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Old 04-21-2005, 03:51 AM   #1
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Dream Sequence - All The China Dolls - 8th draft

This is the new, extended version of my dream piece, with new title. The sixth version is here: http://www.writingforums.com/viewtop...ighlight=dream

Clearly quite a bit longer than the last one (hence, extended), same story, different design.

Also, could I have an indication from those who read http://www.writingforums.com/viewtopic.php?t=15642 what they thought of the plot? I'm guessing nobody likes it, lol.

***

All The China Dolls

My boyfriend comes home with me after school and only thinks with his little brain, like all seventeen-year-old boys at school do. He gets us undressed, gets me into bed, fucks me, gets dressed and goes home.

I get up and have a shower. I always do that after his afternoon ritual. I stand there under the boiling water and

let the hairspray wash out of my bleached blonde hair,

let the makeup run in tracks down my face,

let the smell of heavy perfume evaporate,

let the blood drip down between my legs,

let the tears cradle at the corners of my mouth and

let the vomit coat my feet and wash down the drainpipe.

I eat some dinner. Not much, but enough for my parents not to worry. My brother tells me that I shouldn’t eat otherwise I’ll become fat and unattractive. For the next few hours, for the rest of my life, I’d like to become fat and unattractive.

I do my homework. I don’t try very hard but I know I’ll get perfect marks anyway. I believe that keeping one’s sanity is more important than keeping good marks. For once, I’d like to get a bad report.

I study tonight’s episodes of teenage soap operas so I don’t have to remain silent at school tomorrow. I watch teenage girls on a not-too-distant planet have mid-adolescent crisises and I watch teenage boys addicted to video games. And I watch everybody have sex.

I go to bed, turn off the lights, and lay there in the darkness. My radio stays on quietly. I trace every scar on my body

the ones on my face, no longer suffocated by makeup,

the ones on my neck, from the hickeys I’ve sat through,

the ones on my stomach, from carving any bit of fat and

the ones on my wrists, from trying to create an individual again.

The tears come up to choke me to death, as I lay flat on my back. The sobs block off my throat, coughing beginning to well in my lungs, leaving me struggling to breathe as the identical china dolls watch me from the windowsill, smiling.

Kindly…

…When the bough breaks, the cradle will fall, and down will come baby, cradle and all.

The air smells different now, it smells strongly of something sick.

It smells of heavy perfume from the David Jones counter… been through there so many times.

The air clutches at my face, wanting me stay trapped and I think I could struggle against it, but fear of rejection is worse.

A sweet-sounding, innocent-sounding, girly voice speaks up, ‘Relax, cover girl’…


… The white light is harsh against my eyes, I want to squint but my eyes refuse to close.

I stare at the hazy, immaculate bodies of the girls surrounding me, staring at their sameness, in waiting.

Manicured fingers of one of the girls stroke my hand and I try to raise it, but it won’t move.

I try to swallow tightly, afraid, wanting to breathe deeply to control my fear. I want to get off this table and run.

Stuck by my own accord, I stay – my wrists not moving, my elbow not moving, my arm not moving, my body not moving.

The manicured hands now hover over my naked body, holding something silver that sparkles, the reflection of the silver dancing over my skin.

A six-year-old girl dances in the shivering metal, in a ballerina outfit, transformed to an angel and brave to be herself around anyone who notices.

I want to squirm away as I panic over the inevitable knowledge of realising the silver is a scalpel, realising in anxiety that the scalpel -

dives inside of me, determined to make changes.

Blood bubbles at the corners of my mouth, staining my lips ruby.

My semi-tortured mind cries out in excruciating pain, the cutting never ending, the ripping, the tearing, the implantation of objects that every girl needs here…

… I bathe silently in blood as my body is stitched together in a new fashion.

Vanity mirrors are displayed all around, I watch myself on all angles, gazing over my porcelain skin.

Now this isn’t what I wanted at all.

I scream inside, wanting to smash those black bruises that will soon give way to a broken prostitute’s perfection…


‘Relax, cover girl…’

I wake up desperately, reaching out hurriedly for the glass of water but knock it over, so I watch it smash on the wooden floor.

‘This morning we’re counting down the top one hundred songs from…’

My hand slams down on the radio, shutting it up. Cheery voices don’t let me sleep.

I try to breathe, feeling my body finally relax, as much as the silicone will allow me to. The same nightmare, something happens once to me and it’s never, ever forgotten. And I can never escape it, even when I’m dead to the world.

Or maybe it’s just seeing the experience every day.

My hair becomes soaked in the sweat that has dripped into my pillow, and that sweat will continue to cover me all day. My underwear clings to my skin, and I look down my bra, upset to find the same large breasts that were there yesterday.

My mother yells out if I’d like breakfast, and I call back in that sweet-sounding, innocent-sounding voice that no, that just every other morning for the past four months, I do not want breakfast.

I swing my hairless legs over the side of my bed and the corner of my doona goes flying over the only uncomfortable looking china doll on the windowsill, covering it.

I dress in the uniform of feminine form – ultra mini-skirt and skimpy top. I

coat my mouth in red lipstick,

spray a gallon of hair spray,

stroke my lashes with several flicks of the mascara wand,

smell strongly of heavy perfume,

wait for the bus to travel with others identical to me and

silently understand that I can vomit and cry later…

… The girls – the ones who aren’t busy with their boyfriend’s hands up their skirts – smile at me in approval as I board the bus.

They all look the same – perfect bodies, clear skin – and I look the same as them, and we appear to be numb.

I sit in the spotless leather bus seat besides another girl who looks just like me.

Fluid creeps down onto my pure white school sock and I look down to see dark red blood puddling into my shoe.

I follow my eyes to see where it comes from and I see the girl beside me, then see the blood running down her legs.

Carefully, not to catch anyone’s gaze, I look around the bus at the other girls.

We all smile with flawless, symmetrical white teeth and while for many that smile echoes in their eyes, for some

their eyes are sweating or

their eyes are bleeding or

their eyes are trying to recover from the nightmare of the night before or

their eyes are everything…

… I walk past the chemistry classroom and hear tormented screaming.

Though I know what will be there, I look up through the windows.

A girl tries to thrust and jerk on the table, uncertain if she wants to fight the scalpel, living out our pasts and our current to future nightmares.

Blood sprays on the windows.

I refuse to close my eyes until I absolutely have to…

… The temptation to vomit overpowers the need to look the same.

I rush into the school toilets, my hand hovering just over my mouth, trying to not smear the makeup.

But then I freeze, about to dash past an open cubicle door, and look inside.

One of the perfect girls, trying to slash at her cream porcelain and sky blue veined wrists, with a scalpel.

The little ballerina continues to dance bravely in the dark.

The girl looks up at me, bitter tears smeared across her eyes, and I completely understand.

I’m excited for her.

Not many of us are able to be on our own anymore.

While my need for vomit remains, I kneel down before her, and begin to stab her veins and arteries, her gagging sighs singing as relieving music for the both of us.
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Old 04-21-2005, 10:12 AM   #2
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I don't understand it, but it's good stuff. Don't know if the non-capitalisation in the repetitive bits is intentional, but that's really the only thing I could find wrong with it.

-Hand, Orang-utan of Doom
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Old 04-21-2005, 04:20 PM   #3
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I'm sorry I don't have much to critique, just wanted to say that this was very good. i think a lot of china doll girls can relate.
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Old 04-21-2005, 07:32 PM   #4
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I like this draft so much betterr than draft six.

Quote:
let the hairspray wash out of my bleached blonde hair,

let the makeup run in tracks down my face,

let the smell of heavy perfume evaporate,

let the blood drip down between my legs,

let the tears cradle at the corners of my mouth and

let the vomit coat my feet and wash down the drainpipe.
I found these lines very effective and liked how you used them later but sligghtly altered.

This time I understood that she was dreaming, and which part was the dream. Last time I had no clue.

I only saw a few grammer things.

Once again, I must say that I really liked this 7th draft.
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Old 04-21-2005, 07:44 PM   #5
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Ok, that ws amazing, just flat out, amazing.

I read it three times and enjoyed it more and more each time.

You are working on this for publishing correct?

Wow...
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Old 04-21-2005, 10:13 PM   #6
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I also don't have much to add expect this absolutely blew me away.

I was concerned for a moment that there were too many endings. I thouhgt it could have ended here:

Quote:
smell strongly of heavy perfume,

wait for the bus to travel with others identical to me and

silently understand that I can vomit and cry later…
or here:

Quote:
their eyes are sweating or

their eyes are bleeding or

their eyes are trying to recover from the nightmare of the night before or
But I was wrong. It was worth getting to the end.

I do, however, think that if my daughter wrote this I'd be worried about her. Do we need to be worried about you?

Have you read any Jeanette Winterson? I think you should. I thought the style you used here is exceptional post-modern feminist, and I think you'd appreciate Winterson (look for Sexing the Cherry).

That was really an exceptional piece of writing. It shows what a bit of hard work an accomplish, and why some things are worth persevering with. I haven't read any of the previous drafts, and I'm glad I didn't. I thought this was going to be something else (the other dream sequence I commented on a while ago, the maze one) but it was nice to strike this one with no map.

Very well done.
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Old 04-22-2005, 09:04 AM   #7
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Thanks everyone. So many drafts in, I'm not looking to change lots of storyline and such, mainly just to see if there's lines that don't fit and mistakes and etc before I go on with the assumed eighth draft.

Hand - the non-capitalisation was intentional. Originally they were capitalised, then I stuck commas on the end and made them all lower case. There wasn't much behind doing that, mostly just trying to break the flow a little.

Gohn - I personally like this better than the other drafts. I figured this time around it was easier to tell the difference between the dream and reality.

Bwriter (I feel bad if I call you a bad writer) - This isn't actually really being worked on for publishing... it's actually an assignment for my class, and about the fourth draft into it the teacher said with more drafts it'll be publishable... but he's given me all year to do this assignment now to make it up to publishing standards.

Talia - You don't need to be worried about me. This is all fiction.
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Old 04-22-2005, 10:39 AM   #8
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Send it to Pendulum. And that goes for the rest of you.
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Old 04-22-2005, 01:14 PM   #9
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You have the gift.
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Old 04-24-2005, 03:03 AM   #10
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Quote:
Originally Posted by Hand
Send it to Pendulum. And that goes for the rest of you.
Lol and as I told you before, I'll send it when I'm ready to...

I have a gift? Is it chocolate?
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Old 04-24-2005, 06:03 AM   #11
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Chocolates are lousy gifts. You eat them and they're gone forever, though the sugar-consuming bacteria covering your teeth remain.

This is why money makes a better gift than chocolates.
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Old 04-24-2005, 10:34 AM   #12
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Hmm depends in context...

Okay hand over the money, I'll go buy chocolate with it.
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Old 04-26-2005, 10:44 PM   #13
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This was simply WONDERFUL lisajane.

It was really touching and truly deep.

You said this was for school. Are you a student? Because if this writing came from a teenager it would be simply mindblowing.

Truly great.

I really really liked it. I got drawn into immediately.

Excellent!
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Old 04-27-2005, 01:05 AM   #14
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Thanks Rocky. When I say stuent, I'm doing my diploma. I'm 20.

While I'm on this thread, I wrote the eighth draft eariler. I'll replace the first post with it.
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Old 05-14-2005, 01:16 PM   #15
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Lisajane - call it favouritism, but I was really scouring the archives to find what was new with you while I'm checking in. I'm glad to see you're still working with this and you actually have the determination to get to an eighth draft... it's very good, and I actually dug the repetition more than I would expect myself to, though I don't know how easily publishers would accept the format.

In the humble opinion of someone your younger - you're definitely improving. I don't have the energy to scour further, so if you read this, have you done anything with your second baby - the slightly disturbing little boy turned reminiscing adult?
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