You can do without "blink, gasp, sigh, blink" - this makes things weird.
Quote:
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Reflex tears wash away fresh spores caught in the drifts of life.
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Awkward. We're there in the car, feeling the wind, watching the horizon and then come these
reflex tears? Are they aliens from Jupiter? I think this can be worded better to make it sound less unnatural.
What do you mean by "unholy water?" Usually the word 'unholy' is uttered by shamen, crusaders, and parents after seeing their children's messy room.
I don't think ears actually tune anything. They catch noise, but to 'tune' is to adjust - your mind does that. You know, you can tune someone out even though you're ears are working just as they always do.
"Scattered innocence?" I don't believe you.
"Increased breathing and longer sighs" - POV shift.
Here, the character, is lost in reminiscence. He/She should be
remembering a girl rather than 'envisioning' - to envision is to see into the future, i believe. (check
dictionary.com - also, the thesaurus feature is useful when words escape their cages.)
The rest of the story seems to be in cahoots with these first few sections. From a storytelling POV, the erraneous uses of punctuation might work in stream-of-consciousness stories, but to me it just gets annoying pretty fast. There's all these images and nothing's holding them together. I say you can also work on keeping things in the present - the whole wishy-washy reverberations of the past is too overdone in a lot of stories (especially in the beginning of stories, and especially when driving - is it safe to fade into memories when driving along this seeming void of road?).