some good brainstorming to conjure up. Not only does the title sound cool, but it really fits the book well (double meaning, youll find out later) hmm...I think I'll still keep it. (for now, at least)

Thanks again for taking the time to read! If there's anything you would like me to look at, I'd be more than happy to return the favor!
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Old 01-26-2007, 02:42 PM   #6
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I'm pleased for whatever you found useful. I always enjoy the opportunity to critique good writing!

Cheers,
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Old 01-26-2007, 05:23 PM   #7
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Quote:
Originally Posted by Tundra Belle
I'm pleased for whatever you found useful. I always enjoy the opportunity to critique good writing!

Cheers,
Thanks again for the critique (and the compliments) I would love it if you took a stab at the prologue, but if not that's fine. I'll probably be posting the second chapter soon as well, so there's plenty more if you like it
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Old 02-05-2007, 09:54 PM   #8
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Hi Danny77,

Been meaning to take a look at the prologue; finally found an opportunity. Plot-wise, it reads like an entirely different piece, with a strong fantasy/medieval thread. Why place it as a prologue? Is there a major time change or something? Why not run it as Chapter 1?

Well, I'm tired tonight and I want to reread it, probably I missed something critical. As always I wonder, what, anyway, is the real purpose of a prologue and an epilogue? Maybe one day I'll research it to figure it out.

For what it's worth, I'm one of those nasty readers who will skip a prologue and move straight to Chapter One...figuring, if it's not important enough to put in Chapter One, why should I read it? Something to think about.

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Old 02-08-2007, 03:57 PM   #9
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Quote:
Originally Posted by Tundra Belle
Why place it as a prologue? Is there a major time change or something? Why not run it as Chapter 1?

I've always been a prologue kinda guy
As always I wonder, what, anyway, is the real purpose of a prologue and an epilogue? Maybe one day I'll research it to figure it out.
I've always been a prologue kinda guy Particularly to this book, the prologue is paramount for setting the scene and establishing things I can go no further into detail.

Normally, I write prologues to catch the readers attention. Often times I find myself starting a book that the actual start just isn't that catchy. I think of something cool/interesting that's going on a little before or the same time, often from a different persepective, and is still relevant to the story. It's an easier way for me to write something that immediately makes you want to read more

Epilogues are a different story, and that's all I'll say
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Old 04-29-2007, 09:52 AM   #10
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bump
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Old 05-03-2007, 10:26 PM   #11
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anyone else?
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Old 05-12-2007, 08:33 PM   #12
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one more last time. Critique...anyone?
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Old 05-13-2007, 12:01 PM   #13
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Okay, finally got round to reading it (sorry it took so long ), and it certainly has a completely different feel to the prologue, which I think is a good thing. You've got the dramatic opening of the near-riot and Yaemon D'Yaros (really cool name by the way), then it flicks to something really quite ordinary.
I think there might be a slight confusion from the reader's POV as to whose perspective it is from as Tundra Belle said. I don't think its the different versions of Emery's name, I think its more the snippets you put in from Dwight that confuses it. That said, I don't really think you need to change it, as when Em walks home its perfectly clear that he is the POV character. Maybe just tweak slightly.
The only thing I didn't like was:
Quote:
His half smile went well with his eyelids, which never seemed to open more than 50%.
I like the image, but I didn't like the 50%. Perhaps a less numeric way to describe it would be better.
The only other thing I saw was a minor typo.
Other than that it was good. It flowed well and although the pace was slower it didn't get boring, you kept it moving. I'll definately carry on reading
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Old 05-13-2007, 08:48 PM   #14
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Thanks for the advice cat! And glad you liked it I'm still toying with the idea of tweaking the whole POV thing in the beginning, as I perfectly understand what you say. But I like what Dwight has to say, so then again I might leave it. Who's to say?
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Old 05-14-2007, 02:46 AM   #15
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It is nice having Dwight's little snippets cos it gives the reader more of an insight into the characters and it would be a shame to lose that
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