Charlie, I will comment first on the prologue.
Quote:
|
Perfect silence surrounded the Grove
|
.
How can silence be perfect? Do you mean that there is no other noise to be heard? Or perhaps Spearwa hears no noise, not even the noise of the water streaming by..?
Grove should be lowercased.
Quote:
|
She dove into the water. It penetrated and cleansed her body.
|
I can't imagine a stream being very deep. When i lived in the mountains for half a year, I took baths from streams - it hurts to dive in, trust me. I can see maybe diving into a river, but a stream? There are rocks.
"Penetrated" seems to be an awkward choice of words. How can water penetrate her body? - I know you don't mean this literally; you mean it more in a subjective sense, but still....
Quote:
|
Night came upon the mother suddenly as she passed through the fields.
|
Huh? Wait a minute. We were just there with Spearwa and then we're suddenly with a 'mother.' Is it Spearwa's mother or...? This shift makes things really confusing.
In this paragaph, you need to focus more on 'it.' You can use paragraph breaks to amplify the feeling.
You write "breathe" a lot, which is a verb when it should be the noun: breath. Maybe you mean "breathing" in some places and "breath" in others.
Quote:
|
Enock awoke with a sore head.
|
Another awkward transition.
"Reezin bark" - is this a made-up tree?
Quote:
|
on such a beautiful day! If anything, it would do him some good.
|
now it's daytime. Time is whooshing by. First, when we are there with Spearwa, i'm not sure what time it is. Then it's dark with 'the mother.' Now it's day with Enock.
For the rest of the prologue, I think it's really apparent that Enock will find the child. I found myself skipping along, knowing that he'd find it because we already know that she's there. What I think you could do is delete the previous sections and then just write from Enock's perspective. This way, we are just as surprised as he is when he finds the child.