The snow falls thickly upon the city of Asperia, fluttering and swirling in the wind like so many feathers. Feathers so white and pure as if from the wings of angels, frozen into those delicate crystalline shapes only my eyes can perceive. They swirl round and round in a whirlwind of controlled chaos to land oh so lightly upon the ground, already forming a deep blanket upon the rooftop on which I stand, unmoved by the wind, unbitten by the cold.i think it should be a colon after 'feathers', its a fragmented sentence. white, pure and angel feel very clichéd when brought together like this. swirl, round and round, whirling? tautology. surely a contradiction in terms, although i know what you mean.
this just feels a little awkward. a good vision but not quite realised. you can't wind in sharp angles.Far below me the streets glitter with the warm welcoming lights of the human world; shops and restaurants, flickering street lamps and the forever passing lights of transport. Transport now so developed that the air is thick with it, like a swarm of mechanical wasps barely avoiding each other. Down below people make their way along streets that wind in sharp angles around their tall sky scrapers, walking fast, lost in a world of their own as they march heavily against the snow, completely undisturbed by the swarming turmoil above them.
semi-colons? rethink this sentence... 'congested' is usually associated with traffic not guttersThough several hundred feet below me, I hear their footsteps as they crush the fragile stars of ice beneath their feet; their muttered conversations; even the slight jangling of keys in pockets as I block out the consistent roar of machinery. I see a family of birds taking refuge in a congested gutter, now accustomed to this world of metal.
is 'almost' needed here?As I watch from my eyrie, I wonder at how much the world has changed since my death. Everything completely transformed from what it was almost seven hundred years ago when I was still alive – a young woman in my mid-twenties. That part of my life I have almost forgotten…almost.
you could tell us a bit about the historyI stand on the brink, looking out at this scar that is Asperia. Once a beautiful and historical city, it is now a slave to electricity like so many others. The old Saints Bridge is broken and the winding cobbled streets lined with old houses are demolished. Nothing historical is left in this world of modernisation. All tradition has ceased to exist.
if no-one ventures out then the perspective should be from the city, so it should be more like: 'fearing the unknown that lies beyond the cities boundaries' this doesn't benefit from being broken up. it could easily be one sentence repetitionStill I am glad that the great forests and plains of the continent are left untouched, the extensive cities dotting around it like colossal craters in the earth. The humans quickly realised that without the natural regions, their race would perish. An immense wall was raised around the city and no one now ventures far into the reaches of the wilderness, fearing the unknown that lies within its dark boundaries. Childbirth is controlled. Food is plentiful. And the humans live on in peace within their metal cocoon, still ignorant and unaware of the worlds that live parallel alongside them.
unclear image: rain pours, snow floatsSomething awakens inside me. I know that before long I must gain sustenance. I have stood here for too long watching the human world, listening to the soft rain of snow, feeling it brush my white cheeks. Somewhere beyond the walls a wolf is howling. It is time to go home.
semi-colons. repeated image, perhaps simplify or think of something new. this sentence starts off passive and end up active. try to avoid words like: as if, seems, appears, almost, as much as possible. can't see this at all. an unnecessary word followed by an awkward description. repetition of 'passes'. 'all of a sudden' feels a bit young for this piece, wouldn't suddenly have done?For the first time in hours I stir; a blink; a flexing of the fingers. Then I launch myself into the swirling mass of chaos below me. It seems for eternity that I fall, narrowly avoiding high speed aircraft and vehicles. As if time itself is slowed right down, I see the train intercepting my line of fall, a gigantic centipede of the sky. Vertically driving snow smashes against its windscreen, too slow to avoid its soaring velocity. As it passes beneath me, I reach out a hand and feel the smooth metal sliding underneath my fingertips as it passes by. Then my fingers grasp a handhold and all of a sudden time seems to speed up again.
why should here? how can a train veer and spiral? is 'spiral' your favourite wordI am yanked to my left so quickly that it should have broken my bones. But it does not. I hang on tightly as the train veers and spirals through the air, bringing me closer to the Wall. When I am as close to it as possible, I loosen my hold and slip off the vehicle, landing neatly upon another rooftop. The feeling inside me is strong now; I know I must be swift. Here, near the Wall, Asperia is quieter; less people are inclined to leave the warmth of their homes for the bustling night-life at the centre..
softly is redundant here.A man walks beneath me. He strolls nonchalantly, hands in pockets, whistling softly. His scent is warm and musky, mingled with the slight hint of leather and tobacco; I catch the shampoo in his hair; the salt of his skin; the blood in his veins.
you need a better description here.I follow him, moving easily over the rooftops or across the building faces, creeping like a panther; a shadow flowing like liquid night across the hard stone walls. Still several feet above him, I step to the edge of a sheer drop. I look into the black chasm below and jump.
there are a few clichéd images in this piece like 'cat' and 'panther'Such a fall would kill a human being, shattering bones in the impact, but I land silently behind the unsuspecting man with the precision of a cat. It is dark here. Very dark. A backstreet between houses. I feel bad for this stranger. But he is one of many; so many.
if you are going to use a metaphor be sure its original and also be sure it is needed at allHe is young, still untouched by the cruel lines of time, his body exquisitely built. His scent is strong now, almost driving me to madness, the hunger rising up inside me like a wave. He does not notice my presence until I have swept up beside him, holding him close. A gasp of surprise escapes his lips as I bury my face in his neck, my lips brushing his smooth skin. He struggles but his strength is no match to mine. I press him closer, feeling the perfectly toned muscles beneath his shirt, my fingers entwining with his silky hair. Such perfection in my arms, his warm flesh against me almost too much to bear. He utters a low groan as I sink my teeth into his neck.
baring in mind that the previous scene was sensual, this sentence feels staccatoed in comparison and i feel it should continue on naturally from the paragraph above.Images come to me then. Many images as I feel his life flowing over my tongue, quenching my thirst. His name is Lukas. He works at a restaurant. He has a girlfriend; she is very beautiful. He dreams of being married to her one day and working as a pilot. More images and memories crowd my head and I feel him dying.
all in all, a very good read. __________________As I lower his lifeless body to the floor, I grieve for his family; his lover; his stolen life. But I know he will go to Dantalion to be with Hsaru in that magical world I have yet to see. I both grieve and envy those that I take out of this world…
*♥*
My name is Raven, and I am one of the few vampires left in existence. This is my story; a story of love and of war; of angels and demons; and of the created races. Come with me and learn of my city, my Gods and what happened in the war between the great realms of Dantalion and Naberus. Come with me back seven hundred years ago; back to when I was still alive…and still mortal…




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